A.J. Walker

writerer

A Night at the Casino Where Everyone Is A Winner

Went to the Liverpool O2 on Friday to see Casino’s biggest hometown gig, where they were supported by Heavy North. Several years ago I went to the Arts Club (don’t confuse it with the Arts Bar btw) to see the Heavy North supported by Casino. Both top Liverpool bands and matey too.

I didn’t see the second support (Neil Noa) as my sorry old body wasn’t up to it (it turned out it wasn’t up to two bands either, but that’s a different story).

I grabbed a pint of something wet and expensive and headed up the front of the venue and grabbed a bit of rail on the far right of the stage. Got chatting to John from Bury, a big music fan and a Liverpool FC fan to boot (a big fan of Heavy North who’s seen them at least as much as I had, but hadn’t seen Casino before).

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Heavy North came on stage right on time to play their half hour or support slot and hit their groove straight away with a couple of tracks from their first album. The atmosphere for their performance was great and the O2 had filled considerably. I was glad I had bagged a place at the front, resting on the rail and dropping the pint on to the step on the other side for intermittent retrieval was a godsend. The set was a pleasure to hear and every song was celebrated with loud applause. The crowd were there to see the bands, not to chat which is sometimes an issue when I’ve been to the O2. Didn’t manage to grab a set list when they finished but LFC John from Bury did.

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Casino had a hard act to follow even if they are all mates. They rose to the challenge and performed brilliantly with their new single, Heaven, kicking it off. By Your Side was greeted like an old friend with everyone singing along. It was clear the band were loving the night too and they played as a tight outfit—like they always do to be fair. They’ve got tons of great songs that always get the crowd going. Now if I could just hold an album in my hands...

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Very Mostly Water

Not been out singing at Open Mics much this year at all. Not even approaching double figures out there, but I went to the newly moved OM night at the Dispensary on Monday. Yep, it’s moved to Mondays so that it doesn’t clash with any footy (or will do so a lot less often) now that Liverpool are back in the Champion’s League (which has games on random Tuesdays, Wednesdays, and Thursdays to make it difficult as far as I can see). There’s also other OM nights on the Tuesday (including the nearby Metrocola), but to be fair there are OM nights all over the city on nearly every day really so any day will clash with one or another.

Last Monday was one of the wettest day in the recent history of the city so it was a bit of a last minute call to get out there. I felt I should make the effort after watching too much telly (I’d binge watched Ludwig on the iPlayer). Got wet going to the bus, then got wet leaving Queen Square, had a quick pint in the Vines before getting wetter with the last few hundred yards to the Dizzy.

Dave O’Grady was there and a couple of regulars—and a newbie (Dan?) on his first Dizzy appearance. Headzic played his double wok after him, with all his man-made sounds of rain falling to compete with the real stuff outside, then I went up to play a few songs (five). Dave came up after me and played some of his bluesy tracks.

With the constant (around 36 hours) rain I went with Bap Kennedy’s ‘
Mostly Water’ first. Think I’ve only played it once or twice in the wild before. Followed that with ‘Splendid Isolation’ Warren Zevon (don’t play that often either), then it was a few of my old dependables: ‘Heart Breaks Like the Dawn’ Chuck Prophet, ‘Oh My Sweet Carolina’ Ryan Adams, and, due to requests, ‘Whiskey in my Whiskey’ Felice Brothers. Five songs—that’s like an EP’s worth. Afterwards chatted to a nice couple from Munich who were travelling through the city and they’d loved the OM. Said it was rare in their part of the city. The guy asked if I’d written the songs, to which I replied with the names of the singer songwriters who actually had. He knew all of them (though maybe not Chuck P), but said he hadn’t recognised them when I was playing them. I confirmed that by not playing the guitar well I did them in my own way and by necessity ‘made the songs my own.’ His other half had said she’d loved them and had been looking up the songs whilst I was playing them—which you can take in multiple ways. Anyways for one reason and another I was glad I’d made the effort to go out.

And incredibly when I walked out on to Renshaw Street it had actually just stopped raining. Though Liverpool was still remained mostly water.
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A Couple of Great Gigs to Come

There are so many good gigs coming up over the next few months it's scary difficult to choose between them all. But I've booked two of the best for now—with no doubt a few to follow. The first one (at this point) is Casino—very ably supported by the Heavy North and Neal Noah at the Liverpool O2 Academy. I've seen both Casino and Heavy North multiple times and I'm never not happy about seeing them. They are both top of the toppest drawer.

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And when the Lottery Winners announced their December gigs I couldn't not get a ticket to see them. The difficulty was choosing which of the three nights to go for. In the end I choose the second date, where they will be playing all of ART and their hits. They are another band I've been lucky enough to see multiple times and they are never less than brilliant. I'm sure all three of the nights will be amazing. But I thought a Saturday between Christmas and New Year may be a better day to travel on than the Sunday.

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Now who next…?
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Kowloons et al: Another Fab Sofar Sounds

On Wednesday I went to another Liverpool Sofar Sounds gig. This week it was at a nice cool venue, near London Road, called Fabric on the ground floor of the building which also houses Slate. Saw Heavy North play their Sofar gig there in September 2022–jeez, almost two years back.

This was another sold out evening but there were plenty of seats for everyone. The backdrop was large and bright white—it’s a photographic studio—which made for an interesting look. There were three acts on, as ever. First up was a country singer with a decidedly US twang to his singing voice; and was wearing a Stetson to boot.
Jake O’Neill though isn’t so much as from due west of here, but just a few miles north in Burscough. Nice songs and mighty fine guitar work from the Lancashire Frontier.

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Second guys and gals up were a duo, from the folk band
Kafasān with some fine flute playing from Savannah Donohoe and guitar too. Mostly they played their own stuff, but there were a couple of trad tunes and a Richard Thompson song too. Unfortunately here was no time to fit in any Jethro Tull.

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Lastly it was time for a full band of four young locals called
Kowloons (as in Hong Kong). They’d posted a picture up on Instagram earlier showing their gear at the event so I was able to get to listen to a few of their songs whilst I was on the bus into town. Nice short snappy songs. I was sat next to Chris Griffiths from the Real People who were the masters of the two and half minute pop songs. I reminisced with him about seeing them play the Krazy House in the early 1990s and then getting him to play at Liverpool CAMRA beer festival

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It was Chris’s first Sofar gig (attending or playing) and he was there because his son was actually playing bass in the Kowloons. Wonder if they can get the Real People to play Sofar sometime too? Maybe a double header with the Kowloons.

All three acts are out there with songs to play and stories to tell, so get yourself out there and support them. Or at least don some headphones and listen to some of their songs on Spotify (or wherever else you can find their music).

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Some links below:

Jake O'Neill - Spotify
Kafas
ān - Spotify - Instagram
Kowloons -
Spotify - Instagram




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A Festival on the East Coast

DocksFest 2024

Originally I only got a ticket for DocksFest because I spotted it when I was looking for an opportunity to see Frank Turner again. So I was made up when I found this day in Cleethorpes—especially when I saw the Lottery Winners were playing the event too. Two of my favourite acts of the moment in one place. And an utter bargain to boot (£55) and Feeder and Razorlight too. Not too shabby.

Of course I couldn’t get there and back in a day so I ended up booking a room in a house in nearby Grimsby for two nights. My original aim was to have a day in Grimsby, the following day in Cleethorpes for the festival and then Hull on the Sunday. The best laid plans, eh?

Stagecoach buses were on strike in Liverpool for four days from the Friday which was unfortunate for me as that meant there were no direct buses to Liverpool city centre from my neck of the woods. But amazingly I ended up getting two Arriva buses into town and made it to Lime Street Station on time. I even had time to pick up a decent—and most required—large coffee. Job done.

The train left a few minutes late and it was pretty packed due to the previous Manchester train being cancelled. But I got a good seat with a table for the journey. The train takes all in 3.5 hours direct from Liverpool Lime Street to Cleethorpes (but I was to get off the stop before at Grimsby Town). There were several stops in a few places I’ve never heard of once I was in Lincolnshire. It’s lucky there is a direct train to Cleethorpes—even if I don’t quite understand why—and it is damn regular too (every hour).

Check in at my digs (which was just a room in a house in a housing estate in the southern part of Grimsby) was not accessible for “check-in” (in theory) until 4pm so I headed for a few pints in Docks Brewery, which is just to the north of the town centre. Ended up chatting to a few staff there, including Stu, Dan and Callum. All were good blokes who were very excited about the festival. People were coming and going between the brewery and the event space: the Meridian Showground—which was at the southern end of Cleethorpes, the next town along. They were all into music as well as beer and I managed to get a couple of new fans for the some Liverpool bands including the Heavy North and Casino: spreading the gospel. They had three cask lines on and plenty of keg. I was even shown the upstairs room which is basically a hall at the top of the converted church. Was a lovely space and had its own bar too. They have some pretty decent gigs coming up over the months ahead.

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Docks Beers Brewery, Grimsby

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Docks Academy, the venue space upstairs at the brewery

The house proved to be a modern three storey mews and it had a key box with a code entry to get the keys, and there was a code on the door lock for the room too. The only person in the bedroom accommodation in addition to me was a Polish construction guy who had lived there for over a year. Assume he’s negotiated a decent rate. I never met the people who owned the house (or checked in of course). On the Friday I ended up staying in and watching the footy on the TV by the kitchen. There was nowhere local to go to and I didn’t really need another couple of bus journeys. Besides, I was knackered.

I didn’t get to sleep particularly quickly as it happened, as my phone wouldn’t charge. Whilst I had a print out of the ticket for the festival the phone had my rail ticket on—and my Railcard. It took a lot of effort trying to clean the charging port to finally get it charging again. I was a bit panicky for a while thinking I’d have to go to a phone shop the next day (with no access to maps, bus information and the like).

Next day was a cold shower, as I couldn’t get the hot water going on it. As it happened the weather was atrocious and I ended up wetter waiting for the bus than I did in my limited visit to the cold shower. I headed up town to the Courtyard Cafe for a Full English to set me up for the day. The weather forecast was all over the place with some suggesting rain until 6pm with thunderstorms for several hours. Not ideal but would at least mean it would be dry for Frank Turner and Razorlight. But who believes in weather forecasts anyway. And lets face it thunderstorms are usually localised and therefore hard to predict. Perhaps we’d be lucky.

First up though I had been given the heads up on a few places to have a pint in Cleethorpes by the guys at Docks Brewery (and from my cousin who is from Cleethorpes) so I checked out the locations, on my thankfully functioning phone, and planned my route (they were along the front of the seaside resort). I walked up to the beach first to take a look and a couple of shots (photos, not drinks) as it would have been wrong not to. Historically of course John Prescott the Labour MP from Hull had suggested in an early incarnation of the Northern Powerhouse that Liverpool to Hull should almost be considered as a single city with Sheffield, Leeds and Manchester in the middle, so the Cleethorpes beach is just the very eastern side of Liverpool and is twinned (in all but fact) with Crosby beach. Probably.

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The Old Vic, Cleethorpes

Nottingham
The Nottingham House, Cleethorpes

Willys
Willy's, Cleethorpes (note that it had finally stopped raining!)

The Old Vic at the top of the promenade had three casks on, and two were from Docks Brewery. So I had a pint of
Flypast by Docks. After a bit of a chinwag with the staff and much checking of the weather (both through Apps and the window) I headed down the front to Nottingham House. Had a pint of Oakham Citra there. Saw a group of lads in there heading to the festival and spoke to the barmaid. She was made up about the festival as there is not usually many options for people in the vicinity. Heaven knows where they normally have to travel to to get to watch a band or two—other than tribute acts.

Next up was a walk further along the front to Willy’s. Had a nice pint of
Lune Pale there before heading on to the bus stop for another bus to take me to the Meridian Showground. The last top before heading on into the festival was the ‘Smallest Pub in the World’ (I’ve not verified that) which was the Signal Box Inn. The weather though cloudy was breaking up. There were dark clouds and light ones and even patches of blue. Things were definitely looking hopeful. The outdoor area by the pub was packed. There were Frank Turner and Lottery Winners T-shirts everywhere. It felt like coming home. I ended up chatting with Lottery Winners fans in the main and a few Frank fans too of course (hell it’s a big club)—meeting people who travelled from Glasgow, Coventry, Bradford and Peterborough etc who’d just come to the town for the festival. Didn’t spot anyone wearing Feeder or Razorlight T’s but I dare say there were some there.

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Signal Box Inn 'the smallest pub in the world' or certainly Cleethorpes

Signal Box

A pint of Docks Beers 'Demolition' outside the Signal Box (with the rain still staying away)

After two pints of
Demolition I headed into the site with my Winners T-shirt on. I had my little rucksack with me and after showing my ticket got through security pretty damn quickly. It wasn’t long before I was at the bar and with a pint of Docks ‘Clap, Clap Fish.’ Everything was working like clockwork. I bumped into—and bumped fists—with Stu from Docks who was looking pretty happy (hell, it was his birthday apparently). I caught the very end of Afflecks Palace in the dry, with an occasionally blue sky backdrop, before bumping into some Lottery Winners fans I’d chatted to at the Signal Box. There were Winners T-shirts everywhere as we headed in towards the stage. The rain seemed to be a memory.

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The Lottery Winners, DocksFest 24

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Lottery Winners, DocksFest 24
The chat was great as everyone was looking forward to seeing them and enthused about having seen them before at gig a) or b)—(or in the Coventry case—26 times! (If I remember rightly)). Some were looking forward to seeing them for the first time (hard to believe I know). Before too long Thom and the band came on—with Thom complaining he wasn’t feeling very well. He soon felt better as he wound the crowd up to give him massive cheers as if he was a superstar (he IS). The performance from the band, including the ill/not ill, Thom was fab and they got their fans going mad for it: and I dare say captured plenty of new fans too. People were dancing, singing, and raising their fists (to the now forgiving sky) in accompaniment to the band. I’ve been lucky enough to see them a few times and they are never less than full value for money—and proper uplifting. You can’t not smile at the gig (which explains Kate’s always smiling face).

Feeder were on next and it was time for another pint of
Clap, Clap Fish and a dewatering visit. The toilets, food, and the beer buying went very smoothly indeed for a festival.

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I sat down near the sound tent with my pint and slightly tired legs. Feeder were soon up then. They opened up with the most familiar Buck Roger’s (“it’s got a CD player, player, player…”). Brave to start with that and not end with it. The sound throughout was good and the weather was behaving too. Walking around there were some isolated patches of surface water but there was no mud at all: amazing given the way the rain came down in the morning.

After Feeder it was time to get another pint in before putting on my Frank Turner T-shirt above the Winners one and then heading towards the stage. I chatted to some people who were trying to listen to the England match or watch it on their phone on iPlayer (sorry, it was Switzerland v England in the Euros QF). I got hit on my knee by a mobile phone as a rather ‘happy/unhappy’ guy celebrated (not) when Switzerland scored. He wasn’t throwing it at me, he’d just not caught it after tossing it in the air—like his phone; I’ll live.

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Frank Turner (without the Sleeping Souls), DocksFest

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Frank Turner getting the crowd singing, as ever.

Well Frank was quite frankly, Frank. Excellent and coolness personified. He was introduced to us—like all the acts—by the local lad Lloyd Griffith who informed us that England had beaten Switzerland on penalties (Trent had scored the winning penalty). Can’t say I was sorry to have missed the game. Watching live music in a field is preferable to watching England anywhere. As I say though Frank was bloody excellent. If you’ve not got on that train yet then it’s time to jump on board (and that goes for the Winners too (the Lottery ones, not the England ones).

It was a tough day on my knees and I had to make the unfortunate decision to miss Razorlight. I went (via one in the Signal Box) to get a bus. I thought a bus part way would be better than no bus at all. It was definitely the correct call as I struggled to walk and needed frequent rest breaks over the 2 miles or so I had to walk. I got home in one piece though.

On the Sunday I went to Grimsby by bus and got myself a nice breakfast and a very large coffee at Riverhead Coffee. I’d had to give up on the idea of going to Hull. In my head I thought Hull and Grimsby were very close together, but it’d be an hour and a half minimum each way, which wouldn’t have left much time for a mooch (in my head the distance between the two places was similar to Liverpool and Birkenhead. My head was wrong on this occasion.) In the end I just walked (slowly) to the Docks Brewery (there not being pub options in Grimsby other than a Wetherspoons) again. The place really is not vibrant enough for much of a music scene. So much kudos to my new buddies for giving them a permanent venue in Grimsby and the festival too in Cleethorpes. Wasn’t sure they’d be open after the Saturday exertions, but they were. Ended up meeting Stu and Dan again. Both were made up with the way it had gone and both were pretty knackered.

It was then time to return to Grimby Town station and head on back to Liverpool. The train was on time and got to Liverpool on time (thankfully, because the toilets were fooked). All in all it had been a top weekend. The Docks people had done mighty good stuff. And I’m glad my search for another Frank Turner gig had led me to this event. Roll on DocksFest 2025.

Oh and the buses were still on strike so it was another two bus journey to go the six miles to mine. Ho hum.
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DocksFest 2024

Next weekend I’m going to Cleethorpes for the first time in 35 years or so. It’s an old resort town, maybe an east coast version of Southport or perhaps Rhyl, just south of the river split conurbation of Grimsby and Hull. But I’m not going there to check out the beach or the faded past. Nope I’m going to single day music festival. Two of my favourite acts are playing there: the Lottery Winners and Frank Turner. The headliner for me is Frank, but on the poster it’s Razorlight. In addition Feeder are playing too and a couple of other bands: Affleck's Palace, Orphan Boy, and Healer.

I’ve seen Razorlight play far too many moons ago at music festivals and I saw Feeder supporting REM at Old Trafford some years ago too. All in all it should be a good day.

DocksFestLineup

It was only this weekend I discovered that DocksFest is not named directly after any local docks, but is actually named after the Docks Brewery, which is in a converted church in Grimsby. That’s good news. Let’s face it after years of going to T in the Park and V Festival the fear of really poor and greatly overpriced beer is great ("T" was for Tennants after all, which left me with a weekend avoiding that and settling for mass produced cider). So at this festival (and in the surrounding areas) there should be a few beer options to accompany some mighty fine music. They are obviously well into music with plenty of gigs listed on their website, and this is to be their first festival—at the Meridian Showground in Cleethorpes.

The weather forecast at the moment is dry with sunny intervals (but a week in advance it’s really anyone’s guess). I can’t wait whatever the weather.

There may still be tickets available. If you’re in the area look it up. Good beer, hopefully okay weather, and very definitely fab music (I’d happily watch Frank Turner and the Lottery Winners every week): bring it on.

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Check out Docks Brewery at
https://docksbeers.com
And look for tickets at
https://docksacademy.com/event/docks-fest-2024/
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Upcoming Gigs

Looking forward to next weekend when I’ll get to see the fabulous Lottery Winners on Saturday at Blackpool Tower. Last time I went there for a gig it was for Radiohead. Very different music of course but both brilliant bands. And this week during a sleepless night I booked my accommodation not far down the road which looks pretty good. Whilst I couldn’t sleep I was looking up Frank Turner gigs hoping I’d just missed an announcement of a tour 'cos it seems like forever since I’ve seen him (it was 14 months ago in Wolverhampton, where he was supported by the Lottery Winners).

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Anyway he’s playing tours all over one continent and another but no UK tour just a few festivals. Not having a car to go to a festival and with the way my knees are at the moment I’m a bit unsure about going to a festival. But there was one gig that stood out where Frank Turner is playing in Cleethorpes at Meridian in an event called Docksfest. Somehow he’s not heading the bill, which is scandalous, however the primary thing he IS playing—he’s either second or third on the bill with Razorlight, Feeder, and the Lottery Winners! It’s a one day event, so just a train and a B&B then (and unfortunately overpriced crap beer). Probably end up with a place to stay in Grimsby. The main thing is I’ll be getting to see Frank do his stuff once again and with his buddies on the same bill too. Top. Bring it on!

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Gigs of '23 and the Coming Year

Didn’t have a packed gig year in 2023, but I made it to a few favourites and found some new favourites too. It was great to get to Frank Turner again at the start of the year in Wolverhampton, but most my gigs were more local (okay, all were) with events at Phase One, Camp & Furnace, Future Yard, Olympia, and even at Neptune Brewery. Ended up with multiple Casino, Heavy North, and Lottery Winners gigs-Robert Cray after a long wait between appearances for me, and saw Professor Yaffle for the first time (at the brewery). All top bands. I went to a few Sofar gigs too introducing me to even more new music.

I’ll be happy if next year matches it. So far (not Sofar) I have two gigs booked and once again quite predictable and, no doubt, fabulous. I’ve got the Heavy North at the Arts Club at the beginning of February to look forward to and then a return to Blackpool Tower to see the Lottery Winners. The last time I went to a gig there it was Radiohead in 2006. Yes, Radiohead in Blackpool! Should be boss.

I’m gonna aim for a gig a month. That said I have a crap aim. At the end of the day though you just can’t beat live music, can you?

Happy Gig Year to you all for next year.
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September Sofar So Brilliant

Was lucky enough to get a ticket for the Liverpool September Sofar Sounds night which was a quite lovely bijou affair in Prohibition Studios on Arrad Street just behind Hope Street. It is just a few doors away from the Keystone, which was just about my favourite Liverpool hostelry for a year or so. It was a sad day when that passed away. I did go a few times and play at the Keystone open mic, which was hosted by John Witherspoon (who I didn’t know prior to these sessions). One of the singers I met there was the gentle fingerpicking John Lindsay. A good guy and a fab singer, so I was pleasantly surprised to find that he was one of the acts on the night.

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He’s definitely come on as a performer and had good line in top banter. He’s playing Jimmy’s this Saturday to celebrate a) his new album (it’s on a credit card/USB combo), and b) his leaving of Liverpool. He’s only in town for a few weeks before heading back to the far east. Anyway have a listen to his lovely tunes and if you are near Jimmy’s on Saturday then pop in and see him (playing upstairs with Ali Horn amongst others); he’ll love you forever if you do.

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Second up was a singer from slightly further afield: Mae Krell from New York. Again playing an acoustic guitar (a small old one (hey, I know my guitars)). Her singing voice was lovely to listen to and belied her origins and her speaking voice. I don’t mean there was anything wrong with Mae’s speaking voice, it just didn’t tally. Of course accents usually don’t come across that strongly in songs. Her songs were nice stories and enjoyable to listen to. Definitely give 'Garden' a listen to (it's on Spotify link below). I also particularly enjoyed the song featuring her dog, Apollo. She’s played a few Sofar Sounds around the UK and I guess she’d have gone down great guns at every one.

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Finally it was the return of Saije to Liverpool. They apparently plaed at a Sofar gig in the city in June. I didn’t make that one. The band comprise a guy and a gal from even further afield than New York who both play acoustic guitar. Saije (pronounced Sage) are from the east coast of Australia and have been touring all over Europe this summer. Their voices compliment each other brilliantly, with the first song in particular giving me a Of Monsters and Men vibe. I liked the way the guy played cymbals by having a drumstick tied to the guitar stock. Haven’t noticed anybody else playing percussion like this on stage before. The final song in French was an instant classic. Bon-bon indeed.

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I’ll definitely be giving all three acts a listen on Spotify (links below). If you do get the opportunity to see them (or purchase their albums (in CD, Vinyl or Credit Card form) do so.

P.S. Jen did a mighty fine job hosting the night.

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John Lindsay spotify
Mae Krell
spotify
Saije
spotify

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Liverpool Sofar Gig, August '23

Wednesday last I went to my first Sofar Sounds for quite a few months. Couldn’t find my email confirmation or the day before an email telling me where the venue was. Luckily I know someone involved with Sofar and they confirmed I was indeed on the attendee list. It was a bit of a mystery why I hadn’t received a confirmation or details email. I subsequently found that because the booking site had defaulted to Apple Pay, rather my usual, the email had gone to my Apple email account. Glad to get that solved. I’ll know where to look for such messages next time.

I was told the venue was Scale, which is above Tapestry on the streets behind the former TJ Hughes. I’d been there for a Sofar gig once before, a couple of years ago, and it was a lovely venue. No draught ale, but they did have some cans. Could be worse.

Last time I saw an excellent laid back acoustic performance by the Heavy North. It was the first time I’d seen them and I loved them straightaway; I’ve been lucky enough to see them a couple of other times (and have tickets for their December ‘23 gig). This time there were three acts—as usual—and I loved all three. Links to the music and/or websites are at the bottom of the page.

First up was
Motel Sundown, who aptly played their set as the sun went down and played on the wall behind them. They were an acoustic guitar (and soft percussion) three piece as melodic and harmonic as you could hope for. My kinda Americana roots style.


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Motel Sundown (with the sun going down behind them)

After the sun went down it was the time for the very pink
Wax-Tree-Cast. They played as a duo, with a female lead singer and a rockabilly guitarist. Like I said, both very pink. Don’t think it is a Barbie thing either—but what do I know. Played some great songs, with not much chat. But they did say the band (they are not usually just a duo) were to support Johnny Marr, and The Charlatans in their hometown gig at the end of the month. That sounded cool. They mentioned they were giving away a couple of tickets in an Insta competition which sounded good. But unfortunately their hometown is Halifax. I took the time to look it up and the day’s trains are affected by strikes, so I didn’t try for it. Would love to hear them with a full band—and I guess if they are supporting the Charlatans they must have a good sound.

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Wax-Tree-Cast

Incidentally the strange band name made me wonder if it was down to a
What Three Words location. I downloaded the App just to check. And guess what… it wasn’t. It was a nice few songs and I definitely wish them the best for their gig at Piece Hall; oh, and their song out this week, which they played on the night, ‘Oliver Reed’.

Last, but not least, was
Ruby J. I’d never seen her live before but have seen her several times on some decent footage before via Twitter and YouTube. A fabulous act. She played her acoustic guitar accompanied only by her distinctive voice. She’s gonna be a star. Get on over to YouTube—or even better find a gig—and see for yourself. I’m lucky enough (as were a few people who were at the Sofar Sounds gig) to be able to look forward to seeing her again pretty soon; as she’s supporting Casino at their Hangar 34 gig in October. Result!

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Ruby J

All in all a damn good evening.

Since then I’ve been lucky enough to get a ticket for the next Sofar Sounds gig, which is apparently a highly limited venue (I think there were 70 at Scale and there will be fewer than 40 at the September one). Intrigued to see where the venue is and who’s playing. I’ll have to wait until 36 hours before the gig to find out where I’ll be bound for.


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Ruby J

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LINKS:

Sofar Sounds website
Motel Sundown Spotify
Wax-Tree-Cast Spotify
Ruby J Spotify
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Live Music '23

Barring unforeseen Twitter wins of a pair of festival tickets - hey, it’s happened before - I will go though 2023 without going to any music festivals, which is a bit of a shame. But I’ve been to some good gigs this year (Frank Turner, Robert Cray, Casino, and Lottery Winners, and a Sofar gig or two included). I’ve some more to come with a wee bit of repetition: I’ve a day at the Future Yard in Birkenhead this Sunday with the Lottery Winners, The Kairos, and others playing; then the August Sofar Liverpool gig; Guise and Hannah Rose Platt at EBGBs; Professor Yaffle in September at the brewery (Neptune); Casino at Hangar 34 in October; and, The Heavy North in December at the Camp & Furnace. Looking forward to them all; whilst not wishing the year away.

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Frank Turner - Saw at JJ Steel Mill in Wolverhampton

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Robert Cray, saw at Olympia in Liverpool

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Lottery Winners - Saw at Phase 1, Liverpool


Had a good chat about bands and music in general with a couple of blokes over a pint the other day. But was a bit surprised when one of them said he wasn't into live music - he just preferred the records. Don't get me wrong, I do love the recordings but there's something about live music which is joyous and compelling. In the moment you are taken out of yourself and the memories live long too (and it's usually cheaper than a footy match too). You honestly can't beat live music (in my opinion; but apparently not everyone). Obviously seen a lot of boss people at open mics - and will be seeing more - too. All in all not a packed gig year, but then again not a bad one either. It does appear like I’m watching the same four or five bands a few times (Frank, Casino, Lottery Winners, Heavy North et al), and maybe I largely am. But then again, why change a winning formula? And as an added bonus it’s good to see that so many are local bands too.

Rock on! Or is it folk on? Well I guess it’s defo not folk off.

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A Lotta Lotto

Went to Phase One for the Lottery Winners gig on Friday and it was wonderful. They gave such a joyous performance, very much still on the No.1 album high of Anxiety Replacement Therapy (ART). Thom announced that they were no longer at the top of the charts as someone called Ed had taken their place. I guess Mr Sheeran is a well known chap, but it won't be forever before the Lottery Winners are a lot better known. As an 'album launch' (a week or so on) it wasn't a full gig but still went to beyond an hour. I spoke to the band members afterwards congratulating them on the album and its success - and the performance that night. They were all exceedingly happy all round. Thom's chat between songs was never less than entertaining and it put me in mind of seeing Pulp back in the day and enjoying Jarvis between songs as much as the songs themselves.

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There was probably fewer than one hundred people at Phase One - in the middle of the Eurovision chaos at Pier Head. So many people are yet to hear of the band but they are getting out there with the success of ART, and more and more people will be discovering their songs shortly I am sure. On Sunday I went into a pub in Liverpool when there was no-one else there. I asked the bar manager (nicely) if they could put Lottery Winners on Spotify and she did. Needless to say she was new to them. The next customers in were a couple and before buying a pint they were struck by the music, 'Is that the Lottery Winners?' they asked. Turns out that they were big fans and had seen them lots of times, including at Phase One. Spooky!

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Talking of spooky, I bought a lottery ticket on the Friday of the gig and... yes I won! Not sure how the win will change me. But maybe I'll put the £4.80 towards aToo Good To Go or a kebab.

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I'm A Lottery Winner

Made up that I made the effort to get a ticket for the Lottery Winners at Phase One, Liverpool for the album launch event. It’s launch gig for ART - ‘Anxiety Replacement Therapy’ where you get a physical copy of the album and entry into the gig for just £17. Can’t say fairer than that.

It’ll be my third gig there following
Heavy North, and Casino, which were both excellent. I’m sure the Lottery Winners will be every bit as good. The album sounds great (been listening to it on Spotify - not got the physical copy yet) and it even has some excellent guest appearances from Shaun Ryder, Boy George, and - yes - The Frank Turner. Cool! Frank is a big fan of their’s and has done some production with them as well as singing on tracks. And the Lottery Winners supported Frank on some of his recent UK tour.

It has been a big week for the ‘Winners too… as ART has come in a No.1 in the UK album chart. How good is that!? They should be in a damn good mood for the event in Liverpool then. Town will be mad busy as the Eurovision week progresses (it already is). I’m not exactly sure how it will be in town. Great, mad: greatly mad? I don’t know. But it will definitely be crazy busy as the Eurovision fans inundate the city for the antithesis of good music (hey, just my opinion). I know, it’s more about the fun and everything that goes with the event; a festival of music not about the music. At least I’ll be seeing a band at the peak of their powers in the town, just a day before the final event arena.


ART1
Anxiety Replacement Therapy - click on here to have a listen on Spotify.
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Casino Royale

Been a bit tardy with getting a blog together for this one, but hell I’ve been busy & lazy at the same time (a blisteringly uncomfortable excuse sandwich). But last week I was lucky enough to snag a couple of free tickets for the Casino gig at Phase One, Seel Street, Liverpool. It was just my second time at Phase One, with the previous gig being the Heavy North in early March. As a nice coincidence/circularity the last time I saw Casino was supporting the HN up the road in the Arts Club - which had been a fabulous gig for all involved: just a shame about the Arts Club’s current status. Ho hum.

I had the electronic tickets on my phone (obtained from a great gig buddy: thank you JC), but there was no-one on the door to check tickets anyway. I think the rather dodgy weather (cold, breezy, and sleety) had put some off coming out and the venue was not at capacity. I went with a colleague from work - where we sometimes hear Casino and their contemporaries - playing through the speakers; if Alexa feels like it.

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The gig itself was great. We caught a bit of Ellis (a Dylanesque singer songwriter complete with harmonica) first and ‘treated’ ourselves to some keg beer; it wasn’t fabulous but then again gig beers are rarely that. And I have had a lot worse (and let’s face it anyone attending the Carling Academies of this world has too). The guys of Casino (who inexplicably have only four songs up on Spotify and no albums to sell us) gave us a gig in two sets. For a free gig we had indeed paid a more than fair price for their time & artistry.

Depending how they want to, or can, progress their career they really should do brilliantly. They are already a really tight (and, in some cases, decidedly tall) unit. Their song writing is beautiful and their musicianship is spot on. The songs are all presented with panache and consummate ease. And the hats must go off to the sound guy in this regard too. I will definitely be going to see them again if and when the chance arises.

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Check ‘em out on Spotify (even though there is not much there yet it is all good stuff and shows you what they are like), and go out and see them when you can. Nice one.
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A Month Off, But Not Off

On Tuesday (not Monday) it was the third Dispensary open mic of the year. I’d been to the first two and played four of my usual songs. And that is why I decided not to go this week. There are so many great players each week and I keep playing the same songs from a list of about eight. I’ve decided to take a month off playing at the open mics on the basis that for those hours I’m not taking to get down there I can use some of that time to practice some new (or new old) stuff. The aim being that the next time I play at an open mic I play a few songs I don’t usually play AND I’ll have hopefully improved my playing a teeny bit by stretching myself by playing different things. And maybe, just maybe, there may be a song or two of my own too the next time I turn up to play at one.

I have been playing some different songs t home this last week or so and been practicing a few riffs (very un-me). It really will be a month off, but not off. So who knows? Changes really could happen.

Fingers crossed; and plectrum poised and raring to go.
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Two Returns

On Thursday I returned to the first place I played at an open mic: the Sanctuary. The pub closed around the time of the initial lockdowns and eating & distancing requirements. Since reopening last year it hadn’t restarted the open mics. A couple of weeks ago, when I was at the Sofar gig at Leaf, they put their first toe back in the water with it. So I decided to go last week as a return to the place it all began for me with this fun hobby.

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Unlike the earlier OMs this one was held on the ground floor. The old one used to be upstairs usually (occasionally downstairs if there was an event on), but now upstairs there is a restaurant – Momo's for Nepalese scran. There were only four of us who played so I ended up going up a couple of times, playing my usual stuff of course – about eight songs. Not sure how often I’ll be playing there again, but it was good at least to revisit the place it all started.

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Then on Monday the OM at the Dispensary restarted after a bit of break since before the new year. I was running late and did well to get there for 8pm. The brilliant Ben Whitely was playing as I walked in and I was surprised to find that a couple of people – both newbies – had already played.

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Laurence came up next before I went up. Played four of my usuals. Despite a bit of a sore throat my voice did surprisingly well – for me. Next up was a Polish guy (sorry I didn’t catch his name) who was stunningly good (just playing instrumentals with exquisite and ridiculously fast techniques). Muzz was up last, who was also glad to be back again. The Rat Brewery 'Cheating Rat' was lovely and it was nice to have a change from the ubiquitous White Rat or Citra. They are both great beers of course, but a change is as good as a rest.

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All in all Monday proved to be a very good night. And I’m glad I made the effort and the buses worked for me (mine had been ridiculously late, which meant I could catch it. Others on the bus had been waiting for 30-40 minutes apparently – oh dear).

Onwards & upwards.
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A Three Gig Week

A rare week indeed. Three nights of live music. Three. What could be finer? Links to all the acts are at the bottom of the page (or click on the highlighted name to go to their Spotify pages). First up was Christie Bratherton, who I'd previously seen at the Sofar gig in October 2021 where she played alongside the Heavy North. She'd put on Instagram that she was playing at the White Lion from 3-5pm on Sunday 22nd Jan and I spotted the post. I got down there around 3 spotted the guitar and gear propped up by the back door. Christie walked past me and I spoke to her to find out what time she was on. Turned out she had been mis-sold her gig as she was covering for someone who couldn't make it and she'd been told the time wrong. Turned out it was 5-7pm. I downed my pint and took the opportunity to go down the road to the West Kirby Tap and then the train for one stop to Hoylake for the Black Toad first before getting back up to the White Lion. Christie was fab, singing on her own at the front of the bar. I got off a little before she finished to catch a train. It had proved to be a lovely afternoon and evening.

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Christie playing at the White Lion

Then on Thursday it was time for the Sofar Sounds gig. For those of you who don't know about it, the gig is £10 a ticket - and the deal is you don't know where the venue is (other than the city centre) until 36 hours before kick-off or who is playing until the actual evening itself. I was made up to find out it was upstairs at Leaf - the last time I was supposed to be there was for the Felice Brothers last year, but unfortunately that coincided with my Covid week.

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Sofar stage ready at Liverpool Leaf

I went to sit right at the front (where most of the empty seats were anyway). First up was Mike Ryan, who informed us he was playing hooky from school before playing a really nice set. He was a thoroughly nice chap too.

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First up Mike Ryan who was skiving of school (and well worth it too)

After the ten minute break for a a beer top-up the next up came up to play after a kind introduction from the host. Marvin Powell proved to be a shy chap who was excellent.

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Second up, Marvin Powell. Lovely stuff.

Finally the one group to play was a four piece Ask Elliot. They were bloody excellent. All three acts were indeed excellent and well worth looking up on Spotify or wherever you find your music. And, like Christie on Sunday, I'll definitely keep an eye out for a chance to see them again.

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And last but not least, Ask Elliot. Not sure what to ask him, but do.

Then came the highlight for me. Yes, Frank Turner (again) . The gig was down in Wolverhampton in KK's Steel Mill. This gave me an excuse to get down for a few beers in Wolverhampton and Birmingham too. It really was a win-win. Unfortunately I missed the support act (the Lottery Winners) as I'd gone for a curry around the corner, which was a bit of a wait due to it being slightly slow arriving (cos the curry house was so popular). At the venue I got myself a KK's Dark ale which was nice to have in a large venue where you are usually faced with a Carling or a cider of one description or another.

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Frank Turner doing what he does so fucking brilliantly with the Sleeping Souls, at KK's Steel Mill, Wolverhampton

Frank and the Sleeping Souls came on before 9 and played until 10;50 or so - he just cracked on with one brilliant track after another. He's got such an extensive catalogue of songs he could play a different two hour set each night these days. You can't be disappointed if he doesn't play one of your favourites cos he'll play another three of them instead. For me he the best act out there at the moment and he has certainly become my most seen act taking over from Ryan Adams who I'd seen a lot in years gone by. I dare say I'll see him again and probably again in the years ahead. I don't know how he does it day after day. This gig was No.2725 for him and he doesn't half go for it. How does his energy last, let alone his throat?

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Frank's playing and I'm a happy chappy (with KK's Dark ale).

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Hell yeah. Frank.

See you later, Frank. Thanks.

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Links:


Christie - Spotify - Instagram -
Mike Ryan
- Spotify - Instagram -
Marvin Powell
- Spotify - Instagram -
Ask Elliot
- Spotify - Instagram -
Frank Turner
- Spotify - Instagram -
Comments

Last Open Mics of the Year

The Dizzy and Metrocola - The Two Last Open Mics of the Year


I expect that Monday and Tuesday last week were the final two open mics of the year for me. On Monday it was the Dispensary, which is currently my go to OM. There were only five people who played this time – and the host, Dave was suffering with a sore throat so didn't play this week. As there were only a few of us we all ended up playing a bit longer than usual. In fact at eight songs this week it was a full on gig for me.

It was a good night with the other players including regulars Laurence, Ben, Liam, and Calvin. It was good to see the grin from Muzz who cam in later on having just been awarded her purple belt. Well done, Muzz.

Zev Dizz
Me and me Takamine in the Dispensary

Laur Dizz
Laurence

Liam Dizz
Liam

C Duke
Calvin

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Ben

On Monday I talked to a couple of the lads about the open mic at Metrocola the next day. I'd gone to the first one, hosted by Ali Horn, and there was a massive 16 of us who played. But I was told it wasn't as well attended since then. Ali wasn't available this week and it was to be hosted by Bert.

And so it was to show support I went to Metrocola. Flippin' heck. I'd been misled. There were plenty of performers there; including Laurence, Ben and Calvin. There was also a party of youngsters downing cocktails and either dressed for a proper night out, or wearing Xmas jumpers. In short: not the usual open mic audience for me.

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Calvin playing in the Metrocola

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Laurence playing in Metrocola

Laurence played shortly after I arrived and was going through plenty of sing-along tracks and the cocktail party crew were lapping it up, singing and dancing. Boy, that got me thinking. Largely I was thinking, "What am I doing here? And what should I be play if I do go up?" I was also thinking that I wish I hadn't bought my guitar with me, as then I could have said I'd just come to watch. It's difficult to say you're not there to play when you are lugging a guitar around.

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Me playing at the Metrocola

As Laurence neared the end of his boxset Bert asked me and Calvin who was going up next. And after some prevarication I lost, I think, and ended up playing. I did three songs in the end. I started with the "One I Love" by REM as it's one of the few ones I play that people may know and/or sing along with. Then I played two more "You Couldn't Get Arrested" and "Oh My Sweet Carolina." Then I got off and left it to Calvin. I'd survived. Though I'm sure it would have been better for the audience if I'd played some Oasis, Maroon 5, and Stereophonics. Maybe I better learn to play a few more famous songs. Next year I'll be playing Wonderwall then. Perhaps not.

I'd finished my drink (free for playing) and headed up to the bar for another pint and chatted to Laurence. Ended up waiting forever as the couple behind the bar struggled to keep up with the tsunami of cocktail orders. I couldn't see an end to the wait and suggested going over the road to the Roscoe Head. Laurence concurred and soon I had a pint of Thornbridge '
Galaxia' in my paws. It was worth the wait. Ended up with a couple of pints there chatting all sorts with Laurence and, in the end, Carol (the famous landlady) too. I was pleased to have introduced Laurence to the Roscoe. It's one of only five pubs in the UK to have made it into every single CAMRA Good Beer Guide dontcha know!?

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So two open mics; two very different ones. And eleven songs. A good couple of evenings. I expect it won't be until 2023 that I play one mic again (and the next Dispensary one isn't due until the end of January). Maybe by then I'll be playing a song or two of my own. To that end I've just read my second Jeff Tweedy book, "
How to Write One Song." An inspiring read. That is my aim for early next year. Let's see.
Comments

Sofar So Good

On Wednesday in the frozen north west it was time for the last Sofar Sounds of the year. Rail strikes and the weather had put paid to the original plans of the Sofar crew but despite this it proved a busy night and with three great acts (if not those originally planned at a venue not originally planned either).

The email announcing the venue had come 36 hours earlier telling us it was at The Slaughterhouse, where we had seen The Sway/Blue Velvet/Amber Wilding Stone back in June. This time the venue was downstairs, as they were showing the World Cup Semi Final upstairs. The venue downstairs is better in any case. I dare say if England had beaten France on Saturday then there may have been a few more empty seats at the gig. I'd finished work a little late so struggled to get to the venue on time (i.e. I didn't), but I didn't miss any of the acts in any case.

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Francesca Louise

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Brandon Tew

First up was Francesca Louise on acoustic guitar, followed by Brandon Tew on keyboards, and finally Naila a three piece act including acoustic guitars and five string bass. The latter band were so tight and such consummate musicians. All three acts were great to see and I'd encourage you to have a wee listen to them to see what you think. I'll defo be keeping my out for them on the circuit. Good luck to them all.

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Naila

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Naila

Thanks to Sofar Sounds for organising the event and dealing with the whims of the Transportation and Weather Gods. And great to see so many people get down there for it. It was freezing out there and it'd have been easy (and totally understandable) to hide under the duvet at home.

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LINKS:

Francesca Louise: Linktree francescalouise Insta @francesca.louise.music Spotify Francesca Louise

Brandon Tew:
Linktree brandontew Insta @brandontewmusic Spotify Brandon Tew

Naila:
Linktree Nailamusic Insta @nailamusic_ Spotify Naila

Sofar Sounds:
web: sofarsounds.com Twitter @SofarLiverpool Insta: sofarsoundsliverpool
Comments

A Staccato Song

A Staccato Song - 25 Years Between Playing

This week I attended two open mics. The one I most commonly go to currently: the Monday night at the Dispensary hosted by Dave O'Grady (I struggle to maintain a day without an O'Grady or two), and the inaugural open mic at Metrocola (formerly Hannah's Bar on Leech Street) hosted by Ali Horn. I had intended on going to the fortnightly open mic at the Angus on the Tuesday, hosted by John Witherspoon, but it was called off quite late in the day - I don't know when it will return. So Metrocola it was.

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Me and Kevin popping up alongside the Hooleys (downstairs in the Slaughterhouse). You can date it by long hair (for me) as 1995.

On Monday night it started a little slowly, as it often does, but in the end eight or nine people ended up playing. Largely regulars, but there were a couple of newbies to the group too. Most played three songs but it ended with the inimitable Liz Owen playing a full gig for us; which was excellent as always. She certainly enjoyed playing Danny Bradley's guitar and sounded brilliant. Danny was his usual compelling self earlier in the evening. Beautiful. First up on the stool (currently sans mic
à la the Belvedere) to play some of his great self penned songs was Ben Whitley (I thoroughly recommend looking him up on Spotify) with his guitar and harmonica.

He asked me after he played if I was playing '
Oh My Sweet Carolina' (Ryan Adams). And if so could he play harmonica with it? I'd penciled in a three or four song set and had it as a possible if I decided against doing one of them (or my mood on the evening took me). How could I not say yes though? Then again it made be a bit nervous. I'd never played along with anyone since the 1990s. And this time it would be without practice. It went well – I think.

One Tuesday I went to Metrocola to support the inaugural night. It is always a toss up when it is the first night – loads because the host has keenly cajoled all their mates and acquaintances to support them, or not many because not enough had heard about it. And on Tuesday this was compounded by awful weather. In the end though it was a grand success. It was slated to start at 7-10 but went beyond ten due to their being so many performers there. Again everyone stuck to three songs and there were… 14 acts. You could see Ali was made up and the staff at Metrocola looked like they enjoyed it too.

There were many familiar faces amongst the Liverpool open mic community and plenty of new ones for me too. Most of the other singers knew each other from various venues, but I've never made it to the Jacaranda or the Cavern Monday Night Club and I guess the ones I hadn't seen before were 'graduates' from these nights. Again Ben was there and played early on; and again he asked if he could play harmonica: this time if I was doing '
Whiskey in my Whiskey' (Felice Brothers). And so we did. This time we had to negotiate playing with a microphone though. Once more I think it went okay. But I suppose the guys & gals sitting there would be better judges than me.

Not long after I played I bumped into Aidan from the Sway, which was good. He always seems just so into music. He told me about his week ahead, with gigs in Liverpool and Leeds – including a great day for the band supporting Jamie Webster at the Echo Arena on Saturday.

All in all it was a great night. And if it continues with anything like this support then it will prove to be a great addition to the local scene. Fingers crossed for both Metrocola and Ali (not that I expect they will need much luck).

I very much enjoyed playing with Ben on his harp. Hope to do so again at some point. Whilst it made me smile it also made me think a bit about my on-off-on relationship with the guitar. Here's a potted history.

The No Guitar Years
Born, Played in the street, Went to School and University
– didn't play any musical instruments

The Guitar(ish) Years
Post university

– got a cheap electric guitar (Strat copy) and played at home a bit
– no lessons

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Smithdown playing at Kitty O'Sheas on Fleet Street (now Motel). Mark (guitar), Helen (fiddle), me (cheap strat copy), Kevin (banjo).

The Smithdown Years
1990-1993
– Early work years in Liverpool
– a few of us at a work's post-Christmas party played two or three songs during a band's break after practicing at Kev's house for a few fun weekends
– three of us from the work band said we'd carry on playing a bit (Mark, Kevin and your's truly)
– drafted in my cousin (a classically trained violinist) to play fiddle (Helen)
– played our first 'gig' at an interesting house birthday/coming out party, above Kelly's Wines on Smithdown Road
– had a debate about a band name in the Royal Hotel on Smithdown. Everyone's second or third choice won the day: Smithdown (proportional representation doesn't work people).
– in the early events (I'm not sure about calling them gigs) Kev generally played banjo, me and Mark guitar, me 'singing' and Helen played fiddle and sang.
– Kevin was THE musician in the band, he was a great drummer. He also played guitar, was learning the banjo, could play keyboards. He could play anything. I'm not jealous of the bastard at all. Yeah, okay I am. In the end he made the move on to drums to try and hold me and Mark into something like a rhythm. That was always gonna be a battle. Helen was a brilliant violinist. Mark was very energetic and damn enthusiastic. And I just enjoyed the craic.
– Played some midweek nights at: Kitty O'Sheas (now Motel), Slaughterhouse and a few others.
– organised our own bigger events at the Royal British Legion in Wavertree and the Irish Centre (sadly it is no more and is decaying away unused. I don't think our event can be wholly to blame though). In the latter we had the Hooleys playing and we supported them with a few songs.

The Days The Music Died
1993-1995

– the band died when Kevin moved to Reading and Mark to Scotland.
– I never played with anyone again. As far as I was concerned we were just three co-workers and my cousin having a good time. I couldn't see anyone else wanting to play with me. I wasn't good enough.
– the Hooleys once asked me to play with them and become their bass player. I didn't play bass, but they said I fitted in with them (enjoying myself and forgetting lyrics I guess) and anyway bass has only two thirds of the strings of the guitar and I'd – probably – pick it up.I thought about it and declined. They went on to play a hotel residency in the Middle East later that year I think.
– I'm not sure how many times Smithdown played, but it was probably around the low teens. I remember it all fondly.

Mexico 1996
– the last time I played along with anyone was a spooky reunion we had when I was working in Mexico. Mark and I were there for five and half months (in a supposed 'five week') project. Kevin came over for about a week. The hotel had a different resident band each month we were there. One night at an about 12:30 or 1am during the band's break the three of us got up and played a few songs with the bands instruments (we asked first!).

The Guitars In The Wilderness Years
1996-2018
– Guitars sat unused in the corners of various rooms
– Started strumming a bit at home in more recent years. Always the same old songs.
– Gave myself a target of 'one day playing in front of someone again.'

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Sanctuary (in a rare downstairs appearance)

Seeking Sanctuary Years
2018-2020

– Sat in the Sanctuary on Lime Street drinking a pint and reading a book. Someone walked passed with a guitar and went upstairs. I asked the barman if there was an open mic on, and there was. Perhaps this would be my day of 'playing in front of someone again.' And it was.
– I'd been nervous as fuck and played far too fast as if I wanted to get it over with and get out of there. I did to be fair. I didn't know a single person there. Afterwards I was made up that I had done in. Two weeks later I was back doing it again.
– Went to the open mic regularly as long as it was on up until the Sanctuary closed in June 2020. The hosts were a fun twosome comprising John and Bobo.
– continued doing some open mics during the pandemic on Zoom. They were always good craic (usually ably supported by a 5-litre keg of Abyss or Mosaic from Neptune).

KeystoneX
Keystone

The Keystone Years – And Beyond
2021-2022

– Hadn't been to any open mics other than the Sanctuary and nervous about playing in front of anyone 'new' again. Hey, I'm a nervous chap. But I was lucky to get in early doors at the Keystone open mic, hosted by John Witherspoon. Ever since getting on okay with that I have been happy to give it a go elsewhere, which has been great; especially as the Keystone is no more.

So far I've played multiple open mics at:

  • The Sanctuary
  • Keystone
  • Angus
  • Head of Steam
  • Belvedere
  • Dispensary, and now
  • Metrocola (the one time it's been on so far)

I've now played more open mics on my tod than I ever played with 'Smithdown' and I'd never have thought that would happen back in 2018.

AngusX1
Angus

BelveX
Belvedere

DizzyX
Dispensary

DizzyX1
Dispensary

Really I had two or three years playing with some mates at the start of the 1990s and then have just got back into playing around 25 years later after going up once at the Sanctuary open mic in 2018 – and since then pushing myself to do it more. After saying to myself I wanted to play in front of someone again once then I've not really looked back much. The next aim though is to write some of my own songs. I'm a bit gutted that I didn't carry on playing from the 1990s. I mean I could have had 25 years of damn practice. Ho hum. But we are where are – or, I am where I am.


The Songs (currently)
I currently end up playing songs from a pretty small song book. I'm usually covering one or two of these:

'Oh My Sweet Carolina' - Ryan Adams
'
Whiskey in my Whiskey' - Felice Brothers
'
Couldn't Get Arrested' - Green on Red
'
Shed A Tear (For the Lonesome)' - Green on Red
'
Splendid Isolation' - Warren Zevon
'
Please Stay' - Warren Zevon
'
Van Diemen's Land' - U2 (trad.)
'
One I Love' - REM
'
Heart Breaks Like the Dawn' - Chuck Prophet
'
110 in the Shade' - Chuck Prophet
'
Somewhere Down the Road' - Chuck Prophet
'
Mostly Water' - Bap Kennedy
'
Down By The Water' - Decemberists

As you can see it's got a very much Green on Red/Chuck Prophet thing going on (and very much Americana). I definitely need to add some more songs to that list (there's 13 there, so I guess getting it up to 20 would be a good initial aim). But I also need to get on and write some of my own songs. The vast majority of songs sung by all the open mic glitterati are self penned, and it would be nice to do at least a couple of my own one day. And, who knows, then get to the Monday Night Club or Jacaranda… We shall see.


The Guitars
I have two semi acoustic guitars (a Takamine 363 and a Tanglewood TW145SS) and a beautiful dark green Fender Squier Telecaster. I currently only pick up the acoustics for a strum. Plugging them in (or the Telecaster) is a rare event. Maybe once I'm writing some songs and messing about with GarageBand some.

Onwards and Upwards (
probably in C Major).

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Spotify Links to the Liverpool Open Mic-ers

Links to some of the great & lovely of the open mic peeps. There's some brilliant local talent around at the moment (not least of course Dave O'Grady & Muzz (Seafoam Green), John Witherspoon, and Ali Horn (all on Spotify - and maybe playing at a venue near you (or not). Check them out:

John Witherspoon
Seafoam Green
Ali Horn
Ben Whitley
Liam Sweeney
Liz Owen
Danny Bradley
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Live Music

Been a very good month for live music for me. Lucky enough to see Heavy North at the Arts Club (the former Masque) and then there was Frank Turner at the Carling Academy, swiftly followed by Thea Gilmore at the Music Room at the Philharmonic Hall. All great artists - and hopefully I'll see then all again. In fact I have already booked to see Frank again in January. Was looking up hotels and trains to go up to Lancaster to see him, but unfortunately the tickets for that gig went in a day. Ended up deciding to get tickets for the Wolverhampton gig. Both gigs are on Saturdays and made them attractive for that reason as much as the venue. York and Leicester would have been good but didn't fall on weekends, so Wolverhampton it was. Will be a good way to start of my gig year. Can never not love his gigs.

Do

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Heavy North at the Arts Club, Liverpool

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Frank Turner at the Liverpool Carling Academy

On top of that I went to the Sofar Sounds gig on 15 September which was at the Carnival Brewery. That featured Conleth McGeary, George Fell, and Wild Love.And I've caught the Loose Moose String Band and John Witherspoon playing at pubs including the Caledonia, Dispensary, and the Angus. Like I say a good month. Rock on.

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Conleth McGeary at the Sofar gig at Carnival Brewery

I've also played at four or so open mics in that month at the Dispensary with the host of either Dave or Muzzy from Seafoam Green. All the nights have been most enjoyable. Keen to play more new stuff and hopefully write some songs of my own. We shall see.
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Open Mic at the Dispensary, Liverpool
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Wheezy & Dizzy Again

Have had a wee chest infection for a few weeks. So much so that I even went to see the GP in case it was something more serious. Thankfully it seems like it is just that. Can't wait for it to clear up fully though. Its made singing some songs very difficult, indeed impossible, as I've not been able to fill my lungs enough with breath! Some songs though survived this breathless cull.

I've previously gone to watch some open mics recently without singing as I knew I would fail miserably. Collapsing in a heap in a high pitch wheeze is not a look I want to aim for. Yesterday though I managed to clear my lungs enough to sing any of my usual songs – and I did. I went along to the Dispensary again (think for the fifth time?) to play. It was run once more by Muzz and I was pleased to see Ollie and Guy there. They usually play at the Monday Night Club at the Cavern, but it was cancelled this week allowing them to come along for their first time.

In the end I think there were seven people who played. And most got up twice. I ended up playing two lots of three songs:

'Down By The Water' - Decemberists
'Oh My Sweet Carolina' -
Ryan Adams
'Whiskey In My Whiskey' -
Felice Brothers
'Heart Breaks Like the Dawn' -
Chuck Prophet
'You Couldn't Get Arrested' -
Green on Red
'Somewhere Down the Road' -
Chuck Prophet

It being a Bank Holiday the event finished a bit earlier than usual (before 10). So after getting my free pint of White Rat for playing, I had one more then got of and had a final drink in the Sanctuary before heading home. I had an early start on Tuesday to look forward to for a real ale visit to Sheffield. More of that later…

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Still a bit chesty and I think I'll give the antibiotics a go (I was prescribed them by the GP in case it hung around for any longer). Of course it's as likely to be viral as biological but worth a spin of the wheel I suppose if it gets rid of my 'smoker's cough' for non-smokers.
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Little Changes

Done a few open mics at the Dispensary now, hosted by either of the Seafoam Green duo (Dave & Muzz). Last week it went pretty well and I felt I sounded better than usual - ie not forgetting too many words or messing up chord changes. But I am aware that I have kept doing the same three or four songs (last week's songs were: 'Oh My Sweet Carolina' - Ryan Adams, 'Heart Breaks Like the Dawn' - Chuck Prophet, 'Couldn't Get Arrested' - Green on Red, and 'Whisky In My Whiskey' - Felice Brothers). The next time I play I intend to not play any of these as I should try to mix it up and stretch myself a bit.

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Currently thinking next time I'll go for '
Down By the Water' - Decemberists, 'Somewhere Down The Road' - Chuck Prophet, 'Splendid Isolation' - Warren Zevon, and maybe 'One I Love' - REM. We shall see. I dare say that I'll end up playing one or two of the usual instead. I'll let you know!

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Ripping it up at the Dizz.- well maybe just playing a C.


And in the coming weeks I intend to learn some new songs and get them out there. Before maybe playing with my own words (alongside the usual C, G, Am and F chords no doubt). Again, watch this space.
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GarageBand Doodling

Still very much at the base of a big learning curve. Hoping that playing around on the computer with my guitars and the microphone may mean that I finally get around to putting some songs of my own together. That is the aim anyway. In the meantime I had a quick mess around with it today and used the same format as before ie drum track, acoustic guitar, electric guitar and vocals. Not great but every time I use it I should learn some more. That's what I hope at any rate.



'Oh My Sweet Carolina' by Ryan Adams - with my apologies to fans.
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Tuesdays Are the New Sundays at the Angus

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After a couple of weeks without going out, partly due to Covid, I was relieved to get out to this week's open mic at the Angus. After running it a couple of times on a Sunday it had been decided to move the 'mic to a Tuesday night. It was thought that there was a good chance there would be more people able to make it – a lot of the crew that regularly turn out for John Witherspoon's night attend the Jacaranda on a Sunday. The first Sunday event was run by Mike Blue as John was booked elsewhere, and there was only me to play, and on the second one there was just two of us in addition to John (me and Mark Lacey). Definitely a good move to change the day.

It was going to be interesting to see how many people turned up, and who from the usual Keystone/Belvedere regulars would turn up? The answer turned out to be: nearly everyone.

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Having a 'few' more there it meant I wasn't first or second up after John. Nope I was eighth up: and not even last. I guess that counts as a very successful night. There's a lot of familiar faces in the photos including Ollie, Guy, Liam, Bert and co. All top people and performers. Great to see the Angus open mic getting the number of people it deserves. Tuesdays are definitely better than Sundays (despite being a working day). The sound system in the Angus is fabulous for these events and it is a great place to play; oh and they have real ale on too (I was on the Beartown 'Bluebeary' for the evening).

It was another warm one so I was unusually without a jacket again and wearing my old Wilco T-shirt from the '
A Ghost is Born' tour (2004). I definitely make my T-shirts last (or to be fair I just flog them to death). Unfortunately I couldn't exactly channel Wilco with my playing. Everyone played three songs and so did I with two of my usuals 'Oh My Sweet Carolina' and 'You Couldn't Get Arrested' – and a new one for me, 'Please Stay' by Warren Zevon. Definitely need some more practice with that one, but it was great to give it a run out in the wild. Next time it'll be better. And it was nice to hear people singing along with You Couldn't Get Arrested.

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The T-shirt may be dying but it's okay because 'A Ghost is Born' - at the Angus 12.07.26


I hope to be there next time. It's fortnightly not weekly so thankfully we won't have to battle the heatwave this coming Tuesday. Small blessings, Tuesdays are the new Sundays: it's official. Oh, and this coming Tuesday what's on at the Angus and who will be facing the forecast mid-30C heat? Yep it's only John Witherspoon himself for a launch of his new single 'Shame' – Ollie Felton will be supporting him (not entirely sure whether that means playing some songs too or just spraying water at John at regular intervals).

Shame1

Comments

At the Bottom of a Learning Curve

This weekend I strung my Squier Telecaster for the first time in many years. I'd also bought a Focusrite Scarlett Solo so that I could connect my microphone and guitars to my Mac. I've never really used GarageBand not having the connection before. It's a bit daunting and will take a bit of hands-on playing around to learn about everything I'll need to jot some songs out. Hopefully it'll help me get around to writing some new songs. We shall see.


GBand1
Garageband interface

So yesterday I recorded a wee song, 'Please Stay' – a short and very poignant song from Warren Zevonesque. Haven't played along with a drum track since I played with some mates back in the early 1990s. It was nice to do.

Within a few hours of playing around I managed to record this with the drum track and playing my Takamine 363 and the Telecaster – will be nice to play around with the electric guitar again. I played the acoustic first (along with the drum track), then recorded the vocal track before finally playing the Tele. Wonder where it will get me in the end?

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The exercise bike was not used in the recording of the song.

PSMP3


Comments

That's A First; Could Be A Last

That's A First; Could Be The Last
– A Story with Two Sebastians –


The footy season is indeed over, but last week saw a full on fixture pile up of my own. In a stunningly unusual week of performances I ended up playing three open mics in a week. Three! One or fewer is the norm. Last week started with my first visit to the Dispensary on Renshaw Street on Monday for the mic. I'd never seen it so didn't know what to expect in terms of its set up or who usually attended it. It was advertised as starting at 7pm, which seems an hour or so early – but it is what it is. I ended up heading down for about 8:30, I'd been at work in the day but was off the next day so the finishing time was neither here nor there. The mic stand and speaker was up the steps at the rear of the pub. There was no-one there at the time, but there was a guitar in the window resting. There were a few people sat up top (and a couple more down the stairs) and it wasn't clear who was running the night. At 8:30 it seemed early, but to be fair whoever had been playing could have been playing for an hour and half by that time – so a fag break or a quick stroll around the park would not have been too outlandish. I thought perhaps a fag break. No one moved towards the mic until I'd almost finished my pint, when a woman who'd been sat with some friends at the back came across to pick up the guitar.

The hostess turned out to be the singer, Muireann, from the excellent local band, Seafoam Green. It transpired that she was filling in for the guitarist from Seafood. She played a few songs whilst calling out for anyone who fancied giving it a go. I volunteered and two students (well, just graduated) cheered me on despite my declaration I was not
all that. It seemed a change was as good as a rest to them. And so I went up and played. It was a long set for me - SIX songs. That just about depletes and stretches my memory to destruction.

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Sebastian Blake

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Sebastian, Muireann and a guest slot from the dancing student (Bez, eat your heart out)


I played everything surprisingly unstressed and without many errors – which for me is a rarity. It seemed to go down pretty well. By the time I came off the mic a songwriter & guitarist who was passing through Liverpool from Leeds had arrived on the scene. He was next up. And he was brilliant. His name was Sebastian Blake and you can find him easily on Instagram. He put on a great show with his songs and was a thoroughly nice guy. Muireann, Sebastian, the students/graduates and I had a nice chinwag until closing. Oh, and I got a free pint for playing. Unfortunately just one for the whole stay at the mic and not one per song. Okay, maybe that's fortunately.

All in all an enjoyable evening.

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Playing a C in the Belvedere

Next up I returned to the Belvedere for the open mic for the first time since the first day of John Witherspoon's open mic stint. The mic is in a small upstairs room and during that first week there was a power cut. We all played on and it was realised that there was no need for the mics and amps so all the subsequent mics have been sans mic. It's still called an open mic, because if was just called an open it may get inundated by golfers – and it is far too small a pub to take all the trolleys.

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John turning off the music before Ollie played some

John played first, quickly followed by the brilliant Dan Bradley. And then another brilliant guy. Then another. I should really turn up first to these events so I'm not preceded by all these top players. I ended up being about the fifth person up. I actually did okay – and remembered all the words (and generally played the correct chords – or at least didn't lose myself if I did strum a wrong un'. I was working the next day, Friday (which is unusual for me), so I had to leave after just a few more. But I saw the bulk of the guys and gals; and it was another top night.

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Full on troubadour stance from John Witherspoon in the Angus

Then came Sunday; the third appearance of the week. It was good to support John again at the Angus, on Dale Street. It was only the second of their Sunday open mics and it is competing with the relatively large one at the Jacaranda (which I've never been to) and the general lack of knowledge that it is on: it takes a while for the news of regular events to filter through.

John was there when I arrived and, unlike the Belvedere on Thursday, I was the first to arrive, which meant I'd be the first up – after John's excellent troubadouring. He indicated that I should play three songs, and that if it was quiet I could go up again. This is how it went. In the background on the TV in pictures and occasionally with sound was the BBC coverage of Glastonbury. So as well as coming on after John I also followed Lorde and Jarvis Cocker.

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Mark Lacey (or Mark Sebastian D'Lacey)

In between the excellent, funny and charismatic, Mark Sebastian D'Lacey had arrived on the scene. He was brilliant. I think three appearances in a week is a lot: he was on his third of the day! Mark is a good mate of John's and they both enjoyed each others music muchly. As did I. I ended up going up for a second time to get my six songs in. Didn't play or sing as well as I had on the previous two days. Partly I think because the guitar was too prominent for me (after all my singing is a bit better than my strumming at the moment). Still, I am glad I made the effort to support both John and the Angus with this new fortnightly set up.

Oh and as well as playing three 'mics in a week it was bookended by appearances from two Sebastian's, what's the chance of that!?

Onwards and Upwards –
probably with a C, G and an A Minor; with just an occasional F for good measure.

Comments

My Return to the Sofar

My Return to the Sofar (and Another Fine Return)

I last went to a Sofar gig in September in a place called Slate. It featured the excellent Heavy North who have subsequently gone on to release a really rather wicked album. Get on it. But last week I got a ticket for my second event. For those that don't know the deal, the ticket is for £10 and you don't find out the location (other than the city) until 36 hours before – and you don't know who is playing until they get up on the stage (or their name is on their kit!).

Last week the venue was
One Fine Day on Old Hall Street. The venue itself is not currently permanently open, but is used for individual events and weddings etc. I'd never been to there before and it proved to be a nice place with good acoustics. It was really busy with not a seat left as far as I could see and I ended up sat at the front. I moved along to help a couple of later comers get nearer and sit together – and therefore I ended up in a nice padded seat instead of a plastic one. Win win.IMG_2860

The three acts of the night were all fab. Loved the local singer songwriter
Eleanor Nelly's stories and attitude – and her songs and singing was excellent. Taylor the Chapter, who wants to never be known as Gary, was solid. And finally the main act were a Wigan four piece called Stanleys. They looked so young to me, but so does everyone these days. There songs and assuredness were great. I've already spent some time listening to them on Spotify. They could definitely go on to be pretty successful if this performace was anything to go by. I believe they have already supported the Lathums, which is pretty impressive.

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The Stanleys played five songs:

'What's Been and Gone'
'Why Would I?'
'A Better Life'
'Look Back'
'Maybe'


Check them out on
Spotify, or better still get on down to see them when they're next playing near you.

The following day was the return of the Open Mic hosted by John Witherspoon. The
Belvedere pub had snaffled the gentleman and given him the opportunity to host the event following the recent demise of the Keystone. It was held in the upstairs room on the left. Despite the announcement on just being made earlier in the week the news had spread very well amongst all the regulars from just that short distance down the road.

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The beer was on.

Great to see so many turn up. It became a most memorable night when the entire area around this part of Liverpool was plunged into a power cut and the playing continued without the PA and under candle light. Moody stuff.

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The lights were on…

Guy2
… the lights were off.
Comments

A Poignant Affair

Another Strange Thursday

After a strange night last Thursday and the a good, strange one last week it was time for another strange Thursday–and this one a very sad and poignant want. At the start of the week there came an announcement that had been mooted for a short while that the Keystone was to close down. The home of my almost weekly open mic nights out. Closing. Bloody hell. And although the announcement was only made on Tuesday it was not a 'heads up' it'll happen eventually, it was a 'it's closing this very week.' Bloody awful.

Really feel for all the great staff who are having to look to ply their trade elsewhere. Thankfully it appears that, at least some of them, have quickly found some work in other Liverpool city centre pubs and (at least one) in a new brewery tap–and another returning to another field that she hasn't worked in for a while. Sometimes an end is an opportunity. Good luck to them all of course.

Personally to me it is a sorry shame to lose one of my favourite pubs of the last year. Last year it burst onto the scene due to its great garden, when so many pubs in the city don't have them. It allowed them to open up when most pubs couldn't. I had many a nice afternoon and evening there either reading, or writing, or just chatting with the staff and the regulars (and sometimes very irregulars). I did my best to introduce it to friends and drinkers, whilst hoping it wouldn't become too popular with the wrong regulars. Then in November the open mic was started, hosted by John Witherspoon, and that quickly became one of the first things in my weekly diary (along with European footy nights in the Head of Steam or the Fly).

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I hadn't been playing my guitar that much in the last year. The whole MS thing was worrying earlier in the year when I couldn't even feel my fingers and wondered at one stage whether I'd ever pick up a guitar again. To go from hardly playing at all to playing in front of people at least twice a month was brilliant.


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With the demise of the venue I dare say I'll look into playing in other places. But I am certainly going to miss John and the regulars (and irregulars) who played at the Keystone. This last open mic I had plenty of songs to choose from. I thankfully didn't have to follow Ian Prowse again. I played three of my most regular songs: 'Oh My Sweet Carolina', 'You Couldn't Get Arrested' and 'Whiskey in my Whiskey.' I played the latter one for Ben who had requested it the previous week. He was deep in loud conversation with Si and didn't even notice I'd played–let alone notice I'd played his request (albeit a week late).

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There were lots of chatting with the staff and regulars who were all pretty surprised and depressed about the news. But I was glad I made the effort to go–even though I had to leave early as I was working the next day. Ho hum.

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My last strum through a C-F-G ditty for a while I dare say.

Onwards and Upwards.

Comments

Does This Train Stop?

Not One Thing, Another

After a strange night last Thursday mixing a tiring week, not sure I was going to go to the open mic, and then difficult travel, this week I was always going to play. It was again affected by none running buses but I got there about 8:30pm this week. It ended with me playing and going up to play straight AFTER we'd been given four songs by Ian Prowse. Yes, people. The local legend that is Mr Prowse opened for me. Who'd have thunk it??

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John

John was hosting as usual and then a few newbies arrived to the evening including Ian. Flippin' heck. Obviously I'd have preferred to get on and off the stage early doors to relax, but I had to wait until our new arrivals played. There was a lot of "
this is from my new album," and "this was off my first album," going on from several of the players this week. I am not worthy.

Meanwhile in the conservatory there was a
Ladies That Beer event hosted by a couple of my colleagues. Beers were being drunk, and beers were being talked about. It was a busy night in the Key'.

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Liam Sweeney

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Ian Prowse

The Procrastinator
Your's Truly, aka The Procrastinator

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John Lindsay playing a new song

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Soft and cool, Ike

After far too long wondering when (or, at one stage, if) I was going to get on, I'd ummed and ahhd about whether to play some stuff I don't normally play, but as the evening lengthened I decided my only real option was to play the ones I know best - and not worry about peering through the gloom at written lyrics. As it was the nerves got to me a little (yes, I got nerves - even if the MS seems to hate them) and I misplayed some chord changes and played through a few times when I had a bit of a lyrical mind melt. Still, I got through it in the end and was happy to have played the same night as Ian and the others - even if I didn't entirely do myself justice.

John was happy to see my Procrastinator T-shirt again. He says he likes my T-shirts, which is odd as other than the two times I've worn this I've pretty much been lumberjack shirts all the way. It's like going back to glasses from wearing contacts, people soon forget you ever did anything else. Meanwhile I just forget whether the next chord is an A minor or an F. Or maybe a C.

The next time I play on the same stage as Ian I hope it will be at the Cavern where he hosts an Open Mic - but for none covers only. I better get writing a hit then. Meanwhile here is a classic from the gentleman, '
Does This Train Stop on Merseyside?'

Onwards and Upwards.










Comments

Balinese Dancer

A Last Minute Call to the Balinese Dancr

After a strange and a bit of a tough day at work I was undecided whether to go to the regular Open Mic at the Keystone. I ended up home later than usual and a bit knackered. I hadn't seen anything saying the open mic was on for sure (even though it is pretty much always on) and contemplated staying in. When I looked on Instagram there was a message saying the open mic was on and hosted by John Witherspoon as usual. But there was a second photo - and when I looked at it, it was me playing last week with my Procrastinators T-shirt on. And to top it off they name checked me with; '
Guest appearance from our very very regular who DEFINITELY knows we are using his photo.' Well, no I didn't and at the time on the sofa I wasn't sure I was even leaving the house. But the message… I mean how could I not turn up?

So I got changed and went for the bus. It never came and so I had to wait for the next one which was over half an hour later. It was definitely not the best of days. In the end I was there about 9pm - and it was packed.

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I'd been playing some songs over the last week or so that I hadn't played before and had thought I may give them a go. When I went up to play I decided to give them both a go, but needed the reassurance of having the words in front go me. And so it was that I played one regular song and two new ones (if new means new to me playing live). And so my mini set list was:

'
Oh My Sweet Carolina' - Ryan Adams
'
110 in the Shade' - Chuck Prophet
'
Something You Ain't Got' - Cracker

I needed to play a regular song first to get into the swing of it. But I was very happy to have played some different stuff; albeit my usual favourite artists from albums recorded back in the day. It's always nice hearing some people saying they enjoy the words and to think that maybe I've introduced even a single person to the wonderful songwriting (and then when they hear the originals: the Guitar!) of Chuck Prophet (and Cracker). I've actually played three Chuck Prophet songs of the same album now; '
Somewhere Down the Road,' 'Heart Breaks Like the Dawn,' and now '110 in the Shade.' There's loads of Chuck's albums on Spotify, which I can thoroughly recommend, however this particular album, 'Balinese Dancer,' is not on Spotify. So if you wanna check out the tracks then maybe buy the album (I know, a bit old school) or just have a look/listen on YouTube.

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I was definitely glad I made the effort in the end.

But don't ask me about getting home (yes, it was that kind of day again).


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Almost A Gig~ish

As is almost set in stone I went once again to the Keystone open mic. Recently there have always been 12-14 people playing which is incredible really. And to fit everyone in we are each limited to three songs each. This week though we seemed to be a few people down though there were still plenty of regulars and a newbie couple to the Keystone who just happened on the place (Visions of Albion). I suspect the regular carnage that is Liverpool on Paddy's Day probably put a few people of visiting town on the Day of the Green Pavement Pizza.

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Visions of Albion

DaveSinnot
Mr Sinnott doing his bluesy thing

As we were a few down everyone had there usual three songs then those still there went up and played another two each. So I played five songs. Yes, FIVE. That's almost a gig worth.

The songs were:

  • Oh My Sweet Carolina (obviously)
  • Take Me Down To The Infirmary (Cracker)
  • Landlocked Blues (Bright Eyes)
  • Heart Breaks Like the Dawn (obviously)
  • Van Diemen's Land (hey, it was Paddy's Day)

MeAndWords
Words needed/not needed. No one told me to sort my hair out!

Guy1
Some Guy.

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I needed the lyrics in front of me to to Take Me Down and to Landlocked Blues. First time I've done that at the open mic. But they were new songs for me to play; so fair enough.

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Charley style photobombing.

Spent most the evening on the lovely session
Trappers Hat from Brimstage Brewery, then ended the evening with the epic Keystone IPA (just a schooner) from Chapter. So all in all a very good evening - and no pavement pizzas around this area of town. Huzzah!

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Great Live Music

Live music is great. I love it. And last week was fab for it. I ended up playing two open mics in one night on Thursday. I played in both the Head of Steam and the Keystone. Two of my favourite Liverpool pubs. It was good to do.

JackPlayingHOS
Jack playing at the Head of Steam

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Playing at the Keystone

At the Jack's open mic at the Head of Steam I played four songs. I saw the to women that were sat next to me nodding away to my tunes which was nice. And they were periodically looking at their phones. When I spoke to them afterwards it turned out they were Polish and on their phones they were typing in the lyrics I was singing to find out whose songs I was singing. If I've introduced Chuck Prophet, Green on Red, and Ryan Adams to some more people my job on this world is done.

In the Keystone I played three of the same songs at
John Witherspoon's mic. There was no need for the people there to look up my songs as I play them there every week of course. It was great to be invited to John's full band gig at Jimmy's on the Saturday.

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John Witherspoon at Jimmys

It was a long day on Saturday as the Liverpool match at Brighton was at 12:30. It is far too early for any game. Watched it with a couple of mates at the Head of Steam - we won (0-2) and are still on the coattails of City. Then it was a question of filling my time with reading and what not before the evening gig. I made it in one piece and was very glad to have made it. John's band was great and he looked so in his element it was lovely to see. Definitely worth seeing him play if you get the chance. The support from the singer songwriter Thom Moorcroft was excellent too.

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John with his full band.

Live music is great innit?
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Not So Different Four

Played at the Keystone open mic again last week. John Witherspoon couldn't make it and the hosting responsibility was past on to Ali Horn (who normally hosts the open mic at the Angus). Didn't do three different songs this week. This week everyone did four songs though (while the cat's away)… played 'Splendid Isolation', 'Oh My Sweet Carolina', 'Heart Breaks Like the Dawn', and 'You Couldn't Get Arrested'.

Ali1

John may have been away but all the usual guys turned to play. Think there were about twelve or so who played (four) some tunes to us. It was fab.

Ali3

The Chapter 'Taller Than A House' and Neptune 'Forecast - Ernest' were great too. Top night all around. Guaranteed as ever.

Ali2

Been playing a few songs at home that I haven't played at open mic before which I may give a try out next time. We'll see.
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A Different Three

Enjoyed playing the open mic at the Keystone this week. And in a shocking turn up I played three different songs from my usual three. I noticed that at the last three open mics I've gone to, at the Keystone and the Angus, I'd played the same three songs: 'Oh My Sweet Carolina', 'Heart Breaks Like the Dawn', and 'You Couldn't Get Arrested'.

So I ended up playing: '
Somewhere Down the Road' (Chuck Prophet), 'Down By the Water' (Decemberists), and 'Whiskey in my Whiskey' (Felice Brothers).

KeystoneThree

Remembered nearly all the words and chords; with just a pause playing some extra chords in Down By The Water whilst I tried to remember the next verse. Who'd have thunk it. So maybe next time I'll play a different three again. That'd be nine different songs then: almost a gig's worth.

There were loads of great players/singers there once again. Not sure how many but it was in double figures. John Witherspoon hosts a really is a top night - guaranteed. Made up to see he's supporting Ian Prowse at one of his gigs. Boss news.

Rock on!
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Back at the Key

Great to reappear at the Keystone this week after a month or so of missing it (largely due to Liverpool playing multiple matches on Thursday nights). John was the hoster with the moster once again. Always a pleasure to talk to – and to listen to play his beautiful songs. We'd moved from the front room into the adjacent one between the stairs and the conservatory which worked really well. There were plenty of performers there again and so everyone had a maximum of three songs when up there.

I think I was about the fourth or fifth up. I'd purposely held on to my pint glass tightly to that point so that I didn't knock back too many before getting up – one glass too many and the risk of forgetting words or muddling up is greatly increased. Despite this I'd still had about four pints before getting up and was at risk of issues. But as it happened I performed three of my usual songs as good as I ever have (I think). The usual were:
'Oh My Sweet Carolina', 'Heart Breaks Like the Dawn' and (as requested by John) 'You Couldn't Get Arrested' – same as last week at the Angus.

KeystoneCrooning

Really enjoyed playing and watching everyone – and the pints of Chapter Brewing 'Tenta Temos' and 'Mahog'un' – there was a fifty-fifty mix of regulars and newbies. A most enjoyable evening. Of course, I keep saying it but yet to do… I need to write a song or two to perform and/or do some new covers. It WILL happen. Honest.

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The Keystone Quartet at the Angus

Went to my first open mic for about a month yesterday in the Angus. I was off today to attend my first ever meeting with my MS Doctor (I'll write up something for that in the Health section), but it meant that I was able to go out last night for a song and a chinwag without worrying about work the next day – I'll have that problem today instead.

As I was walking up I bumped into one guy making his way up the road with a guitar. It turned out to be Guy who I have seen regularly at the Keystone open mic. When we got in we saw another couple of Keystone OM regulars. It appeared we were on an inadvertent gig tour - or at least an away day. In any case I would be missing the Keystone today anyway as Liverpool are once again on the TV with their match against Leicester in the Premier League.

The open mic was hosted as ever by
Ali Horn, who played a lovely trio of songs before opening it up to the floor. Two of the Keystone regulars went up first before me. I did my usual standard three songs: 'Oh My Sweet Carolina', 'Heart Breaks Like the Dawn', and 'You Couldn't Get Arrested'. Went okay in the main (despite a few wrong chords). Then it was Guy up next to make the first four up on the night the entire Keystone Quartet. After that it was several guys and gals who I hadn't seen play before. As ever everyone was really good and the audience attentive (other than checking out the footy scores on FotMob).

Really enjoyed playing again after my month sabbatical. Will no doubt be back playing at the Keystone soon before too long – as long was it doesn't clash with the footy.

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Keystone Two Twenty Three

Yesterday I made a later call to go to the open mic at the Keystone. This is just the second one, run by John Witherspoon, and only one week after the previous open mic too. The Keystone has so many events on during the week that there needed to be some changes as there was a Cinema Club upstairs (showing the Hitchcock, Jimmy Stewart/Kim Novak’s ‘Vertigo’ I think) so instead of the front room of the bar we were sent into the depths of Bar 23 to avoid noise cross over between the two events. The downstairs proved to be a great space for an intimate performance.

Keystone2-23-1

This week there were possible a couple fewer people up for playing but not significantly (I think it was 8 or so after about 10 last week). Several of the guys (including me) were repeat offenders from last week but it was good to see a few new guys too (including a great guitarist who I’d previously seen at the last Head of Steam open mic). There was a great mix of folk, blues, jazz and pop (and all points in between) and plenty of humour too. Many of the performers were doing their own songs rather than covers and thus showed off their talents even more.

I stuck with tried and tested songs (though somehow I still managed to fook one up):

‘Oh My Sweet Carolina’ - cos it always gets me going in the right mode/mood
‘Somewhere Down the Road’
‘Whiskey In My Whiskey’
‘Heart Breaks Like the Dawn’
and
‘Splendid Isolation’

Keystone2-23-3


Out of all those songs the easiest - and the one I’ve probably played the most - is Warren Zevon’s ‘Splendid Isolation’ and yet somehow I got lost for words in it. Yet it has so few. I’m not entirely sure what happened to be honest. Anyway I did between 4.5 an 5 songs; which is more than I usually end up playing. Maybe I should stop at 4 in future though.

It was a really lovely night with great songs and camaraderie between everyone there and I’m glad I made the rush effort to get into town to show up again. Not sure whether I’ll make it next week but having made two appearances now at the Sanctuary, Head of Steam, Angus and now the Keystone then I’ve gone above and beyond anywhere I’d have thought I’d have made it to. I still have to thank the beer makes for the Dutch courage provided is a necessity: I always need to be on my second beverage beverage before getting up. The lovely cask on last night included ‘Taller Than A House’ Chapter Brewery, ‘Forecast (Bullion)’ Neptune Brewery, and ‘Kandata’ Chapter Brewery (which came on when Forecast was drunk dry). Nice beers all.

Keystone2-23-2

So thanks again to the Keystone and John Witherspoon for a cracking night all round.

_____________

The next day we found out that whilst we were having such a good time on Hope Street a young life was ending when a 12 year old girl – Ava White – was being murdered by children barely older than her just 0.7 miles away from where we were. There really are no words.
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Second Angus Open Mic

Went to the second Angus Open Mic Night last week. That makes me an ever present. There were more performers this week. I got there after it had started and there was already a list of people to play and I added my name to the bottom. Every performer seemed to have bought their own guitar rather than use Ali's. Just me then that turned up with only a plectrum.

As I watched the performers play one by one I had a couple of Cross Bay '
Zenits.' I was hopeful that one or two would be poorer than they turned out so my playing wouldn't stand up next to them too badly. I was disappointed as each was bloody excellent and briefly considered going to cross my name off the list. In the end I did play and was the last one on (bar Ali).

Ended up playing three of the songs I did last week at
Head of Steam:

AngusTakeTwo

‘Somewhere Down the Road’ (Chuck Prophet)
‘Down By The Water’
(Decemberists)
‘Whiskey In My Whiskey’
(Felice Brothers)

It went pretty well really despite not being up to the standard of the other guys and gals. Roll on the next one.

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HoS Take Two

Last night I went to Jack's second Head of Steam Open Mic. It was a rush to get down there after a cycle ride home in the cold dark, but I made my way there; helped by the anticipation of a few pints of the Thornbridge/Neptune collaboration American Brown Ale ‘Beacon.’

Was a different crowd than the first one and probably a bit busier. The position of the musical gear was the other side of the room from last time. So I ended up, after moving from one table to another, sat in my usual corner of the pub to watch and listen to the music.

There was top music from multiple guitarists and singers. And then I was asked if I was going to play. I agreed that I would. It was after all my initial aim: even if everyone else was more accomplished than me. I’d said over the intervening month since the first Open Mic that I would play different songs than I did at the first one. Not sure it was an entirely good idea. After all it was an entirely new crowd from the first one so I could have played the same songs and (other than Jack (the host)) no-one would have been any the wiser.

Anyway – as promised – I ended up playing different songs than the previous Open Mic with:

‘Somewhere Down the Road’ (Chuck Prophet)
‘Down By The Water’
(Decemberists)
‘The One I Love’
(REM)
‘Whiskey In My Whiskey’
(Felice Brothers)

HoSTake2

It largely went okay with the exception of fooking up Down By The Water. Need to ensure I play and play these songs at home so that they become almost muscle memory. I ended up messing it up a little and instead of playing through the mistake I got a bit flustered. I could have tried again from the start but made the decision to move on to a definite muscle memory one (The Swan Song).

I considered playing another song but volunteered to leave after the fourth. There were better people to follow after all.

Later on two Americans told me as they leaving that they really enjoyed my set. It was nice to hear, even if it was just down to my Americana choices. I’ll take that.

Oh and the Beacon was lovely and flowed very easily.

Of course this morning I got up and played Down By the Water straight through a few times without even trying.
C'est la vie.
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Tour T-Shirt

Up until last week I had only ever done Open Mic in one venue – the Sanctuary – on Lime Street. As of this week I have now played in THREE venues. Amazing really. Last week it was the great Head of Steam on Hanover Street when Jake hosted had their first OM event and this week I strummed through the same mumbled songs as last week (Oh My Sweet Carolina, Heart Breaks Like the Dawn, and You Couldn’t Get Arrested) at the Angus on Dale Street. This was the first Open Mic at the pub and I was keen to show support to it. It is always difficult starting new stuff in venues as so much is down to word of mouth and repetition. Well I’m okay with chatting to people sometimes and all too good at repetition too – so it’s easy to do my bit.

The night was hosted by a brilliant singer –
Ali Horn – who plays there regularly (on Friday nights if I remember rightly). He’s got a great knowledge of songs and those he doesn’t know he’s happy to use Doctor Google to find the lyrics then launch into it. Jealous of both his knowledge and ability. He writes his own stuff to. Definitely worth popping in to see him when you can. The sound system at the venue is really nice. They’ve set it up so the sound goes all around the pub without the need for speakers and amps to be lugged in by the performers. So Ali has an easy night in that respect anyway.

I made the mistake of going back up and playing a second time as there were not many volunteers this week (I missed the start of the OM but I think there were just four or five people who went up). This time I went with
Splendid Isolation (which went okay) and then Van Diemen’s Land (which was not). I don’t know what was happening, but my fingers wouldn’t get into the right position for the B minor (Bm) chord – every time. It was all very odd and maddening. Not sure what was the cause of that as I don’t usually have a problem with it. Don’t think it was MS related but I guess I’ll have to keep and eye on it: and keep playing the damn Bm chord as often as I can. I was lugging heavy weighted things around all day so maybe it was my hands saying enough is enough fella, give it a rest.

Anyway I had a nice evening, and on a school night too. Chatted to some people I know and some I didn’t know before. Survived standing on the stage (and even the Bm debacle). Whatever doesn’t kill you makes you stronger they say – but
they know fuck all. But I had a boss night and hope to get back sometime. As people learn it is on (apart from on Liverpool Champions League nights of course) then it will become more popular definitely.

Now I’ve played in three venues I’m pretty much wondering about sorting out a Tour T-shirt:

Sanctuary
Head of Steam
Angus


What’s next? Maybe the
Denbigh Castle who have recently put their toe in the water with OM too. To think that until I played the Sanctuary – shit scared – that once a few years ago when I thought that maybe I’d give it a go and do it once…

I do need to do a few things going forward, namely; learn some different songs, and some strumming patterns. Oh, and see if I can play the Bm chord again. That’d all help.

Onwards and Strumwards.
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New Open Mic Voyage

Well in the last month or so Open Mics have returned – a little erratically – to the Sanctuary and I have gone to both of them for a wee strum. This week new ones began in two other excellent Liverpool pubs; the Denbigh Castle on Hackins Hey and the Head of Steam on Hanover Street. Both started on the same night - Thursday 7th October.

The Denbigh Castle OM wasn’t starting until 10:30pm after three or four bands played apparently. I opted for the less late (and stressful) idea of going to the Head of Steam. I’d got back home late so didn’t get in to early this time, so I missed some good performances (from clips I’ve seen) from several artists. The room was busy with nearly every seat taken. It’s the area of the pub I usually gravitate to when I’m there – and in fact is where I am writing this now. So it felt like everyone was in my front room. Jack, the organiser of the Mic, asked if I was going to play and I confirmed I would. At least once I’d bought a second drink.

He played a couple more songs on his semi acoustic and then I stepped forward to play. The set up was actually in the corner I usually sit in too. It must explain why I was relaxed enough to chat a bit on the microphone; I rarely chat between songs when I’ve done Mics before. Weird. So with my glass sat on the carpet I proceeded to play four songs. Usual suspects for me – I really need to get a new set or two – and they were, in order:

Oh My Sweet Carolina (Ryan Adams)
Heart Breaks Like The Dawn (Chuck Prophet)
Splendid Isolation (Warren Zevon)
You Couldn’t Get Arrested If You Tried (Green on Red)

HoS-om
Playing in my usual corner of the HoS - who'd have thunk it?

A couple of mates came in and caught me playing which was nice. Hadn’t seen either of them out for a while, and they’d been to a show down the road and popped in on the off chance. Went down okay for me I think. First time I've played an Open Mic in a different pub and therefore with a totally new crowd. Was nowhere near as nervous as when I played the first new Sanctuary one the other month. Got the usual comments I get with my use of these songs, along the lines of “Did you write those?” My CD collection must be a bit different from other peoples I guess. Still, as I said whilst I was playing, the use of songs that people don’t know is a good call as they can’t tell how badly you’ve interpreted them (or what verses you’ve inadvertently missed out).

The party for the Head of Steam moved off not long after I’d finished. So maybe I can become the official bell ringer for time gentlemen please? Me singing could be one way of emptying a place out.

Well done to Jack for arranging, playing and hosting the event. Think the next one scheduled for a months time (first Thursday of the month) and I hope I can make it again. Maybe with more of my excellent (apparently) obscure songs.


Onwards and Strumwards.
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What Is It With Thursdays?

Last Thursday the second Open Mic of the post lockdown era was on at the Sanctuary and I decided to go down again. The last one was packed, but this time there was only five of us there. But I enjoyed it as much – maybe even more – than the last one. Not because of not being busy but because the host, Barry Sutton, was good to talk to – and some of the evening was as much a guitar lesson as me playing a few songs.

To be fair they only announced on Twitter that they were having an Open Mic the evening before, which ain’t much notice for people who may need to organise anything or just plan their week. Hopefully next time there will be a bit more notice and it will be a bit busier. It's either that or I'll end up with another lesson.

SanctuaryOM1
Open Mic in the Sanctuary

Incidentally it is great to see that there are other places starting Open Mic events in the coming fortnight in – and in a couple of my favourite real ale pubs to boot: the
Head of Steam, and the Denbigh Castle. At the moment I understand that the Head of Steam one will – at least initially – just be a monthly event on the first Thursday of the month i.e. first one will be on October 7th. And coincidentally the Denbigh Castle one will also commence (downstairs in the pub) on the same date. The intention is that this one will be each week.

I’m not sure how often the Sanctuary one is intended to be. But just like the two upcoming ones it is on a Thursday too. What is it with Thursdays?
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Sofar

On Wednesday I went to my first Sofar gig in Liverpool. Don’t worry if you haven’t heard of them, that's not the name of a band, but the name of the events. It is a nice idea which has spread world wide and includes a few cities in the UK. The ethos is to go and have a nice time and actually listen to the music and not chat all the way through it about what’s been on the TV or the latest football: watch and listen to the band. And talk and get your drinks in between the sets, rather than disturbing the gig for those around you. Boss.

You pay your £10 for a ticket, and then the day before you get an email telling you where it will be. In this case the event was held in a place I hadn’t been before called ‘
Slate’ which is within Tapestry – a large building up behind TJ Hughes. There’s apparently always a bar onsite (unless they tell you otherwise) so it’s not a BYOB gig.

Met someone I knew who likes live music – and it turns out helps out with the event – and then went up the stairs to Slate, which turned out to be a nice space for some music – with a small bar at one end of the room and the area for the bands marked out with some simple lighting, and the instruments and amplification all laid out at the opposite end.

Sofar_Mix
The three Sofar acts - Liverpool 22.09.21

There were three acts who played, who I hadn’t seen before. Namely,
Christie a local singer songwriter and Ahmed Khwata a songwriter from London, with the last act being The Heavy North – a local five piece bluesy outfit. I really enjoyed all of them. Christie and The Heavy North were both playing the Smithdown Festival at the Handyman on Friday (with Heavy North being the headliner).

HeavyNorth
The Heavy North

The whole gig wasn’t that long (first act on around 8pm and last song finished around 10:15pm – okay for a school night) with the acts each only playing five or six songs. But it was a really intimate gig with an attentive and respectful audience and I really enjoyed it. And I’ll definitely be there again, well, not
there as I don’t yet know where there will be.

Rock on.

_____________

sofarsounds.com/liverpool
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Back to Gigs

The Magic Numbers gig on Friday was just brilliant. Oops, I’ve gone straight to the end there. First things first: I walked into town to get my steps in (without my usual rucksack for a change) and listened to the Numbers all the way - on my really crap headphones. Had read so much about how poor the beer is in the venue: the Arts Club, on Seel Street – operated by O2 Academy (not to be confused with the Arts Bar on Hope Street) - and how expensive it is too. I hadn’t been in the Arts Club since it was the Masque, many moons ago.

So I walked the 4.8 miles from mine to the
Keystone first with the aim to get a nice pint and fill myself up with a burger from Boffo Burgers (who operate out of the Keystone from Friday to Sunday). Sat outside in the garden cooling down from the long walk and had a couple of pints of Chapter BrewingThe Hay is Waiting’ and a cheeseburger and fries from Boffo. Top choices both.

Whilst I was in the Keystone I discovered I needed to prove either a negative
Covid test or that I’d been double vaccinated. I haven’t had a test for a while, but I have been double vaccinated. Unfortunately I’ve never checked whether the NHS App was up to date with that - I’ve heard many people have gone on and found one or both of their vaccinations not showing. I had a fear therefore that if that was the case I wouldn’t be seeing the Magic Numbers at all. In the end I gave my app the appropriate answers so that it could find my results and hey presto both vaccines were showing so I was good to go. (I was a bit perturbed that this ‘all clear’ is only valid to sometime in October!?! What happens then with any gig going?

Said my farewells and headed for one in the
Coach House. Ended up rushing a second (hey, the gig venue was going to be crap for beer). The walk took me past the Grapes so I had to go for a quick pint of NeptuneEzili’ in there, didn’t I?

And then finally, after my pre-loading with beef burger & fries and some mighty fine ales, it was time to head to the
Arts Club. There some people queuing outside, some of who were going through the process I’d gone thru trying to dig out their ‘I’m relatively safe’ proof before showing a ticket too. Then I was in. Huzzah! This was my first post lockdown gig with a non-socially distanced requirement (I’d been to the post-lockdown gig of Frank Turner in Top Rope Brewery, but that was with a socially distanced exclusive ‘crowd’ of 60 people). I was unsure how it would be.

Obviously it felt a bit strange (somewhere between good and ‘oh should we be doing this?’). The fact that everyone has to show their vaccination or latest test status though is at least a bit reassuring. I walked straight past the queue for the bar and headed for a bit of space on the left hand side to watch the stage (my fullness with quick beers and meat & fries worked!). Ren Harvieu was playing with Romeo and Michelle from the Numbers. I caught three of her songs before they left and the Numbers came on. The atmosphere was lovely.

The atmosphere just grew and grew and became eye poppingly good. The vibe perfect. Chatted to a few people who were along a straight line measurement between sober and not so sober - but all were in an equally mighty fine place. I couldn’t wait for the Numbers. Which was handy as there wasnt long to wait…

The tour was arranged to celebrated the fifteenth anniversary of their first, eponymous, album which was released in 2005. As the gig was on its third iteration due to covid cancelations then it was really the 16th anniversary. But if we can have the 2020 Olympics and 2020 European Championship this year then I dare say another event with a stretched out date is neither here nor there. In any case it was very much a celebration of their first, much loved, album. In fact they played the songs from the album in the order of it.

The audience loved it. Raising hands, glasses and voices along with the all of the songs. It was joyous. And I’d forgotten to be ‘not quite sure’ about being in a crowded indoor venue. I’m not sure whether it was sold out or not. It seemed pretty full to me, though not too bad to get to the bar when I finally decided I was in need of hydration again. Choices for an ale drinker were limited (and they didn’t even have any
Guinness – my go to drink where ale is not about) so I ended up drinking Somersby pretend cider. Which did a job.

The music and atmosphere hardly took a dip; the album is one classic after another after all. And I enjoyed everything about it (if not the bar). They ended the gig (which included the hidden song at the end of the album) with a saxophone player joining them to play ‘
Sweet Divide’ which was a beautiful epic song to end with.

Yes, all in all, a mighty good night. Can’t beat live music, can you? That’s rhetorical. You can’t.

___________

Talking of live music I ended up getting a ticket the next day for a gig next week in Liverpool. It’ll be my first time going to a
Sofar gig. They don’t tell you who will be playing or where! All they say is that it’ll be arrive for 7:15 and it’ll be in Liverpool. Then 36 hours before the gig they inform you about the venue. You only find out who is playing when they step up to the microphone. An interesting concept. For £10 it is not much to gamble with and I am looking forward to this week’s event: and yes I know now I have a record of my double vaccination status. Huzzah!

If it sounds up your street (it is a worldwide thing) then take a look at the website to see if there is anything coming up where you are:

www.sofarsounds.com
www.sofarsounds.com/cities/liverpool
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Magic Numbers Gigs

Tonight I'm going to a gig – the Magic Numbers at the Arts Bar in Liverpool. First time at a normal (not socially distanced) gig since Covid lockdowns.

Michelle_Angela_1
Michelle & Angela – and an interloper – in an Amsterdam bar

Romeo_2
Romeo and the same interloper (and a band member from Shout Out Louds) in an Amsterdam bar.

I've been to several Number's gigs in Manchester, Kendal, and even Amsterdam – as well as seeing them at music festivals like Glastonbury. I also went to see
Romeo Stodart at the Music Room in the Liverpool Philharmonic Hall, which was just two days before all gigs got cancelled due to lockdowns. I wrote a review of that gig for a website.

Romeo_1


Got some great memories – and stories – from all my gigs involving the Number's and am looking forward to tonight. Not looking to forward to the bar in the Arts Bar though. Truly horrendous prices for crap drinks. Ho hum. Not sure how it'll be in a none socially distanced environment either. But saying that, the music from the
Stodarts & Gannons – and from Ren Harvieu – will no doubt be fabulous.

Rock on.
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Sanctuary - The Return of the Open Mic

Out of nowhere - with just one day's notice - the Sanctuary announced they were having an Open Mic the following day. The event was to be hosted by Barry Sutton - one of many former Las. He is a brilliant guitarist.

So I went along a bit (read:
very) nervous about playing with a different group of people. The usual crew were absent of course as were the people who usually turned up to play there: the ones I was comfortable playing in front of because they knew me and my limitations. Playing in front of really good musicians who I didn’t know at all had my hands really shaking. I played and sang okay though but my nervous shaking was obvious.

Barry said if'd been shite he’d let me do one song then pull me off (as it were) but in the end I did four songs. So it couldn’t have been as bad as I feared it was. At the end several people shook my hand and said they enjoyed it. I’ll take that. And next time - if there is a next time - I will be a lot more relaxed appearing in front of a new audience.

OM1-22
One of the excellent young guitarists who I warmed up for.

I didn’t catch the names of the people who played other than Barry. It’s not like I’m writing a review. But bloody hell there were some fabulous (young) performers. It was a really good night. I had to leave early (if 11:30pm is counted as early) so missed Matt Holland Author Dot Com - the one other representative of the former Open Mic crew - read his stories out. Next time; if there is etc etc.

It did feel strange playing there with a different organiser than the previous Open Mic events. I’m hoping to get along to the OM from
Bobo & John once they are up and running (I expect in the Outpost, a little further down the road). I could end up playing more often, learning more stuff, and getting more confident. Well it could happen…

____________

Incidentally my four songs on the return were:

'
Sweet Carolina' - Ryan Adams
'Couldn’t Get Arrested' - Green on Red
'Whiskey in my Whiskey' - Felice Brothers (accompanied by a Highland Park 12YO: thanks, Josh)
'
One I Love' - REM

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Frank Turner at Top Rope

Last week was busy. There was a semifinal and final of the Euros for a start and our annual camping trip to Bishop’s Castle to fit in-between. But the highlight had to be Thursday’s Frank Turner gig at Top Rope Brewery. I mean my favourite current singer songwriter playing in a local brewery. I couldn’t have really designed a much better idea of a perfect gig if I tried.

There were to be two support acts from the same label appearing as well. When I was told who they were (Berries, and Pet Needs), I didn’t know them, but of course I looked them up. They were both punky alt rock types (sorry if that is an incorrect classification). I enjoyed a couple of the songs I heard from both of them when I saw their vids on YouTube. Not completely up my street, but music is elastic and it is not one size fits all. I was pretty sure they’d be good. I wasn’t to be disappointed.

I’d met my friend earlier who was coming to the gig too. She’d tried to win tickets on the basis of if she’d won she’d have given me a ticket. So when I ended up with two how could I not reciprocate? We had a bit of scran down South Road at the Liver, then headed to her guest house so she could sort that out. Then we went straight to the brewery.

With the Covid rules in place it was one way in to the brewery and one way out. It was of course inevitable I headed for exactly the wrong side of the brewery to get in first off. Sod’s Law is the strongest of the Laws. I’d headed to the side where I’d previously picked up the beer rather than the fire exit at the back. But to be fair it made sense in hindsight. We only had to go through that door the once to get our wrist bands and then we were in. It was such a select bunch of people that were there: apparently over 3000 people had tried to win tickets for the gig (there were no paid for tickets available) and there were only 60 tickets available. Every one of us felt extremely excited and privileged I’m sure - bloody hell I’ve been spouting on about it for weeks (even before I found that I was lucky enough to be one of the lucky ones).

We picked a table on the second (of two) rows directly in front of the middle of the “stage.” It was a spot on position. But even if you had the worst seat in the house (no idea which that was), you’d have been fine with just 60 people there.

The first thing to negotiate was scanning in a QR code and then go through some painful registering process before being able to purchase a beer. But at least once that was out of the way it became easier. I just stuck to the keg stuff that was on, though plenty of others (including the bands) were downing plenty of cans. I went for The Gathering (of course, it was the Frank Turner beer after all) and a Papa Mango; basically, why change a winning formula?

Berries
Berries

The first band who played were Berries. A threesome from London who signed to Xtra Mile in January this year. The three members of the band were Holly on guitar and vocals, Lauren on bass, and Lucie on drums. They were all brilliant. There was only Lauren playing on her usual instrument (electric bass), with Lauren on acoustic guitar and Lucie on a box drum (cajon). Their usual punky songs translated surprisingly well to the night’s acoustic performance. Holly was absolutely brilliant on the guitar covering an impressive territory of the fretboard from song to song. As someone who just strums open chords from time to time I was in awe. The trio looked like they really enjoyed it. Let’s face it gigs have been such a major miss over the last year or so; and they were playing a brewery in Liverpool - so how could they not?

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Pet Needs giving it some welly

Not long after they finished the second act of the night arrived on stage:
Pet Needs. Again it was largely acoustic bar the bass (including another cajon). The four lads threw everything into the gig; and that was a lot. A really enjoyable performance from the four piece punk outfit from Colchester.

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Frank and a grinning loon

Then it was time for Frank Turner. He gave us little time between the last chords from Pet Needs until he played. In fact I had to listen to the first song and half from the small queue for the two toilets. It wasn’t far away so I didn’t miss a note. I don’t know what to say about Frank’s gig to be honest. It was just perfect. He has such a back catalogue of songs I could have picked a different twenty songs than he did and been just as happy - that said I’d have probably have picked many of the same songs too.

FrankT-1
And so it begins

There was no backing band. It was just Frank and an acoustic guitar. For the majority of the set he followed a chronological catalogue. In fact sod it; it’d be easier to just provide the set-list wouldn’t it? So here it is. Let’s face it if you know Frank and read this list you’ll nod and be a) happy to see it and b) really really wish you’d been there. Like I said, it was perfect:

The Ballad
I Knew Prufrock
Long Live the Queen
The Road
If I Ever Stray
Plain Sailing Weather
The Way I Tend To Be
The Next Storm
Love 40 Down
1933
Be More Kind
Sister Rosetta
The Lioness
Punches
The Gathering (it’s a beer and a song)
Get Better
Recovery
Photosynthesis
I Still Believe
Polaroid Picture


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Finale

Members of
Berries and Pet Needs came on to join him for the finale which was fun and beautifully chaotic - just like an encore should be. The first time I saw him was in the Wembley gig in 2012 he got himself a tattoo between finishing the set and coming back on for his encore. When I saw him at Glastonbury he had to make a sharp exit to play a fete at his old school after going against his mum by getting a tattoo on his hand. This time, in sunny Bootle, there was to be no tattoo action. Which is funny… because I said I’d get a FTHC tattoo if I won a ticket. I haven’t so far. But I have many more weeks in my life to get that sorted - all things being equal.

After the gig I managed to get to talk to the maestro himself after a quick elbow bump. He was an absolute gent. My friend Ken, who passed away in January, had given me the book, '
The Road Beneath My Feet' and he kindly signed it for me too. I couldn't have asked for a better memento for the day.

ElbowBump
Elbow bump

FrankAndI
Meeting the man himself.


I really don’t know what more to say about the gig. I DO feel marvellously lucky to have got a ticket to go and to be there with a friend. I was smiling for days before and for days afterwards about it.

FrankSignature
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Stood Up

Stood Up, Deffed Out and Desperate

Well I was stood up, deffed out and desperate when I met this girl from Tuam. That’s how it starts. But how does it go after that?

Good question. I was going through a file with some music in the other day. And when I used to play a few songs in a band of mates in the early 90s I always needed some notes to remind me (if not the full lyric) to play through the song without bailing early. In ones I knew I would just put a key word or so from the start of the verse or the last words of some lines. That is what I found for the song “Stood Up, Deffed Out and Desperate.” This was a fun song written by your’s truly, so you’d think it I’d know the words. Well, I did. In 1993. Having found the sheet last week with the keywords on it I could only remember a couple of the verses completely. The other bits were fragments.





So it was that on Saturday I sat down with my guitar and notes and tried to fill it out. Needless to say, as well as not having the words written down I didn’t have the chords either. Yeah. Lost in the mists of time and all that.

Picked a few chords and worked on some lines and Hey Presto (or something like it), “
Stood Up...” was back. There was no #ReadMeSpeakMe this weekend so I decided to strum and sing these ancient (if amended) lyrics once again. It was the only song we did that wasn’t by someone else. Amazingly sang it at a Christmas gig we did at the Irish Centre where my mum and dad came. As well as singing Fairy Tale of New York with my cousin “You’re a bum.. you’re an old slut on drugs...’ etc I wonder what me mum thought?

Assume this is Stood Up’s last stand - after a 28 year break - and it won’t see the light of day again. Dare say it shouldn’t. But it was fun to see an almost familiar face again - even if it “
looked just like me mum.”

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Glory Hallelujah

Glory, Hallelujah!

Well bloody hell, I got a great email: won tickets to see
Frank Turner in Liverpool. Now as you may well have spotted, or if you know me even a little, he’s been my favourite singer songwriters for heading towards ten years now. And I’ve been lucky enough to see him several times including the sold out Wembley Arena gig in 2012, Liverpool Academy, Bath, and two sets at Glastonbury Festival.

Strummerville-FT
Watching Frank at Strummerville, Glastonbury (day before his Other Stage appearance)

And this gig in Liverpool is at a top local Brewery. Literally top:
Top Rope Brewery. They have a beer out now with Frank Turner all over it. It’s called ‘The Gathering’ which is Frank’s recent release celebrating all things about the end of lockdown and singing and getting together and having a good time and all that. It’s honestly the first time I’ve drunk a beer out of a can: and then kept the can. Hell, I told you I’m a fan.

It’s a gig by my top singer songwriter playing at a brewery. I mean come on “If Carlsberg did gigs...” well, not Carlsberg. But you know what I mean. Funnily enough last time I saw him in Liverpool it was the Academy i.e. the Carling Academy and there was a Frank Turner beer out then: '
Believe' a wheat beer brewed by Signature Brew. Because it was the Carling Academy they wouldn't stock it, so we were directed to Mojo to grab a bottle there before the gig - which I did of course (and it was Movember).

MojoBelieve_FT
Believe (Signature Brew) in Mojo (with a Movember tash)

The Gathering is about the end of lockdown and we’re not quite there. Things won’t be normal until all restrictions are gone. Not sure when that will be now. But hopefully we are heading that way. The location and the restrictions means there will be fewer than 100 people at the gig. I mean that will mean I’ve seen him play at a packed Wembley Arena first and my latest time seeing him will be in front of 100 people. How bizarre is that? He loves gigging more than any other band or person I’ve seen. He itemises all his appearances: yesterday’s show at Download Festival was show No.2562. That is A LOT of shows. And it must have been such a release for him to perform in front of a crowd again.

TopRope-FT
At Top Rope Brewery with a can of 'The Gathering'

Wonder how many bands and singer songwriters have winked out of existence because of not being able to play live for over a year? In an industry where time is of the essence we could have lost a lot of seriously good artists. They don’t make money from plays on
Spotify or YouTube, they need gigs and merchandise to survive in these days of no longer selling physical albums.

This will be my first gig since seeing
Romeo Stodart at the Liverpool Philharmonic Music Room in March 2020 (I’ve also got tickets to see The Magic Numbers in Liverpool in September), and I can’t fucking wait!
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Last Zoom Open Mic?

We last had a Zoom Open Mic on New Years Eve, which is apparently about three months ago but definitely feels like a year or so. At the time we said it’d be a regular event especially with the lockdown which just arrived the day before. As it happened it did not become a regular thing at all. I’m out of the loop as I don’t have Facebook so I miss the chat about it and get a handle on whether it’s almost taken place a couple of times or not. And can’t really help in the organisation of it if I don’t have FB.

Finally last Saturday we did have our first Open Mic of the year. And hopefully the last one to be done using Zoom - if the lockdowns have finally worked their stuff along with the vaccinations. In theory the pubs will reopen indoors from May 17th, although events like the Open Mic won’t be permitted until another month or so after that (21st June). Fingers crossed for that.

The Open Mic was accompanied by a good portion of a mini keg of Mosaic that I’d picked up at Neptune Brewery the day before. I took the keg out the fridge and brought it into the spare room so I didn’t need to go up and down all the time to top my glass. Certainly helped with getting through a few pints.

Cloud Mosaic
Cloud Strife watching over the Neptune Mosaic

In the end I was on the Zoom call from about 7:45 through to 1.00am. So it wasn’t much of a wonder that a few beers were breached.

As it happened there were quite a few missing regulars, who’d kind of indicated that they would/may be there but didn’t turn up. It was a bit of a shame really not to see everyone’s familiar faces - and hear their songs. There were only three of us playing songs using guitar or keyboards, and Matt telling us stories. I only sang four songs as if I’d done any more I’d have felt like I was taking it over a bit. I’d have happily sung six or seven if others had been doing the same. Never mind.

Open Zoom
Not many of us online this time. Think there some good repeat on the telly.

I sang Chuck Prophet’s ‘Somewhere Down the Road,’ Ryan Adam’s ‘Sweet Carolina,’ Bright Eyes ‘Landlocked Blues’ and Barenaked Ladies ‘It’s All Been Done.’

It was good to see the familiar faces that were there - on what may be the last weekend of the year that we couldn’t be in (or at least outside) a pub. Roll on the next Open Mic: wherever and whenever it may be. It’ll be a while, I dare say, but it will be fucking great.
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Rather Random Target

Over the last few weeks I've been off work. Work is a very intensive day and involves lots of walking, some stairs, some panicking and a lot of thinking 'how the hell can I find another job'. So not being in work makes it dangerously easy to stop the exercise inadvertently.

With the issues with my health at the moment being a little unknown I'v set myself the rather random target of
8000 steps per day. It's lower than the arbitrary 10k steps cited by multitudes of people. Of course those targets are as made up and pretty useless as the 5-a-day nonsense. Basically you know if you are doing enough each day or you're just pushing the sofa indentation to its limits, just like you know if you've only eaten crap all day. So I am happy with my current unscientific Rather Random Target.

Canada Goose WHP
The Canadian Geese like Walton Hall Park too

Over the last twelve days I've achieved this each and every day. In fact my average daily steps are over this time has been 11k steps - which in old money equates to about 5 miles a day. I've been lucky with the weather in this time. There's not been any days with incessant rain, and some days have been lovely. Taken to walking to Walton Hall Park, where I used to do my 5k jogging practice, which is my nearest at about a mile away. If I do just one lap of the park my walk to and from the park is longer than the walk in it. But if I feel like it I can do a couple of circuits, which gets the numbers up whilst giving me nice vistas of trees, and water and the sound of birds - which has got to be better than walking around housing and industrial estates - for the head if nothing else.

Back in the day when I used to do the 5km Park Runs and whatnot I started using
Runkeeper. I've gone back to this now. Handily, whilst it's called Runkeeper it is great for any activity which may involve you moving from A to B - including walking. It's great to keep track of the bigger activities with it mapping out where you went and giving you your time and splits etc. Could help some people with motivation but in this instance it is just a recording tool really (which makes nice maps). On top of that for the entire day record my £40 smartwatch shows me what my total daily steps are too.

RunkeeperMapWHP

I've also been going to the B&M and Iceland around the corner on foot. It's a round trip of a mile and in the past I'd (sadly) have driven it rather than walk it. Though I'd have put off going until I need a few things. Now I'm happy to walk all the way to B&M for a loaf of bread, just to keep the legs going and get the fresh air (that said I can also pick up bottles of Oakham 'Citra' or Wickwar 'Platform 6.1' too).

SpringSprungWHP
Spring has sprung in Liverpool

Podcasts have accompanied many of my walks, though my last couple I've gone without the headphones. Though with my flyway hair yesterday it was worth putting the headphones on just to control my hair a little; I was seriously considering
Brylcream or gel yesterday - God, I can't wait for the barbers to reopen. Thankfully it IS only three weeks until they can return. Hallelujah!

Flyaway-WHP
Flyaway hair aka Pandemic Hair - one side effect of lockdown

Anyway. May my 5+miles per day continue. It will be interesting to see if I can force myself to do it in the rain. Though I suspect I may just wear a hole in the carpet walking up and down. In the meantime feel free to use my RRT if you think it'll be more useful to you than that 10k nonsense.
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The House of Shazam

Been watching a lot of House over the last month or so. Will have binge watched the entire eight series by April I think. I’ve seen every episode before over the years it was on. It was made between 2004 and 2012. I think Hugh Laurie was the highest paid TV star in Hollywood for a time then. The series were long compared with many series these days. I mean over twenty episodes per series is epic fir a fifty minute programme. I could only dream of twenty episodes of The Expanse per series. That's a wapping 176 episodes. Wow! And throughly bingeworthy too.

House-1

Going back to
House though has been good. Such great characters throughout the show and nice long threads throughout it. House is such a tragicomic flawed individual, that gives laugh out loud moments with his ill thought out (or quite brilliant) schemes, and so sad with his addictions and fear of love and getting close to people.

House-2

His various team members are always fascinating characters too with plentiful flaws that make you hate or pull for them whenever they go off piste or get back on their inevitable rails.

One of the best things about it for me is the music. Whoever picked the songs can select my music playlist any time. In fact I wonder whether they’ve been through CD collection at some point.

The end of each episode always brings a song in while they show the various characters doing their thing; usually thoughtfully and/or with drink, drugs or sex. These songs are always great. ‘
You Can’t Always Get What You Want’ by the Rolling Stones is one of the most famous ones, that gets referenced several times, that most people will know. But they use lots of artists that are less well known - and straight out of my CD library - like Iron & Wine, Josh Rouse, Bon Iver, Ben Harper, Richard Thompson, and Wilco.

Several times I’ve had to use
Shazam (a smartphone App) to identify the end song. I can’t believe now how quickly that Shazam can identify the track and artist from the tiniest of listens. It is great to have that ability, but I find it a bit scary how tech can listen and regurgitate the information to you.

Shazam1

If you haven’t used Shazam, or have no knowledge of it, it’s a free app that will listen to music around you, be that in a film or TV programme (though not whilst characters are talking through it of course), or while you’re listening to the radio after you’ve missed the intro, or in a pub etc (when they are back open). You just ‘Shazam’ it - which just means pressing the button in the App - and it will listen and report back to you the answer. It won’t be able to do it if the music is too quiet or there is too much background noise, but if the volume’s right my god it so good and mighty, mighty quick. And so far I’ve never seen it throw out a wrong answer.

Shazam2

Shazam3

If you’ve ever heard a song somewhere that you’ve liked but never hear what it was then this is the answer to your dreams. But like I say, a little bit scarily good. What else are your phones and apps listening to and regurgitating elsewhere? Best not think about that - or at least don't verbalise it in listening distance of your phone.
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To You, To Me, Two YouTube

Got busy with it for a bit yesterday and managed to record myself reading a poem I'd written around nine years ago, and then followed it up with a bit of singing. Two vids for the price of one. Who'd have thunk it?

ReadMeSpeakMe is still on a holiday so it was back to reading a poem of my own again after last week's effort, 'Schrodinger's Poem'. It was serendipitous this week as I found the poem printed out in a notebook I was contemplating throwing out. Even more serendipitous the poem was called 'Serenity'. Spooky, hey! It's a lovely word, serenity, but the poem is the story of a growling drunk angry at the world and quite looking forward to death. So not so lovely at all.

Serenity Pic1
Click on the pic to discover how unserene

The vid starts with a brief mention of Neptune Brewery, my favourite local brewery, as I had a few of their cans yesterday in a quite rare event of drinking more than two beers at home. It's funny but while some people have been driven to drink, during these long lockdown months, I've been driven away from it. I'm drinking less than I do when normalcy reigns as I find drinking a social thing. Even if I'm by myself with a book in a pub it is social: you're getting served by someone, chatting to them, and you're drinking in the company (or at least vicinity) of others. Often you end up chatting to people you know and/or complete strangers. Drinking in pubs is a social thing in a group or not. Drinking at home is not a social thing. Most days if I open a bottle of beer at home I rarely get around to opening another - and sometimes I don't even finish the one I've opened. Drinking at home doesn't grab me, which I take as a good thing (and is why I won't buy wine, because if I open a bottle of wine it is going down like the fruit juice it is - you're asking for trouble with that stuff). Anyway I ended up over a period of over five hours drinking five whole beers! The insanity (you can get thrown out of pubs for drinking that slowly). Had five different beers, but my favourite was 'Turbulence'; get your tasting tackle around that stuff.

The Neptune Three

So there is the beer and there was the poem. All very serene. There was also a quick strum, which only came about because of yesterday's
VSS365. The prompt word was load, and for some reason it made me think of the Eagles song 'Take It Easy' - and trying to loosen your load when there's seven women on your mind (good luck with that one!). I wrote the VSS365 and got a couple of comments from people who seemed to think it may be me with seven women on me mind; rather than a classic song lyric. It made me post a link to the original song on Twitter and further than that; me to have a wee strum.

Take It Easy Pic1
Click on the pic to Take It Easy.

This brought out the guitar I was given by Sue, which was my mate Ken's lovely Tanglewood. He only passed away last month and in some ways it already seems ages ago. It is so lovely to have such a gift from Ken's long time partner. To think he sat in his room learning songs on it, and now I am. I'd never played the song before, and it shows, but I will add it to my practice to maybe get onto an Open Mic repertoire at some point. We shall see.

So that was Sunday. A two video, five beers kinda day. Cheers.
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Strange Weekend, Again

Another strange weekend, but aren't they all? At work on Friday I went from having work, to not having work (euphemistically called being 'spared' in the gig economy), then being told I could have have a route - due to drivers not being given all their parcels, to then being told just to deliver to the drivers that didn't have them. So I nipped out to Queensferry, Neston and Great Sutton to deliver the bags of to three unsuspecting drivers - who hadn't been informed that they didn't have the bags and they were on the way (grrr).

On the positive side it allowed me to get to Neptune brewery to pick up some beer for the weekend. You've got to support your locals during these difficult times - and it helps that the locals these days are so damn good. I'd asked for Saturday off as I had a lot on: judging with @voimaoy on FFF, watching the derby at lunchtime, and Open Mic in the evening. Picked up the last mini-keg (5l) of 'Abyss', which was a result and two pints of Equinox for the Friday. Roll on Saturday!

Um… Then I got a text asking me to confirm for Saturday. I rang and told them I was off for the judging (and footy). They said they had no record of me being off and that they had me down as in. Argh! You can't turn down the work really though. And it's not like I could go out to watch the game with Liverpool being in a Tier 3 lockdown. Said if they were short I'd work but asked them to put me down as first to be spared if there was a volume cut overnight.

Then a call. 'Can you help out with a driver who was sent out late? Take 40 drops off him and you'll get a full day pay.' Two to three hours work by the time I got from Maghull to Warrington. Then it was thrown in that they could 'almost guarantee' if I did it that I could have Saturday off. That was the clincher. So after waking up to find I had work then didn't, then did. Well I got home at the same time as usual - around 7:30pm after a messy day.

On Friday evening I looked into getting a pass for my TV on Saturday to watch the Everton v Liverpool game. Unfortunately it was on BT not Sky, and they don't do Day Passes. I'd have to buy a Month Pass. But I realised that on the plus side BT have the European games so with the lockdown meaning I wouldn't be able to catch them any other way (legally) £25 for a month of football wasn't so bad (3 Liverpool European matches in the month). I didn't get it though: just in case the unlikely event of me working on the Saturday came to pass.

LandlockedYT

Well surprise! Saturday came and so did the text asking me to confirm I was in. So much for the promise; was never going to happen. Anyway I confirmed but asked for as small a route as they could find so I could get back and read the stories for Flash Friday. To be fair they did give me a short route. Got back for around 2:30pm.

Meanwhile Liverpool seemingly lost to Everton the way their fans celebrated. But on checking all the press it was a 2-2 draw. Henderson scored a perfectly good goal in injury time ruled out by VAR because presumably someone pressed the wrong one of two buttons (we've all done it). And worse still the Everton keeper, T-Rex, had nobbled our serene man mountain, Virgil van Dijk. It turned out by Sunday that he may well miss the entire season as a result of that unpunished assault. Breathe in. Breathe out.

So I missed the game. And it was a good derby in many ways, but awful in others.

FFF photo1
Fire & Ice Prompt: Sol 10/19

In the afternoon it was time to get on and read tehstories that 35 people had written for FFF. The remit was a tough one. Using the photo prompt and the Ice or Fire inclusion the story needed to be exactly 89 words. Tough. I picked my top ten after a couple of passes and my co-conspirator did. From there by Sunday we sorted our winners, honourable and special mentions out. I still don't know who has won and will wait until the Dragons put up the results later. Wondering how many Flash Dogs make the cut again after a good showing last time.

Later on Saturday I discovered that the Open Mic, which I'd been told would be regularly every fortnight (and our last one was two weeks ago), wasn't happening. Argghhh! All in all my Saturday's plans were in tatters.

But at least I still had my Neptune 'Abyss'.

On Sunday in lieu of the Open Mic I played a song I haven't done before, 'Landlocked Blues' by Bright Eyes. I recorded a version of it and put it up on YouTube. Hoping it will prove the start of me doing new songs to me; maybe a couple more Bright Eyes and a Frank Turner or two. We shall see.

Anyway all in all the weekend proved to be very different from that planned. How could it not with the lockdown - and the gig economy - being what it is? Probably still get the BT Pass so I can watch the European games whilst we are tied to our homes. And I've no idea who our centre back pairing will be.
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There Is No Sanctuary Anymore 

Well this weekend brought the news that the Sanctuary on Lime Street is to close its doors permanently. One of the first confirmations of pubs in Liverpool to be closing as a result of the damnable pandemic: it won't be the last.

It goes without saying that I wish the owners and all the staff all the best at this time.

It has been a great little boozer for the last few years for me. One of my most regular haunts. Often I would pop in at the start or the end of a wee crawl–or even both ends of one. It was always laid back. There was always music on (I’m not saying it was always to my taste, but hell yeah. Music!). The decor was ‘interesting’ if built-in distressed is your thing. From outside if looked like it could be a wine bar with the logo on the window, whilst inside it was spit & sawdust. It was a contradiction in many ways.

Beer choice could be a little up and down, but usually there was one or two–sometimes even three–that were worth staying for–or else I wouldn’t have, would I?

There wasn’t a big turnover of staff. And all of them were friendly and outgoing. Going out of their way to look after the customers (even giving me control of the music on several occasions. Yeah, an evening of Frank Turner, Wilco or Magic Numbers anyone?). One of last year's highlights was going in there for a few pints whilst waiting for the parade for the European Cup. We watched the progress of the parade on my phone so knew exactly when to leave to catch the buses, got some fab photos and then went back into the Sanctuary within about twenty minutes or so. A perfect afternoon, which unfortunately we won't be able to repeat for any parade for winning the league.–more's the pity.



Best of all I was in one Thursday evening reading a book when I noticed someone walk upstairs with a guitar and found out it was Open Mic. I popped up to watch, telling myself if they weren’t all shit hot I’d get up and play a song–partly on the basis that I didn’t know any of them and I need not show my face again if it all went tits up. I nervously strummed a couple of songs in super fast time and sweated like a pig… and since then I’ve hardly missed any. I hadn’t played in front of anyone for about twenty years. Unfortunately I hadn’t been practicing much either. But rediscovering the guitar was great and it has been the highlight of many a week since.









The continuation over recent weeks of the Open Mic online has been a lovely way to break up the week, especially the monotonous evenings (so much TV watched). Our little Zoom Sanctuary has been great, but it’s not a pub. It’s not the same.

It won’t be the last pub to go and I’m fearful for which of my other favourites may not survive this most painful of years. I’ll miss meeting up with the Open Mic crew at the Sanctuary. I’ll miss the banter with the staff and customers. I’ll miss sitting there reading or writing. Hell, I’ll just miss the Sanctuary.

RIP The Sanctuary. It was good to be in you.
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A Very Good Evening

Last night was Open Mic #4 of the Sanctuary Zoom Open Mics. It was the oddest one. Lots of people couldn't be there due to life commitments and/or watching Chelski v Man City. So as it was there were only three of us online rather than the usual nine or so. In addition to myself there was Matt Holland (.author.com) and Rebecca. Matt does stories and Rebecca does audience–and does it very well. Yeah, I was the only 'musician'. At least until the end of the night.

It was almost nine when I logged in. Despite the low attendance there was never the question of cancelling it and we had a good night. Matt read a couple of old stories and gave us a trial run of a new one he's working on. And I did at least eight songs, which I'll list below. Other than that we reminisced about pubs and drunken exploits and talked about if and when we'd go back to the pub again.

All this with one eye on our phones to see how the footy was going. When I left the commentary after twenty odd minutes City had been on top. But football is a funny old game and if they failed to win Liverpool, after their 4-0 thrashing of Palace the day before, would be Champions for the first time in thirty years. As the designated old git at Open Mic I'm one of the only ones who was alive and going to watch Liverpool back in the 1980's when we won all that came before us. I could understand the excitement of the youngsters not there at the evening's possibilities.

As it was, of course, Chelski scored first and it was 1-0 at half time. City equalised with a worldy free kick… and then a sending off and a penalty gave Chelski the game. Liverpool were fucking Champions of absolutely everything (currently holding the European Cup, the Super Cup, the World Club Cup and now the Premier League Champions): it's not been a bad year. If you discount the coronavirus (or indeed only count the footy).

At this point the Zoomers all left to go to their doors or windows to hear the singing, watch the fireworks and hear the street noise. It was brilliant. I just wish my dad was here to have shared in it. A day so long in the waiting. Back in the early 80s before I had a Season Ticket myself my mum and dad would take it turns to take me to the game with the parent and child ticket. As well as going to several games with both mum and dad. Mum was a red, dad was a fans of the Sons (Dumbarton to you). He'd have enjoyed the day and celebrations immensely.

Getting back onto Zoom it was time for another bottle of beer (I was drinking Platform 6.1 and Oakham Citra) and I played another song or two.

Niall came on from Dublin looking suitably very happy and gave us a rendition of You'll Never Walk Alone–which the rest of us did our utter best not to wreck, but probably failed. The night ended after much talk about football, beer, celebrations, fireworks, car horns and the wish to be able to celebrate it properly at some point.

Open Mic 4

We all decided 1:30am was late enough and called it quits. We'll probably change the day next week as next Thursday it is the Man City game–guard of honour and all that. So maybe it'll be on Wednesday or Friday. Either way I'm sure there will be more than three of us (with a late a guest appearance). We shall see.

My setlist (for it must be as set once you're over five songs, surely?) comprised:

  • Homeward Boud
  • You Ain't Going Nowhere
  • Down By the Water
  • Congratulations
  • N17
  • Hotel California
  • Somewhere Down the Road
  • Sweet Carolina
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Surprise! Zoom Open Mic 3

Last night I noticed a WhatsApp message from Bobo with Login details for a meeting on Zoom, and I realised there was bloody Open Mic on. Hell, yeah! I'd had no idea that it was on. I think the guys and gals message about it on Facebook and just assume I know these things through osmosis. The Open Mic at the Sanctuary is every fortnight so after having it last Thursday I’d assumed the next one was next week. So I was pleasantly surprised -  and late.

Rushed-ish upstairs and logged in to Zoom and found five or so peeps already there. There was no Olly this week so I volunteered to play first. Started with
‘Homeward Bound’ (which last week was missed through a Zoom muting issue), then went on to ‘Couldn’t Get Arrested’ (which I fooked up last week), then finished with ‘Somewhere Down the Road’. 

Open Mic 3

Later on after songs from Bobo, Dave, Niall, John and Anthony - and stories from Matt - I played three more songs: ‘Sweet Carolina’, ‘Heart Breaks Like the Dawn’ and ‘Take Me Down (to the Infirmary)’.

I ended up staying on from around 9 until 12:30am. Still glad of not needing a bus home afterwards. In the morning I found out that several of them stayed on Zoom till 3am. Defo longer than a standard lock-in.

A good time was had by all and at least now I know that there will be another Open Mic next week, and I'm already looking forward to it.
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Guitar is Back (and I need to practice)

At the end of last year, before my father passed away, and before this year began - and brought us this hellish pandemic, I made plans or at least the skeleton of them for this year. 

The fundamental one was get a proper job. Others included writing aims and getting guitar lessons to bring me to another level (not difficult you’d think). Of course the virus has likely put paid to the job thing with little going on but growing unemployment rather than jobs galore. Writing has stalled due to concentration going out of the window in the first half of the year, and guitar lessons are not exactly possible with social distancing. Or maybe not.

837FB752-A9AC-4032-9D75-050638A48660

I’m starting to write stories again (one of my next blogs will say more on that) and now I’m looking at doing an online guitar course rather than lessons. Having done a couple of Zoom Open Mics getting lessons via computer seems like not a bad idea. Not that I’m going to get one-on-one lessons. I’ve done a bit of online research on what’s out there and feel that the style of the teaching and the one-off payment model for Jamorama suits me best. The vast majority of the courses are a monthly payment model and would soon mount up above the cost of the Jamorama course. The cost is just shy of £80 which isn’t bad when you think that this is the cost of 3-4 guitar lessons locally (guitar lessons locally are generally around £18-25/hr).

I really can’t see it not being money well spent. We shall see. Watch this space... I aim to get better and hope to see it show once proper Open Mic is back.



Check out the website at:
www.jacorama.com 
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Boom! We Made It On Zoom

For the last couple of months (yes,  it’s only been than long) I’ve had to listen to so many people on the radio and TV complain about working form home and then extol the possible long term virtues of it thanks to getting used to using Zoom from everything between Zoom Work Meetings to Zoom Quizzes.

Zoom Session

Working, delivering shit all day to the masses, I had not used Zoom and most my mates would have no interest in calling into a remote quiz or drinking session. For me communication remained phone calls, texts and WhatsApp group messages.

But finally on Sunday, after two aborted attempts, the guys and gals who sort out the fortnightly Open Mic at the Sanctuary arranged a Zoom Open Mic session. It had been a long day at work for me in the sun and I was bushed, but called in at around 9pm. It took a bit of messing about as I got a WhatsApp message with the connection link and couldn’t enter the details on my iPad, which I was going to use for the event. In the end I had to copy and paste the invite into an email to myself and then open it up on my iPad from there. Already there were five or six logged in when I joined.

Being the first time I’d used it I had just propped up the iPad on my desk in the spare room. There was still some natural light to begin with but as evening fell I  had to use the desk light. Considering I hadn’t put too much thought to it the set up worked okay. I  had plugged the  Blue ‘Snowball’ mic into the iPad. It’s difficult to know how much that helps with the sound as you count hear how it goes out. Suffice to say that some of the others had problems with the mics in their complex terms/devices and the sound came and went some rather randomly. On the positive side for me that meant some of the others were brought down to my level in terms of results. Hurray!

Despite sound and stuttering issues and the effect of replying not quite in real time, the event went really well. Nine or ten of the regulars came in and played or told stories, and the time and beer flowed quickly. The main issue was having to serve your own beer and not getting our loyalty card stamped. But at least at the end of it I didn’t have to get the last bus home (particularly as I would have missed it - I left the ‘meeting’ at 12:30). I’d had five beers, played four songs, went for three toilet breaks, wore two different tops, and had one big grin on my face.

Zoom Meeting


Many thanks as ever to Bobo and John - and their better halves - for the organisation and time involved in events - both online and in the Sanctuary. Everyone who attended it really enjoyed the opportunity to meet up again. It's not the same as down the pub, but needs must at this strangest of times.

We’re hoping to have another Open Mic in the next week. And I’ll definitely be phoning in.


______

The songs I played were:
‘Mostly Water’ - Bap Kennedy
‘Homeward Bound’ Simon & Garfunkel
‘Somewhere Down the Road’ - Chuck Prophet
‘Sweet Carolina’ - Ryan Adams



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That Was The Month That Was

An April Playlist

Last time I was the VSS365 prompter I took all the words from pub names in Liverpool or names of hop varieties. This time I went for one of my other loves: music. All the words chosen were from song titles from some of my favourite recording artists. Quite a few of the songs were picked up by some of the VSSers even if they didn't realise all of them were sourced that way - I mean why would you?


April Words


In order that the words came up in April, I suppose your unwitting playlist, the songs were as follows:

‘Run Chicken Run - Felice Brothers
Kicking Television’ - Wilco
‘We Will Rock You’ - Queen
Orange Crush’ - R.E.M.
Classic Cars’ - Bright Eyes
‘Hell is Chrome’ - Wilco
‘Crane Wife’ - Decemberists
‘Sgt. Peppers Lonely Hearts Club Band’ -  Beatles
Telegraph Road’ - Dire Straits
‘Splendid Isolation’ - Warren Zevon
‘Rescue Blues’ - Ryan Adams
Desperado Under the Eaves’ - Warren Zevon
‘Somewhere down the Road’ - Chuck Prophet
Shelter from the Storm’ - Bob Dylan
Tumbling Dice’ - Rolling Stones
Desolation Row’ - Bob Dylan
‘Couldn’t Get Arrested’ - Green On Red
Blue’ - Jayhawks
‘Sullivan Street’ - Counting Crows
‘Smack Dab in the Middle’ - Ry Cooder
Ruby Tuesday’ - Rolling Stones
Radio (Free Europe)’ -  R.E.M.
‘Space Oddity’ - David Bowie
‘The Needle and the Damage Done’ -  Neil Young
Mittens’ - Frank Turner
Heavyweight Champion of the World’ - Reverend & the Makers
Killing Moon’ - Echo & the Bunnymen
‘I am the Resurrection’ - Stone Roses
‘Perfectly Good Guitar’ - John Hiatt
'
Alcoholiday’ - Teenage Fanclub


Not a bad jukebox - if I do say so myself - and not a bad month of VSS writing either. Thanks to all those that got involved and for the kind comments too.

Oh, and if you fancy some background listening while you're writing then I've put the
April Playlist on Spotify. One of my faves ('Somewhere Down the Road') is missing as it's not on Spotify, but all the others are there.

VSS Playlist
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Pasta Packets, And Beans

Last week i put a song up on that there YouTube thing. And it wasn't a cover, no it was something with my words in (albeit the same chords as my usual strumming). I had to pen something about the situation of course. 'Pasta Packets, And Beans' a song for this generation. Or at least for this week.

Featuring Pasta, Beans, Toilet Roll, Gin, Closed Pubs - and my chippy - and the severe lack of Football. It's all just a bit of fun.


Pasta
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The Last Gig

As mentioned on the previous blog I got to see Romeo Stodart play at the Liverpool Philharmonic Hall Music Room on Sunday. I was lucky to be able to see him on several counts. Not least because now the gig industry has ground to a halt. The Phil was closed from Tuesday. This damn Covid-19 virus is wreaking its toll like a Sten gun, its just hitting everything.

Anyway, my review of the gig is over on the Get Into This website.
Check it out.

RomeoTweet

The poster boys for not social distancing: wouldn't do this now.

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If Music Be the Food of Love...

'If music be the food of love, play on.' (from 'Twelfth Night' by Billy Shaks) is lovely, ain't it? Billy had a wonderful turn of phrase and I bet he loved a good gig - or even an average one. You really can't beat live music. I'm hoping to get to more and more after a hiatus and tonight I'm going to see Romeo Stodart from the Magic Numbers. I've seen them a fair few times in various venues and seen Michelle do a solo gig, but this will be my first Romeo one.

Back in the day I had a great time in Amsterdam before a Numbers' gig drinking with Romeo on the banks of a canal with several of my mates. Talked so much about music with him as we sank a few continental lagers. It was a great gig and we ended up drinking until the early/late hours after it. He's a fabulous guitarist and songwriter and a lovely guy to boot.

Romeo1

Romeo2

Really looking forward to it - not least because I am going to it as a reviewer for the website '
Get Into This.' Hoping it will be the first of a few. Sod's Law though with the way things are going with CV19 that there may not be too many gigs about for a while. Who knows? I just gotta go with the flow.

Numbers1

It'll be interesting to write a review too. I've done them before but - well you know - it's been a while. Reviews sit somewhere between factual report writing and fiction. In so much as whilst it is a factual report you can throw in verbs and adverbs and plenty of feeling. And at a length of between 250 and 500 words it sits right in the comfort zone of us Flash Fiction writers. If music be the food of love and all that jazz.

In the meantime, if you're interested in music, gigs, dance and the arts then check out:
'Get Into This'
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Yay! First Open Mic of 2020

Yesterday was the first Open Mic of the year at the Sanctuary Bar. I was told variously it was on/not on. And only got told it was definitely on near the start time. By then I'd arranged to watch the Liverpool league match against Wolves in the Head of Steam. I was a little disappointed, as originally I'd said I'd miss the football to go to Open Mic, but once it was arranged it was too late to change things. In any case, I don't like missing games on the telly when they are on. Had a nice couple of pints in the HoS with Ste - watching Liverpool win again. Woohoo!

As it happened we went down to the Sanctuary and I got a slot to go and play. After a few beers I'm usually not great remembering all the lyrics (at least not in the correct order) so it was a risk. However I ended up playing four songs and did pretty well. So all was good: I saw the game and played some tunes and listened to some too. Win, win, win.

Went for four of my most usual songs:

  • Somewhere Down the Road
  • Couldn't Get Arrested
  • Sweet Carolina
  • Splendid Isolation (with a wee segue from Knockin' on Heaven's Door)

Ste hadn't seen me for ages and commented he was surprised how good I was now. Which basically means I was shit when he first saw me.

Onwards and upwards. I need to get some songs written and learn some new ones too. Here's to many more Open Mics throughout 2020!
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No Singing, or Dancing

Missed four Open Mic nights on the trot in October and November due to work and a dodgy throat on the last occasion. I finally got up an running again a couple of weeks ago when I made it and played four songs at the Sanctuary. It was the first time I've played on the ground floor. Did four of my usual songs: 'Sweet Carolina', 'Somewhere Down the Road', 'Couldn't Get Arrested', and 'Whiskey in My Whiskey.' And so it was that I was looking forward to getting back up again yesterday.

I got back quite late thanks to a rather heavy work load in and around Denbigh (officially 126 drops, probably 140 in reality). Most of the town is okay but the ones around the old town centre are horribly slow with the narrow streets and little one ways and the like. Wasn't sure I'd get home in time to get out again, but in the end I was home for 7.25pm. After a quick change I was out and at the bus stop for 7:45pm, then into town and in the Sanctuary for 8.30pm. Huzzah! I could see plenty of people downstairs, but no guitarists or PA. I was happy to see it would be upstairs or downstairs then…

But no. There were no guitarists there 'cos the Open Mic had been cancelled. Apparently it had been heralded on Facebook, which is all well and good but I don't do FB, do I? So it was a couple of beers and home without giving the singing muscles a go. Ho hum.

I suspect the next Open Mic will be cancelled. As in two weeks time it will be Election Night. Hopefully get one or two more Open Mic's in before the end of the year.
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Calexico and Iron & Wine Gig

Calexico-1

Went to the third gig of the last month. Wow! I say wow because it's also the third gig of the year too (discounting pub bands). Following Kathryn Williams in the Liverpool Philharmonic Music Room and Rival Sons at De Montford Hall at the Liverpool Uni a couple of weeks ago it was time for another class act (or two really): Calexico and Iron & Wine.

I'd last seen them together years ago but seen them separately several times in Liverpool, Manchester and at festivals. And I have even seen Iron & Wine (aka Sam Beam) at the Liverpool Philharmonic Hall before with my sister several years ago. The album they are touring with is Years to Burn and is absolutely beautiful. If you haven't got it, what's stopping you? (Okay, stream it if you must)

Calexico-5

I had an eventful time getting to the gig. Having a late start at work meant I didn't get home until 18:58. I managed to get showered, changed and out of the house by 19:10 and to the bus stop for 19:14, with the bus due at 19:17. Brilliant. Come 19:30 still no sign of bus and me getting anxious. What this time? It wasn't like there was a big footy match on or anything. Oh no. Theres always something with the infamous No.17. What could it be this time? Well a lady got of a 62 and asked us if we were waiting for the 17, for if we were we'd be waiting a long time as the woman driving it had crashed into A&E at Fazakerley Hospital. I mean, WTF? How do you not see a hospital? Still, I suppose dispensing any injured passengers would be handy and wouldn't tie up any ambulances.

So I had to get to the next bus stop to double my chance of getting a bus - with both a 19 and 17 a possibility. The next 17 was late so I ended up on a 19 and running about 45 minutes late. Meaning I'd get to the Phil about 20:20. I checked on Twitter for stage times… Calexico and Iron & Wine due on at… yep, 20:20.

Calexico-3

Dispensed out of the bus at London Road and took the ten minute walk to the Phil. I realised I was parched after the long wait and realised I hadn't drunk much at work either. I decided I'd throw myself into the Pen Factory for a very speedy pint. Took me about three mins, including ordering, to get a pint of Dark Star 'Hophead' down. It hit the spot. I speedily passed on down Hope Street arriving at 20:20. Get in! The bar in the foyer had a queue but was handily placed. I needed one to last through the 1.5 hours of the gig (as the bar was closed during the performance (shocking state of affairs). A security guy said 'Sorry, the bar is shut' - my face fell and I blurted out the tale of woe getting there and the hospital jumping in front of my bus and a lovely lady (the loveliest) said 'Go on, get in the queue.' Woo hoo! So five minutes later I had a pint of Love Lane Pale Ale and then went through to my seat. As it happened they didn't start until about 20:35 or so, so I didn't miss a note (though I missed the support, Lisa O'Neill).

Calexico-2
Sam, Joey Burns and Lisa O'Neill performing 'Dreams'

I was sat downstairs in the stalls on Row L. Not a bad spot to be in; that said to be fair anywhere in the Phil would be a good place to see a gig. Of course, I'd much rather stand than sit through music but sometimes you don't have a choice. From the first notes of Father Mountain through so many of their songs, and some of the Calexico's and Iron & Wine's, and several great covers; including the Everly Brothers' 'Dream' (sung with Lisa McNeill), and Echo and the Bunnymen's 'Bring on the Dancing Horses', it was musicianship of the highest quality. The level didn't drop.

Calexico-4
Accordion Solo

Only slightly negative thing for me occurred when three late arrivals, all guys in their sixties, sat down and talked through parts of several songs. And then did some American style Whooping. I mean, NO! I was half expecting a 'Get in the hole'.

They played around an hour and half before I plodded of with a large grin on my face to the merchandise where I got a tour T-shirt and a signed poster. Bit odd this, as I never used to buy merchandise at all - despite years and hundreds of gigs I only have tour T-shirts from Ryan Adams, Wilco, and Frank Turner. I think a Calexico and Iron & Wine T-shirt is a mighty fine addition to the not-even-collection.

If you can get to see them: do so. If you don't know them and are interested in finding out what they are like here's a link to a live performance of 'Bring on the Dancing Horses'.

DancingHorses

Finally I got back home on the No.17 and it managed to get back without hitting any buildings, well not so you'd notice anyway.
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Kathryn Williams Gig

On Wednesday I went to watch Kathryn Williams play a gig at the Music Room in the Liverpool Philharmonic Hall. Not sure what my last gig was or when, it must have been sometime last year I think. Whatever it was it could not have been better than this one–or else I'd remember it (even with my ever growing years and diminishing brain cells).

The tour is to showcase the release of Kathryn's 'Anthology'. And by anthology I don't mean a single or double CD with all her best songs, oh no. The anthology is a release of the majority of her whole albums (ten of them), each of which is accompanied by a CD with alternate takes, covers, live stuff etc (aka 'rarities'). That's a lot of music.

KW-2

It was the first time I've been to the music room, which is at the rear of the Philharmonic Hall–at the same time as Kathryn's gig Christy Moore was playing the hall. Had an okay keg beer on (keg = expensive and cold, but better than a bottle of lager) and was glad to see it was a local brewery. The gig itself featured Kathryn, largely playing acoustic, accompanied by Neill MacColl (and yes, Ewan's son/Kirsty's brother). Whilst she was born in Liverpool, so it was a bit of a homecoming gig, she is based in the north east. She went through her back catalogue chronologically and interspersed it with some short stories and reminiscences–and occasionally jokes which didn't hit the mark, but were nonetheless engaging. It's amazing that her second album 'Little Black Numbers' – which was nominated for the Mercury prize that year – was back in 2000. Where does the time go when it's not around here?

KW-1

It was a gentle, spine-tingling occasion. I won't spend much time going over it, in fact I'll give you my eight word summary: Great songs, beautiful voice and a wonderful soul.

KW-anthology

I bumped into four people there I knew, which goes to show some of my friends have fabulous taste in music. If you get the chance to see Kathryn play anywhere: don't miss it. In the meantime you can always buy an album or two of hers, or check her out first on Spotify. I went for the Anthology (sold at the gig at a good discount from the RRP), which I bought from the lady herself, and so I now have 20 CDs worth of music to enjoy.

KW-postcard

Website: kathrynwilliams.co.uk
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Gigs... It's Been A While.

Been a while (ages) since I've been to any gigs. I used to go to loads but with one thing and another I just haven't been gigging lately. But I've actually got a couple coming up now and I can't wait.

Firstly, next week I'm going to see Kathryn Williams at the Liverpool Philharmonic in the Music Room and I've got tickets for Calexico and Iron & Wine in November also in the Philharmonic Hall. Last week I got their recent album 'Years to Burn' which I've hardly turned off. It's bloody brilliant. I saw them play in Manchester many years ago in the Academy. Acoustically the Phil will be miles better - the acoustics in the Academy seem better designed to magnify the volume of people chatting away about the current issues on Eastenders than the bands. Why do people spend money to go to a gig then chat all the way through it - just to say they were there? That said I would rather be standing than sitting. So the Phil will be both better and not as good - although very comfortable.

YearsToBurn
Calexico and Iron & Wine: Years to Burn

Anyway roll on Wednesday, and Kathryn. It'll be the first time I've seen her live. Perhaps I'll write a wee review. In the meantime if you don't know either of the artistes I recommend you check them out. I've put a link to a song each on YouTube for each of them (click on the photos) and their websites and Twitter details are below. Happy listening.

KathrynWilliams1
Kathryn Williams: Monday Morning
____________

Website: www.kathrynwilliams.co.uk
Twitter:
@kathwilliamsuk
YouTube Video:
Monday Morning


Website:
casadecalexico.com
Twitter:
@casadecalexico
YouTube video:
Father Mountain
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Better Be: A Retune

Been a while since I've done any recording of my guitar practising so I've done one today which is a reattempt at the classic Crowded House song 'Better Be Home Soon'.

This is actually my third attempt. My first one was an open chord version which I struggled and failed to get to the highest notes, so for the second one I played with a capo. This was deeper and easier to hit the high notes but in some ways less lively to sing. So for the third version I've gone back to the open chord version.

BetterBe

Still struggle with the highest notes but hell it's better than it was and is a livelier version than the capo one. I may not have a good singing voice but it's improving with practice.

The other thing I am trying to do now is practice strumming patterns. Eek! Think that should be the quickest way to get better to be honest. Do wish I'd had some lessons when I was younger. Anyways, onwards and upwards. And whilst I'm practising I've got the aim to write three songs before the end of the year. Perhaps I'll choose a theme from a VSS365 prompt.

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New Songs, New People

Open Mic again last night, so of course I was there again. Ollie arrived later so I went up first to be followed by Matt Author.Com. There was another poetry performance, which was funny. And a couple of the excellent regulars as well as a couple of Open Mic virgins.


OpenMicAgain

Started and ended with a few of my usuals, which sandwiched in a few new ones for me from the Waterboys and Green on Red.

Set list:

  • Somewhere Down the Road
  • Heart Breaks Like the Dawn
  • Strange Boat
  • A Man is in Love
  • Shed a Tear (for the Lonesome)
  • Whiskey in my Whiskey

There was a bit of a CAMRA event on in the pub with Karl, the brewer from Liverpool Brewing Company there, so downstairs was busy with some CAMRA bods. I introduced a blue nose from CAMRA to the event and he enjoyed watching one of the newbies and a couple of classics from Dave Glyn Jones.

As I was off on Friday I even went on for a pint with everyone, in The Swan, before getting the last bus home. A predictably good evening.
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Strange Love

Made some time to play some guitar this afternoon and went back to some oldies from The Waterboys.

StrangeBoat
Strange Boat

Went for Strange Boat and A Man Is In Love two classics. Next time maybe Fisherman's Blues and A Bang On The Ear. We'll see.

First time up I ended up with lots of background noise before I realised I had on my CD, amp and PS3. Turned these off and the noise disappeared. You live, you learn.

Anyways, now time to write something for the Seedling Challenge.
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Steeling Myself

Going on my second Wirral ale trip tomorrow. Back to the great Yorkshire beer city - Sheffield. Looking forward to it. Know my way around the city's boozers pretty well by now.

Yesterday I played at the Open Mic in the Sanctuary once more. I was back in a checked-shirt (green). As well as being back in a proper garb, we were also back were we were supposed to be upstairs with a microphone and PA. Huzzah! We were down one Bobo though, who was home with Delhi Belly or some such. Shame. Hope the evening's rest did him good.

I was first on (always good for me, as following Dave Jones is a killer!). Played six songs, including an encore (well the next guy had gone for a smoke) and got asked for a request ('Couldn't Get Arrested'), which I played. A request… that's a first!

Yesterday's set;

  • Sweet Carolina (Ryan Adams)
  • Somewhere Down The Road (Chuck Prophet)
  • Take Me Down to The Infirmary (Cracker)
  • Whiskey in My Whiskey (Felice Brothers)
  • Save It For A Rainy Day (Jayhawks)
  • Couldn't Get Arrested (Green on Red)

Couple more newbies turned up later on, who were both great.

Si supplied some nice beer including a new local one from Tyton Brewery and the famous Beartown 'Creme Bearlee'.

A good evening, as ever.
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YouTube - It's been a while

It's been quite a while since I've put a song up on YouTube (other than the Flushing Song, which I need to update) so before going out in search of a screen, with accompanying decent beer availability (via a hearty breakfast at the Shiraz), I've been strumming a couple of songs.

First up an oldie, which everyone tries early on when trying the guitar - 'The House of the Rising Sun'. It's one we played a bit at the Open Mic the other night.

HotRS2

Apologies if anyone is offended by my choice of top, but it is the Champion's League Final today and I'm off out after this. I've recorded another oldie (which is currently beyond my capability but you've got to push yourself, ain't you?) which will go up tomorrow, as it is currently 'Processing' whilst 'The Rising Sun uploads. Two for the price of one. Been a good morning strumming anyway. Here's hoping for a great evening too!

Come on you Mighty Reds.

YNWA
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Open, but No Mic

Yesterday was Open Mic day again. It comes along almost every fortnight doesn't it?

In the morning I was delivering in Penmaenmawr on the North Wales coast and was parked up opposite a music shop. It came to me that it was worth popping in to see if they had any guitar cases, as for a while I have been thinking about buying one in the event I got asked to bring in a guitar. I always just use one of the guitars provided by the Open Mic guys, but there is always a chance they may have an issue one day. One day I thought I may want to take my own guitar in any case (sic).

OpenMicDuo1

I actually had been looking online from that Amazon lot and have had one in my Shopping Basket for several weeks. But they are not that expensive and I thought that if the price in the shop was not extortionate in comparison I would rather give the money to a local shop than to the behemoth. As it happened the padded soft case was £17.50 which seemed reasonable, so I went for it.

OpenMic Duo1

So, last night for the first time I took my own guitar, which is a lovely old Takamine 363 Semi-acoustic. It is a beautiful piece of work, particularly the three piece back and the inlay, but it sounds good to. Well, it would if a) played by someone else and b) played with new strings… I have no idea how long the strings have been on, but it is years I think. Only when I was strumming there downstairs in the Sanctuary did it dawn on me that maybe I should have invested in some new ones. Of course, John just turned up with a newly strung guitar and the zingy difference was obvious. I'll be getting some new strings this weekend if I get the chance (amid the Champions League shenanigans).

BoboHair

It was a disappointing night in one sense, as the upstairs room including the PA, speakers and microphones were all in use. We'd been usurped! The regular few were sent down to the dungeon to play and were left with playing and singing unassisted by speakers. That said, it so happened that the week was much quieter than usual with only six guitarists. The lack of speakers meant that one of the regular poets didn't get the chance to get involved really. In the end we had a mix of singing songs on our own and teaching (or at least playing along with) each other. It was fun though. I even ended up singing Wonderful Tonight and There She Goes.

OpenMicDuo2

Hopefully Open Mic next time will be back upstairs and with the equipment e.g. with the Mic that goes with the Open thing.
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Open Mic & a Return to Ale Trips

It was Open Mic again yesterday in the Sanctuary and once again I made an appearance. We were shifted downstairs, as upstairs was occupied for some Light Night shenanigans, and just being in a different room makes it feel like a different 'gig'. In another effort to make it different I was not wearing a checked shirt for the first time here. In a shocking turn up I had one my 2012 Frank Turner Wembley T-Shirt.

OpenMicFTHC

Ollie was there again, so I made it up for my songs second again.

I ended up doing five songs:

  • Somewhere Down the Road
  • Heart Breaks Like the Dawn
  • Whiskey in My Whiskey
  • Down By the Water
  • The Flushing Song

The first two by Chuck Prophet, the third by Felice Brothers and the fourth by Decemberists… and the fifth… yep, that was the one I wrote last week. So I've performed a self penned song for the first time in over two decades (the last one was a similarly daft ditty: 'Stood Up, Deffed Out and Desperate' which I don't remember all the words or the chords for. It was a Saw Doctors style pastiche with some interesting lyrics). Anyway, The Flushing Song went down pretty well, and I was glad I gave it a go.

OpenMicCheersFTHC

Afterwards one of the regular attendees commented that she was becoming familiar with my songs, after not knowing them previously, and that she enjoyed them. That was nice to hear. My next task, other than practicing the damn guitar, is to try and write a song that's not just tongue in cheek. Then again a few Loudon Wainwright III style songs wouldn't be a bad destination either.

Onwards and upwards.

In other news, tomorrow I am going on my first CAMRA real ale trip for many months. I used to go on every Liverpool branch CAMRA coach trip, which are undertaken on a roughly monthly basis, but have stopped going as a stand against their move to booking through Eventbrite. That decision was frustrating as it disenfranchised so many of the regular trip goers - who maybe didn't want to start paying for things online (put it this way, I am part of the younger demographic on the trips). So tomorrow I am going on a trip to Buxton with the Wirral branch, who in any case pick up at the same place as the Liverpool branch (only difference is that it's 15 minutes earlier).

Looking forward to the trip. Buxton is a nice place and, as it happens, one of my favourite beers I've had this week was Buxton Brewery's SPA on cask in the Grapes.

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Flush The Floater

Started writing a daft song yesterday and this is it as it stands now - yes, it's up on YouTube already. Needs a bit of tidying, but okay for first writing in decades. Hope it comes across okay. If I finish it off properly, who knows, it may get a try out at the Open Mic sometime soon.



Save the planet, people. But don't stress to much about the floater — flush when you need to.
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This, That and The Other

Been making some edits to my story for the Don't Open the Door anthology, no spoilers but hell, of course they open the bloody door! Hoping to finish that off tomorrow and then give it a final brush on Sunday and get it to the editor. Should be a tighter story when I've finished it.

Had a bit of sad news that I didn't get selected for the Pulp Idol final. It was a bit of a shame, but, after the IT cock-up meant I never got the invite to the heats, I was expecting it anyway. I'd recorded a reading of the first three minutes of the first chapter and put that up on YouTube for a judgment to be made, not ideal but hey, beggars can't be choosers. Doesn't change anything about the novel, and once I've got the Door story sorted I will get back on to it and finish it. I want to know what happens in the end after all.

Considering some alterations to the website, with a new section or two. Should get at least one of the ideas up and running this week. Watch this space (or maybe the menu bar).

Talking of the website, of course tomorrow the weekend starts, so it's time for the Seedling Challenge. I've been religiously putting it up each week so that it's been there to be used by anyone who wants to, but I know I need to push it a bit more. So be prepared to be pushed - at least if you're exposed to Twitter in any way.

At some point I'm going to start writing some songs, now that I'm playing the guitar more regularly. I'm still surprised that the songs that I've been playing aren't known by the other guys at the open mic. But they are all of a type I suppose, and if I write in a similar style (or at least perform them that way) then there's every chance they won't know what's mine and what's someone else's. We'll see. If I start doing my own stuff then I can pop along to the Monday Night Club at the Cavern and play a tune or two (they only allow people playing their own stuff). Now that would be cool, wouldn't it?

Currently reading 'Crome Yellow' by Aldous Huxley, which I bought last week as part of a charity shop haul. I've only read Brave New World by Huxley before (which I loved), and this is so very different but enjoyable. It's my fifteenth read of the year, which puts me on track for the forty.

What with website updates, short stories and novel writing, reading, guitar practice and songwriting, it's a wonder there's time for anything else. Then there's football tomorrow night and Tuesday and then next Sunday (not to mention an important match on Monday night). Oh, God, and there's Line of Duty on Sunday. Clearly there's not enough hours in the day or days in the week. If any of the political parties yesterday could have promised to sort out the 'not enough hours' issue they'd have got my vote.

Anyways, ta-ra for now, I'm getting back to Crome.
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Whiskey in my Whiskey

Ollie turned up about 2 hours late (due to a job interview; poor excuse), which meant the normal opening act was not available. As the guy that normally comes on second it was therefore up to me to move down the list, which seemed fair enough. Whilst I'm still trying to get better an early relaxed little session is a a good thing.

Ended up playing five songs:

  • Somewhere Down the Road (Chuck Prophet)
  • Down by the Water (Decemberists)
  • Whiskey in my Whiskey (Felice Brothers)
  • Heart Breaks Like the Dawn (Chuck P)
  • Sweet Carolina (Ryan Adams)

Bobo came on next playing a couple of his bluesy tunes, followed by the newest father of the night: Dave Jones (congrats, new dad!).

Usual suspects followed including Matt Author with a new story.

Open Mic X

There were some off mic incidents involving a collapsing woman, and a birthday girl downing an impressive quantity of rum and coke. A couple of great singalongs; including my fave Queen song: 'Don't Stop Me Now'

Roll on the next Open Mic. Always great.

Open Mic XI

The highlight for me was two people independently coming to me and saying 'Great Set.' I mean, I have 'a set?' Let alone a good one. I've gotta be happy with that. And I am.

Thanks to Bobo and John for organising the night, and Dave tonight for the use of his guitar. And Bobo, once more, for the up-close-and-personal photos.


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Cocks and Nozzles, and a Busy Week

This week is going to be busy. Worked yesterday and my days off are today and Saturday, but in-between there's lots going on. I've got to do the edits of the 'Don't Open the Door' story for a start. On Wednesday there's the small matter of Barcelona vs Liverpool in the first leg of the European Cup semi-final (yes, it will always be the European Cup to me). On Thursday there's the next Open Mic. And next Saturday there's the next Liverpool match v Newcastle (at 7:45 in the evening… on a Saturday - what's that all about!?). Got to go and see my dad. And have personal things to do and plans to make.

Then there's other life shit to do, including installing a new ball cock! Not to mention work.

There really aren't enough hours in the day. No idea when I'll get to strum my guitar before Thursday. Maybe a short while today and tomorrow night. I haven't even watched ONE of the new Game of Thrones series yet, though I am up to date with the ever excellent Line of Duty and Follow the Money.

Anyways, first things first, my printer was acting up, I thought it was a problem with the cheap printer cartridge I'd bought, so I bought a better make. Turns out the issue was not the ink it was the damn nozzle on the printer. After cleaning that everything is ship-shape and working right. Just means I've wasted one ink cartridge - as the first one is sure to dry up whilst I use this next better one. Ho hum. Advice to everyone out there: make sure you do regular nozzle checks and do your head cleaning. Should go without saying that.

Now I can print out, I can get on with the editing. I really would struggle if I couldn't review the final piece on paper. I find it impossible to catch things on the screen. That said, an option would have been to keep putting the updated piece on my Kindle Paperwhite. But a) that's a bit clunky and b) comments seem to transfer into wrong locations (rather than disappear) when you save a new file in place of an old one - so not ideal. Anyways, it is moot, as I have ink and paper.

With Wednesday and Thursday being out of the picture for evening work I better get on with DOTD. Then I'll go and see my dad before getting this cock sorted.
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Another Whiskey Song

It's been a few weeks since I've played a new (or new old) song and with me being off today I thought I'd do one as part of my guitar playing practice. The last one I put up was 'Whiskey in my Whiskey' which I've done at the last couple of Open Mics along with 'Down by the Water'. So with all these liquid songs I decided to do another one and have gone for a slow slow version of the traditional Irish song 'Whiskey in the Jar.' It's no Thin Lizzy or Metallica version.

Anyway, I did it on the first take which is at least ten takes fewer than usual.

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Whiskey In the Jar
(apologies for the lack of a check shirt - confusing, I know)

My song list is expanding slower now. But if I can concentrate on them I can improve them. Think my singing is improving a little from its admittedly rather low base.

Current songs that I am playing and have put on YouTube are:

  • Whiskey In The Jar (trad. Irish)
  • Whiskey In My Whiskey (Felice Brothers)
  • Down By The Water (Decemberists)
  • Love Hurts (Gram Parsons and Emmylou)
  • My Heart Is Living In the Sixties Still (Saw Doctors)
  • Save It For A Rainy Day (Jayhawks)
  • Take Me Down To The Infirmary (Cracker)
  • N17 (Saw Doctors)
  • Shed A Tear (for the lonesome) (Green on Red)
  • Splendid Isolation (Warren Zevon)
  • You Couldn't Get Arrested (Green on Red)
  • Somewhere Down The Road (Chuck Prophet)
  • One I Love (REM)
  • Van Diemen's Land (U2)
  • Sweet Carolina (Ryan Adams)
  • Better Be Home Soon (Crowded House)
  • Heart Breaks Like the Dawn (Chuck Prophet)
  • Hotel California (Eagles)

Written out like that it looks like a whole setlist. Anyway, in a few months I'll start putting newer versions of the same songs which should show some progress. Bloody hope so anyway!

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A More Usual Open Mic

After the last Open Mic was quirkily small but perfectly formed, yesterday's returned to the more usual with the return of John, Dave, Oliver et al. It meant that there were six or seven guitar playing singers, along with Matt Author Dot Com, another couple of poets, and even some standup.

All in all another sound night- and the Oakham 'JHB' wasn't bad either.

Ended up playing five songs:

  • Somewhere Down the Road (Chuck P)
  • Heart Breaks Like the Dawn (Chuck)
  • Down by the Water (Decemberists)
  • Whiskey in my Whiskey (Felice Brothers)
  • Splendid Isolation (Warren)

No photos this time, but suffice to say if there was then it would have shown me wearing a checked shirt.

Oh and Bobo had a new guitar - a jingle jangle 12-string. Very nice indeed.
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A Quite Different Open Mic

Last Thursday I was at the bi-weekly Open Mic at the Sanctuary once again. Whilst I was on the way into Liverpool on the No.17 my phone rang and it was Bobo checking if I was coming. His message to me basically being 'It may well just be me and thee.' It was the first day of the Grand National meet and it was a crap, wet day. In addition a few regulars were either ill, away and/or not answering their phones.

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It turned out in the end that there were three of us who played guitar; Bobo, Kevin Zen and me. I ended up playing about seven songs or so including a couple of new ones out there live for me: 'Down By the Water' and 'Whiskey in my Whiskey'



Can't remember my set list completely but it included:

  • Heart Breaks Like the Dawn
  • Down By the Water
  • Sweet Carolina
  • Whiskey In My Whiskey
  • Somewhere Down the Road
  • You Couldn't Get Arrested
  • One I Love



Even without Matt Author being there a couple of people did readings of stories and poems.

This galvanised me into action and I read three of my poems which I could access from my website after putting them up last week: S
chroedinger's Poem; Night Football and New Year Audit.

And then most audaciously read the
entire first chapter of my WIP: The Wobbly Odyssey. It seemed to go down quite well and definitely makes me think I WILL tidy it up a little and submit it for Pulp Idol.

All in all it was a quite different Open Mic night, but not poorer for it.
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Sodajerker.

I used to be a big user of podcasts but haven't been for a while due to technology issues (my iPod not talking with the Ford stereo for some reason). In recent weeks though I have returned to them using my phone (a Redmi6) and the PodBean app which the stereo seems to be happy with.

To that end I've returned to a few of my favourite Podcasts including:

  • 'A Good Read' (BBC4)
  • 'The Book Review' (New York Times)
  • 'Clarkesworld'
  • 'That Peter Crouch Podcast' and
  • Ok, and the Archers Omnibus (BBC4)

It's been great to get back to these, but best of all I've discovered a new one to me called 'Sodajerker... on Song Writing,' which comprises a couple of guys (local lads too - a happy coincidence) in interviews or, what feels more like relaxed conversation, with an enormous range of songwriters about their art and process. I've only listened to two so far - the recent one from Dido and an older one from Elvis Costello. They were both bloody excellent.

If all the others are half as good as these - and I've no reason to think they won't be - then I've found something wonderful and I am sure that anyone who is interested in music will find an episode (or 138) to enjoy. Yes, 138, it's been going since 2011. How the hell have I missed this for all that time? The thing that caught my eye whilst i was looking at Podbean in this instance was the name - as Soda Jerk is a song from one of my fave bands - the wonderful Buffalo Tom. So whilst I've found it by happy accident in some ways (because of the name), equally surely I could have spotted it exactly the same way earlier. Anyhoo, the main thing is I've found it now and I've got 136 episodes to plough through. Happy days!

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Next up for me will be a couple more locals with the conversations with Paul McCartney and The Coral. There's also Adam Duritz, Mike Scott, Loudon Wainwright III and Paul Simon... like I say a wealth of material to go through.

So in case you haven't found them yet, and you don't know Buffalo Tom so miss my attraction to it, if you've got a musical bone in your body; just get on it, folks. You won't be disappointed. Click on the picture above to go to the website or look them up on iTunes or with your podcast app of choice.
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Love Hurts and Stuff

Set myself a target of 2k words this morning on a horror short and got there easily enough. Hope to get it finished by midweek. Probably be around 5k ultimately.

Next up was some guitar/singing practice. And I ended up recording two songs I've just taken on in the last week including 'Love Hurts' (Gram Parsons and Emmylou Harris) which I sang at the Open Mic on Thursday. If you don't know the original then get on and find it. Not sure if my slightly sore throat helps or hinders.

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Then I went on and played a more recent song from the wonderful Decemberists, 'Down By the Water' which I'd love to play along with 'This Is Why We Fight' ideally.

Anyways, all practice is useful.
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Heart Breaks and Blondes in the Sanctuary

Had an enjoyable night at the Sanctuary Open Mic last night. Much better to get on before Dave Jones rather than after the blues master. After only playing three songs last week I played five this time to get the average back up to four. As I've been playing more I've added a few more strings to my bow, even if they are all slightly wonky.

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In the end the songs I went for were:

  • Somewhere Down the Road (which seems to be my go to for getting me going at the mo)
  • Heart is Living in the Sixties Still (following Paddy's Day last week)
  • Take Me Down to the Infirmary
  • Love Hurts (an ambitious duet for one)
  • Heart Breaks Like the Dawn

It was good to see both Bobo and John, the Open Mic organisers, play this week - it's been a while.

A couple of regulars didn't turn up, which meant that the chilled night was even more chilled (and gave me time to not worry about playing five songs either). There were I think six singers and a poet and short story teller. Just need to cram in 10,000 hours of practice before the next one.

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The Ossett 'Yorkshire Blonde' was bloody lovely last night too and I didn't even try anything else.

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Livin' in the Sixties

After writing the two pieces last week for NFFD writing has taken a bit of a backward step. I aim to get something done for the Seedling Challenge tomorrow morning. Had a late finish yesterday and will do again tomorrow - so hoping to do it in the morning.

At least I've managed to do some guitar practice. Played for over two hours on Saturday, which is the most in one go for years I reckon. Recorded a Saw Doctors number 'Heart is Livin' in the Sixties Still' on St Patrick's Day (Sunday).

Heart Is
Heart Is Living' in the Sixties Still

Actually did that on the first take. Okay, you could argue I should have tried a few more takes but I had the Fulham v Liverpool game to get out to watch, didn't I?

It's Open Mic this week and maybe this one will get a try out alongside my usual slow Americana.

Not sure what songs to go for, but probably four from:

  • Heart is Livin' in the Sixties Still
  • Heart Breaks Like the Dawn
  • Somewhere Down the Road
  • Couldn't Get Arrested
  • Sweet Carolina
  • Splendid Isolation

There's a couple of other possibilities, but we will see.

I've still got to get to grips with my TWO WIP. Especially if I'm to submit the first chapter for Pulp Idol. Arghhh! Not enough hours in the day or days in the week.
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Of Tyres and Strained Faces

It made sense to take today off with going to the beer festival last night, although with the relatively late arrival at the festival I didn't actually have that many to drink so would have been okay to drive today. That said I had two tyres which definitely needed changing lest I risk a fine and points (or a blow out etc) so I scheduled that today and have boxed that off.

Given me a bit of time to strum in any case so I started with a new song today - 'Save It For A Rainy Day' by the Jayhawks, from their wonderful album 'Rainy Day Music' - if you ain't listened to the Jayhawks then you're missing a treat. Timeless pop songs with beautiful harmonies. Get on it, people.

Harmonies? Well that'll have nothing to do with me then, but a quick strum later and I've put it up on YouTube. I think now that I have enough songs to be getting on with the next thing to do is to learn to play the buggers better. Which means strumming patterns and throwing in some different chords or - god forbid - some riffs... Eek!

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In the meantime I should also work on gig faces. 'Cos my lord the current ones aren't fit for purpose.

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My initial practice for 'Save It For A Rainy Day' is on the YouTube music blog thing or whatever that thing is. Hopefully in a few months I'll be playing all these songs better in increments. Practice practice. Not sure I can do much about the face though.
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Missing Mike

It's Open Mic tomorrow in the Sanctuary Bar and this will be the first one I've missed since discovering it and my new found love for all things singer songery.

It's a mate's birthday celebration which means I is going to be at the Liverpool Beer Festival in the wonderful Lutyen's Crypt of the Roman Catholic cathedral. As excuses go for not attending to the Open Mic it's not a bad one.

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Realising I'd had five attempts at recording the song without the mic working.

Notwithstanding my night off from the Sanctuary I'm still looking at expanding my range of songs available to play at future events. After last week going back to an old one I used to play previously with the Smithdown gang (the Saw Doctor's "N17") I've gone to a song from a similar time. I'm not sure we played it back then, certainly we probably did when messing about in Kev's front room, but I'm not sure it ever got released into the wild. It's another one of my favourite bands that I could never understand weren't successful in the mainstream (like Green on Red and Chuck Prophet): Cracker. If you can get your hands on a CD or find them on Spotify do it. Loads of great stuff.

Anyway I chose another slow downbeat one (cos that's what I do) called 'Take Me Down to the Infirmary' from the album Kerosene Hat. I may do the title track at some point but the vocals are hard to get right - probably another capo song.

I recorded about five versions of me playing it before playing it back and finding the mic wasn't working. Not sure whether it wasn't plugged in right or what. Bit odd - as I would have thought if it wasn't plugged in then the laptop's mic would have kicked in in its stead. So I put the USB mic back in and gave it one more go. And that, my friends, is now up on the YouTube thing along with my other meandering practices.

At this rate by the time I've practiced all my current repertoire I'm gonna have a difficult choice to make at the future Open Mics. Which is a good thing, of course.

YouTube

It astounds me that I have 5 Subscribers. Thank you whoever you are. Wonder how long it will be until I start writing and playing my own songs... Not imminent, but then again maybe over the next few months.


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Long Forgotten Songs

After achieving my aim of writing more than one thousand words today I treated myself to playing some guitar - if that is a treat. And I looked at playing something I haven't played since back in the 1990s: 'N17' by Saw Doctors. I strummed it a few times then tried to record it with iMovie using the Snowball mic to practice using both - I'm not used at all to this iMovie yet. This time I put the mic in the mic stand though it is just loosely held as opposed to screwed in as the old stand doesn't have a screw fit. May have to consider buying a swing arm for the mic. But hell, I'll leave that for today. In the meantime I put N17 up on to that there YouTube channel.

Finding the lyrics in my old music file led me to looking back at our old 'posters' and set lists for gigs we ('Smithdown') did in 1993 and 1994. The main thing it illustrates is how much computing has changed since that time - can't even recall what word processor we were using back then (I think Wordstar 6 or maybe 7?). The other thing is how many songs we bloody played - over twenty. I suppose we did actually practice back then. I'm only just getting back up to double figures now #musttryharder

These are the posters for two gigs - one at Kitty O'Shea's (RIP) 'Don't go on Saturday, GO ON TUESDAY!' in August 1993 and the other at the Liverpool Irish Centre (also sadly RIP) at Christmas 1994, where we got the 'The Hooleys' to play - and ended with the 'Terry Tuppence' disco. I've not got the set list for the 1994 xmas gig but I've got the set lists for the Kitty's gig and the 1993 Xmas gig at the British Legion, Mossley Hill.

Kittys Poster

Set List 170893

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Set List 101293

Maybe I should go back to some of these songs to up my current repertoire back up towards twenty a bit quicker than I have been. I could definitely feel a rendition of 'I Useta Lover' (or the infamous 'Stood Up, Deffed Out and Desperate') would go down well at the open mic; currently the only songs from these sets that I have played at the open mic are 'One I Love' and 'Heart Breaks Like the Dawn'.

That said, I think there's only a few of these I would want to (re) add to my repertoire - probably '110 in the Shade' (yet another Chuck Prophet), 'One' (U2), 'Fisherman's Blues' (Waterboys) and maybe 'Sweet Child of Mine' (Guns and Roses). Let's see...

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Of Mics and Men

Open Mic at the Sanctuary last night actually had a mic and multiple guitars. Huzzah! There were multiple singers as well as poetry and short story readings. Excellent, as ever. Not sure why but all the open mic'ers are men. Come on ladies, bring your plectrums.

I didn't play Shed a Tear, which I was working on this week, in the end I went for my current favourites:

  • You Couldn't Get Arrested
  • Somewhere Down the Road
  • Sweet Carolina, and
  • Heart Breaks Like the Dawn

I sing most each song with my eyes closed. Don't know why or how I stop that - or even whether I should. That said a brief video has emerged on Instagram showing that maybe they're not quite as closed as I thought they were... click on the photo.

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Couple of mates turned up, including one who doesn't have a musical bone. Not sure he'll be back often unless it's just for the beer (didn't like the stories or poetry either). It takes all sorts to make a world.

I was made 'spare' on Friday so at least it meant I could have a couple of drinks. Unfortunately there weren't extended drinks in the bar so had to settle for one in the Fall Well (Wetherspoon) here I had a lovely Peerless Oatmeal Stout whilst I waited for the bus (not even the last bus).

Plans re the guitar playing include in order: work on strumming patterns; write some songs! Then maybe get into scales and riffs. Strumming and songs very much first though.

In other news I have a beta reader of my first six chapters of the 'book' I wrote for NaNoWriMo in November and it's getting to the point where I should get on with writing the rest of it. I reckon it should be another 30-40k words. If I did 50k in one month then I should be able to do that in a month too should I? It's all about motivation and getting in the groove again with it. Having not touched it since getting to the 50k at the end of NaNo I need to finish reading where I'm up to and get writing.

I'll give myself six weeks (I have the guitar to work with too - which I wasn't playing until the second part of November). So watch this space. Could I finish my first whole book?
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Mo Music

A day that should leave me feeling a bit more relaxed one way or another, but we'll see.

Updated my mate's business website. Nice to get that boxed off in quick time. In other news I managed to get around an hour or so playing the guitar which was nice. I've got a bit of a sore back at the moment - I think a trapped nerve - which has left me a bit pins and needled on my fretting hand which isn't ideal. Recorded 'Shed a Tear (for the lonesome)' using the Blue 'Snowball' microphone and iMovie. The movie is a bit dark and freckly as it was getting dark out and I was only using the computer's iSight camera. At some point I'll see if I can attach or use my Lumix instead - would be better for image quality and flexible recording.

Yesterday I received a Twitter message from
Getintothis to tell me I'd won a couple of tickets for a gig tonight at Sound on Duke Street. There's three or four bands on with the headline act being 'Allusinlove'. Looks like it may be fun. More music and on another school night. Unfortunately most the usual suspects I'd go with aren't available tonight so looks like I may be there on me lonesome - awww!

allusinlove

Suppose I better get ready for popping out for some tunes then.
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iMovie

After getting the new microphone for the computer it made me consider the software I've been using. I haven't really be looking at that which is daft. The little practice vids I've put up on YouTube were recorded using PhotoBooth, which is one of the bundled pieces of software with the Mac and then I've edited it using iMovie to get the clip length right, flip the view and add appropriate titles.

As it is I've looked into the recording now and it seems at the very least I should be recording it straight into iMovie rather than using PhotoBooth. The picture quality would be better - not sure about the audio (haven't found a reference to that yet). To that end the version of the software on my 9 year old MacBook Pro is 9 years old itself (iMovie 9). Found that iMovie 10.1.10 was issued in November 2018 AND importantly is FREE; which is always a nice price point.
IMovie_2013
Downloaded and installed the new software. The key thing will be how stable the software is on my computer. If it is then it could be a winner. It has already automatically updated all the previous videos I'd recorded with the old software. Proper Mac. Easy.

Though let's see if I've spoken too soon...
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Snowball's Chance

Ordered a Snowball ICE USB mic from Amazon today. It's currently reduced by £12.50 off at £42.50, which I think is probably a mighty fine bargain. One of the organisers of the Sanctuary Open Mic (Bobo from the Vapery, Waterloo) had put on Instagram that he'd ordered it and I couldn't not jump on that bandwagon. I think that the reduction is because they are about to release a new mic. But if this one does the job, well then it's worth dipping in.

Snowball

Should get it in a few days and by the weekend I hope to be giving it a try out to see what the difference is from the MacBookPro's internal mic. I assume it will be significantly better and prove well worth the money. It has 4.5 stars on Amazon from over 335 reviews, which is pretty good for tech. The specification and the reviews certainly look positive.

Will do some recording of both guitar/singing and narrative and see what it comes out like. Will report back on here. So if any of you out there are considering podcasting or recording (or just Skyping) then I'll let you know what it's like.
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Glastonbury - Photos

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I've said I'd write a memoirs piece on Glastonbury festivals after the Twitter vote last week so I've been digging through some of my photos from them. I've been lucky enough to go five times in 2007-10 and 2015. For some reason I don't seem to have any photos from 2010 but hey. Haven't decided where to start with the writing yet. But in the meantime here are some photos showing the usual; bizarre parades, mud, beer, the Bimble Inn, the Park Stage and bands including Broken Family Band, My Morning Jacket, Ryan Adams, Frank Turner, Neil Young.

I'll come up with something. But whatever I write it'll never be good enough to say how special and different the event is.

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Glastonburys

Last week I ran a vote for the subject of my next memoir piece where I pitted some of my experiences in the People's Republic of China and the Russian Federation versus music festivals and the winner was... 'Glastonburys.' Who needs world travel when you can just pop down to Somerset? Huzzah!

Glasto Vote

Well, I say huzzah! But it's going to be a tough one to write and keep in decent bounds - I've kind of kept the maximum word count at around 2000. Keeping to that with the bands and experiences I've had there will be a test. First thing is to decide what to focus on, because it can't be the music per se, for where would you stop? It's got to be the experiences. My first one was a lovely bewildering episode, the next few were different with the bigger group of people and the last one - when I won two tickets and took a mate - was lovely. However I end up writing it I hope to get it written and up on the site in the next ten days. It's going to be a fun journey.

Ash Gully1

In the meantime why not read one of my older pieces, like the Raul vs the Volcano: the El Chichon episode.

Andy and the Volcano1


Back at the Dodge1

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Open Mic #5

On Thursday I went to my fifth Open Mic at the Sanctuary, was a top night. Initially it looked like the numbers may be a bit down but in the end there were more than usual including a couple of excellent newbies who spotted the Open Mic as they were passing the pub. I think they'd gone somewhere else first and found an open mic was not on, so it was fortuitous for them - and us.

As ever there were plenty of guitarist singers and in addition there was poetry and short stories.

Guitar Blur Sanctuary300

I did four songs and as ever nobody else knew three of them. It may well be the way to continue - if they don't know it they don't know when you're singing it wrong. The songs I did were:

  • 'Heart Breaks Like the Dawn' - Chuck Prophet
  • 'You Couldn't Get Arrested' - Green on Red
  • 'Somewhere Down the Road' - Chuck Prophet
  • 'Hotel California' - Eagles

I'll let you guess which ones the viewing public knew... Put it this way I'm spreading the Chuck Prophet/Green on Red gospel.

Here are some photos from the night (I didn't bother with the interruption from the drunk speed fuelled guy).

Sancturary4 Sancturary5 Sanctuary1 Sanctuary2 Sanctuary3 Sanctuary6

Not sure if I'm going to do new ones next time or just try and get better with the ones I've been doing to date first. Strive to get better!

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Flipping Heck

After uploading a song yesterday, where I'd flipped it to the correct orientation, I've had to re-upload all the older songs after flipping them the right way round too. A bit painful, and it means I've lost all my 'views' and 'likes' and all that but hell that doesn't matter.

It also means all my old links from earlier blog updates are wrong too, which is a shame.
Heart Breaks

Anyway, they're all sorted now so my T-shirts will read correctly in English - and I'm no longer looking left handed.


And I've put them all into a playlist '
Andy's Acoustic Practicing.'

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Updating the Website

Beginning to update the website. Starting to make it look a little cleaner by removing the colours, thick lines and rounded edges on the boxes to begin with. I need to sort out the header to make it smaller (need to look that up as to best way of doing that and keeping it consistent) in the meantime I've just made the header plain colour rather the distracting backgrounds I had before. In actuality that will mean the different appearance will be least evident on the blog.

I've moved the Memoirs pages beneath a general heading for 'Writings' as I intend to put up some small fictions and none fictions under here at some point, possibly starting with old flash from sites like Angry Hourglass and Flash Fiction Friday and the like, but ultimately to include new writing too. I'll see about that over the next few weeks but in the meantime I need to decide on my immediate goals for writing in the coming weeks, months and indeed years.

Just done another Chuck Prophet song 'Heart Breaks Like the Dawn', probably a few bpm too slow but hell it'll do for now. I've also flipped the video so the words read right on my t-shirt. But of course that now means all my other videos have me mirror reversed. Oops. More editing work required at some point.

Heart Breaks
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Not So Sweet Carolina

Uploaded yet another song on to YouTube: 'Sweet Carolina' by Ryan Adams. That's eight songs now, eek! One of the songs (along with One I Love, Van Diemen's Land and Splendid Isolation) that I can currently play without requiring the words there - at least as comfort for me. Current song list up there comprises:

  • Sweet Carolina (Ryan Adams)
  • Hotel California (Eagles)
  • Somewhere Down the Road (Chuck Prophet)
  • Couldn't Get Arrested (Green On Red)
  • Splendid Isolation (Warren Zevon)
  • Van Diemen's Land (U2)
  • One I Love (REM)
  • Better Be Home Soon (Crowded House)

Sweet Carolina
'Sweet Carolina'

I need to choose another song to learn this week. Will have a wee think about that tomorrow. Will also be re-doing 'Better Be Home Soon' as the version up there is absolutely pants at the moment.

Have kept the original poorer Hotel California up there for now - just for the comedy value and Football Focus moment. ;-)



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Practice Practice

Don't know how many times I've played Hotel California over the last couple of days. But I'm getting better at it - which I suppose is the point of practice.

So here's a link to it.... IT.

Hotel Calif

Currently considering what songs to learn in the new year. Anyway, now I'm off out for a couple of beers to bring in the new year. Should do a couple more blogs tomorrow. In the meantime though...

HAPPY NEW YEAR!



DSC_0183
CHEERS!
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Check Out Any Time You Like

Had a wee bit of a strum today playing Hotel California - such a fab song. When I played with a few mates back in the 1990s one of them had written out the lyrics for it, but we never got around to playing it. It predated Google and all that and I realised today that he'd got a few words wrong, which is quite off-putting when you're playing along. Anyway, got them sorted now. Shows how long it is since I've been into playing; handwritten lyrics as (mis)heard from the LP?

Decided to record my playing it. A minute and a half into it though I noticed Footy Focus was starting so had to pause the TV (I wasn't going to miss it with Liverpool being top of the league). It was quite funny so I've left it in the vid anyway. The end of the song is a bit nothing. But I'll re-record it at some point. The question now is whether I'll learn the song and play it at one of the Open Mics in 2019?

Anyway, should you like a laugh then my strum is here....

I do like the Eagles. I was lucky enough to see them in Moscow back in 2001 or so. Funnily enough they played their gig in two sets and opened the second set with Hotel California. Russians being Russians most of them missed it as they were beneath the stands still drinking. The gig ended with the Russian audience chanting 'Cal-if-forn-I-A, Cal-if-forn-I-A...'. They were gutted when they didn't come out to play it again. Still makes me laugh now.

I am currently reading 'VOX' by Christina Dalcher. Nice easy read and over half way through now so should finish it before New Year, which will mean I'll have read 34 books this year (according to my GoodReads records). A bit down on last year, but it is what it is. Need to make some plans for my reading next year and more importantly my writing. It's been a mixed year for writing for me. I got published just the once which is the least I've been published since I first was back in 2014. That said I was made up with this publication, with it being the third of the Infernal Clock anthologies: 'Deadcades'. I've been lucky enough to had stories in all three of them and they are all excellent, this year's though seems a cut above. Unless we're going to get to a situation where Infernal Clock get to Part 5 of a Trilogy, in a Hitchhiker's Guide to the Galaxy style, then I'm going to have to find some suitable places to submit stories for. And this must form a decent part of my planning. I've still got to find a home for the original story I wrote for the Infernal Clock: Calendark too.

The other positive was finishing NaNoWriMo for the second time. It was a bit chaotic this time, but I think I've learnt a lot from that which makes it worthwhile in itself. I need to go on and finish that in 2019 and then edit, re-edit etc if I think it is worth it. At the same time I've got to consider whether to finish and rewrite the NaNo from 2017.

As you can see I have some planning to do. Now I've finished strumming for the day - and writing a quick blog - then it IS planning time. Well as much as I can before watching the Liverpool v Arsenal game with a couple of mates and some ales.

No doubt will report back on here with writing and reading plans. It's kinda what the blog is for really.
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Last Class Song Of The Day

This evening I've scheduled in the last of what I'll call the 'official' Class Song of the Day songs. I've been doing this since April of last year and have only accidentally missed a couple of days in that time. As said previously though it does take a little time and I have put pressure on myself to keep it going. Now that I've decided to finish it of as of December 31st then I won't have the time pressure to keep up with it.

FT1 DavidBowie Counting Crows1

That's not to say I won't tweet out songs from now on. It just means if I don't I won't feel I've messed it up if I miss a day, or a week, or if I repeat any songs. In fact I've actually carried on and buffered songs a week into the new year. And I now don't care that a few of these are repeats of earlier songs I've tweets out links to. Ha! Who cares? Not me. I've not added the hashtag #ClassSongOfTheDay to the songs for next year. The hashtag may or may not remain dormant. We shall see.

Anyways carry on loving music. Because there aren't many legal things much better than music out there.

Cracker Ryan Adams Bullet Warren Zevon
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Final Open Mic of the Year

Yesterday I went to my fourth Open Mic event at the Sanctuary Bar, Liverpool. It was the final one of the year.

There was a decent turnout and it was very enjoyable. There were six or seven guitarists performing as well as a fab poet and an author reading a couple of his stories out.

AJW-OpenMic

There were a couple of teething issues with a dodgy connection between the guitar and the PA and a severely struggling mic stand which was taped up and unadjustable. This meant I was a wee bit hunched up to get down to the hobbit level of the mic. I trust that at Xmas the Open Mic team will get a new mic stand. Er if they've been good.

I did a couple of songs I haven't performed before: 'Somewhere Down the Road' by Chuck Prophet and 'Couldn't Get Arrested' by Green on Red. In addition I did 'Better Be Home Soon' (Crowded House) and 'Van Diemen's Land' (U2).

John

Getting more relaxed playing which can only be a good thing.

New year I hope to start writing my own songs.

Dry IceOpen3Open2

I've uploaded a few of my practices of these songs on my YouTube Channel so I'll be able to chart my hopeful improvement as I get back into playing again.

Thanks must go to the Sanctuary Bar and the organisers of the Open Mic. It's a cool relaxed event and I'm glad to have found it. Roll on 2019.
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Last Eight Days

With Elton John being my last artist getting a whole week for himself on #ClassSongOfTheDay this week,I've gone and picked my artists for the last eight days of the year, but not the songs - incidentally it was supposed to be the week for Pixies then Lykke Li. The artists I have gone for are:

  • Decemberists
  • Jayhawks
  • Neil Young
  • Teenage Fanclub
  • Chuck Prophet
  • Warren Zevon
  • Ryan Adams
  • Frank Turner

Unsurprisingly it has come out largely as Americana and singer songwriters. A difficult pick with Bright Eyes, John Hiatt, Blue Aeroplanes, Felice Brothers, Thea Glimore, Adele and Iron & Wine all waiting in the wings.
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More Strumming

It's been good to get back to strumming the guitar again. I've had too many months and years not playing the thing. It's just been sat there. I should have continued with it. Anyway, I've found it again and I'm loving getting back to it. Looking at what I used to play back in the 1990s I've evidently forgotten a hell of a lot.

The main thing I need to work on in the short term is sorting some decent strumming out. I'm posting some of my practicing on YouTube hoping that it will serve to act as a baseline for me to move away from.

I've played three Open Mics in the last six weeks or so and aim to get to four shortly and next time I'm going to play some different songs as I am trying to expand my repertoire. I'm minded to give
'Somewhere Down The Road' by Chuck Prophet and 'Couldn't Get Arrested' by Green on Red a go. I can always throw in a couple that I have done previously. I've never played these before in public. So will be nice to see the song options improve if not the quality of my playing... yet.

I've put me wee attempt at
Somewhere Down the Road up. A class song, if not the way I play it ;-)

Somewhere

Once I can play better maybe I should do something about the sound and lighting and maybe I'll get some dancing troupe to distract any accidental viewers.
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TV and Time Creation

So I fixed my TV earlier in the week by disconnecting the buttons that work it (yeah, who'd have thunk it?) and what did I do last night? I only went and watched the Strictly Final and Michael Bloody McIntyre. I mean WTF!? If ever there was evidence that my remote control wasn't working that would normally be it. But no, I saw through most of the former and all of the latter with only two bottles of Wild Bill's IPA from Aldi to keep me company: Living the Dream on a Saturday night. To be fair I did actually quite enjoy them - but, in my defence, I was also quite knackered. With respect to the winner, I do like Stacey Dooley for what she does on the telly box, but I thought (assuming we weren't basing it purely on actual dancing - when clearly the American Pussycat should have won) then Faye deserved it. Anyway, congrats to Grimsby and all that.

I then went all dark and watched the latest two episodes of
Sinner (Season 1) on BBC4. An interesting crime in a fucked up little American town with a fucked up police detective investigating the crime. It's hard to think of any detectives on the box that aren't at least a wee bitted messed up in one way or another. I assume at detective interviews if you claim you have a calm and stable life with no messy backstory, or a closet full of weird shit, you don't get to the second round of interviews. In this one he's got a messed up marriage and spends most his none investigating time getting beaten up by an ex (who he now pays to do it) in a severe masochistic relationship. Still, I'm sure he'll uncover the crime and all the baddies in the end; as long as he doesn't get accidentally suffocated first in a bizarre sexual encounter. Now that's an ending... and all the criminals lived happily ever after in the ultimate sliding doors moment.

In other news, I announced I'd probably stop
Class Song of the Day at the end of this year (frighteningly just 15 days away) and one of my (okay probably my only) regular clicker and listener has said 'I won't miss it...'. Now that is a damning indictment if ever I've read one. I suppose if not doing it gives me another 26 hours a year to do something and it does for others too, then I have magically created at least 6 working days of time out of nothing. So sometimes stopping something can be a job well done then. Huzzah!

Talking of time creation... watching that much TV in a night can't be a good thing. But I was tuckered out and moving not a jot was the way to go. Won't be watching too much TV today other than the Liverpool v Man Utd match (and if we win MOTD).
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Class Song of the Day

In April last year I came up with the idea of Class Song of the Day, where I would post on Twitter each day a song I rather liked - in theory for others to listen to too. And I've been doing that ever since.

Partly it was to avoid a habit of not posting a song for ages then inundating my poor Twitter followers with loads of songs and bands in a flurry of some Friday evening or other. Such Tweet barrages are hard to stomach when you receive them. As often as not you'd ignore a sudden influx from one source - well I do at any rate. So a regular timed, once a day effort, kinda made sense.

Anyway I am of a mind to end it now at the end of this year. I've not run out of bands or songs and whilst it doesn't take that much time its regularity is something that requires me to keep on top of once a week or so with respect to the website and a maximum of once every ten days to put the Tweets into Buffer. In truth it probably takes about half an hour a week or so. But ultimately whilst I've enjoyed curating this music - whether it is to people who haven't heard it before or have (or reintroducing the music to me) - there are not many people listening to it and it won't really be missed. Maybe it is only half an hour, but I could use that half an hour for writing a blog or even - god forbid - stories. Or maybe applying for jobs. Or baking cakes.

Well, not the latter.

Half an hour a week is 26 hours a year - or three working days - to do writing (or baking or eating cake).

At the end of the day (or week) I've only got my No.1 music follower Sal as a regular visitor and clicker who may miss it. Maybe I'll just DM some band names or links to her instead. ;-)


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CSOTD2

CSOTD

All the November excitement of VSS365 and NaNo has to some extent passed. It seems an age ago (er it is 4 days since my stint at the helm of VSS365 came to an end). But my other scheduled daily Tweet is still very much alive, that is: Class Song Of The Day. This evening I've updated the CSOTD (Year 2) webpage and the next ten days of songs are Buffered.

This weeks songs are from the living folk legend that is Steve Earle. Enjoy.

SEARLE

Can't believe there are only three artists to come after him before Christmas. The year, the year is disappearing right down the plug hole. That said I've got the next six artists lined up as far as the end of January. Should be a breeze to get the full Year 2 sorted. Not sure what/if I'll continue into Year 3 with if. We shall see when we get there in the middle of April.

Since April I've been selecting an artist that I like, putting them up for the week and choosing a song each day for them. It's been a cracking group of artists. Let's face it if I was a DJ it'd be bloody great - I'd like it anyway.

CSOTD2ARTISTS


The CSOTD Tweet get's sent out each morning at 8am (UK).
#ClassSongOfTheDay
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Open Mic 2

Yesterday I went to play a few songs at the Open Mic in the Sanctuary Bar on Lime Street. It was the second time after playing three songs there a couple of weeks ago. Last time there were fewer people in attendance which made it easier to play after I'd heard a couple of people playing. This time there were more singer guitarists I'm not sure if I hadn't played the other week whether I would have got up in front of them.

I was second up and played three songs: Van Diemen's Land, the One I Love and Better Be Home Soon. Struggled a bit with the One I Love which is daft, because its the easiest one to play - or at least the one I've played the most. I think the nerves of like playing probably made me play it too quickly. Still I managed to force myself into the high notes and then did the Crowded House number. It's the first time I've played that in front of anyone and it wasn't too bad.

Following me on to the mic was Dave Glyn Jones, who I've never seen before and bloody hell he was good. If he'd come on before me there is no way I would have gone up and played. Very very accomplished. Great guitar and a gravelly blues voice and funny with it. Damn talented. The next two came up, who I didn't catch the names of, and they were great too. It was an enjoyable night and my mate who had never seen me play before had come along. Surprisingly he really enjoyed the night as he's not really into bands that much, but he found it all excellent (especially Dave).

Dave spoke to me afterwards and kindly told me not to be so self deprecating up there and that I had a nice voice (?) and good musical taste. I'll take that. Just need to play the guitar a lot more often and learn some new tunes. I know if I keep at it and keep throwing myself in front of an audience I should get more confidence and with that get better at the whole thing. It's been a nice distraction to start doing this and I'm looking forward to seeing where it will go.
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Keeping Up With The Class

Have had an hour or so updating the Class Song Of The Day song list and now have the next 33 songs all selected and raring to go. In addition the bands and singers are all lined up as far as the new year. The next bloody year, people! 2019, my word.

So I now know that there will be songs from the 60s, 70s, 80s, 90s - and even THIS century. Incredible.

CSOTD2-hash

The CSOTD page is looking mighty fine already, but will look even better once the next ten bands are up there too.

I've spotted a few gaps so have some bands ready for next year. Like I say, bloody hell.
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Class Songing and Scheduling

Have updated the website with this week's song links for the wonderful John Hiatt. Only seen him once live, down in that there London far too many moons ago. Would like to see him some more.

JOHN HIATT2

And I found that second Twitter scheduling site. I use Buffer for Class Song of the Day and for free you can only schedule a maximum of 10 Tweets; with me needing to schedule 30 Tweets for VSS365 next month I needed to find a second site to do the scheduling - or else I'd have to log in and just do five of each (ie every five days). With going for NaNo this year every bit of time saving and general assistance is a god send. Trying out a little used one. Will see how it does, I won't name and shame it until I know if it works properly and if it does I will sing its praises of course (maybe it'll come in handy for someone else). I've scheduled the first ten words already. So watch Twitter at 06.30am on November 1st to see if it works - and maybe give it a whirl.

VSS365
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Class Song Of The Day

Class Song of the Day has been moving amazingly smoothly from one week to another in Year 2. Since Dylan and the Stones in July I've continued with a mix of big bands and a few lesser known ones and a few singer songwriters, namely;

  • Broken Family Band
  • REM
  • U2
  • Neil Young
  • Bright Eyes
  • Iron & Wine
  • Barenaked Ladies
  • Queen
  • Creedence Clearwater Revival
  • Cracker
  • David Bowie

I've got the weekly bands lined up now as far as Christmas. Yes, that bloody holiday thing. There is apparently an almost never ending supply of my favourite bands. Of course next year that may well be tested, if I continue into year 3.

#ClassSongOfTheDay
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Continuing CSOTD2

Class Song of the Day has continued unabated - it's a good job I like a lot of bands. With the latest being the wonderful Canadian band Barenaked Ladies who consistently record fab albums and are great live - although I last saw them many moons ago when they played in the Royal Court, Liverpool (so I guess that would be mid-1990s!).

Of all the bands and singers I've had so far in Year 2 there are only the Beatles and Warren Zevon who I haven't/can't seen live (although I did see Paul McCartney when he played Anfield in 2008).

CSOTD6
CSOTS1
CSOTD2
CSOTD3
CSOTD4
CSOTD5

The bands coming over the coming months will include a lot more bands that I haven't seen because I can't be everywhere or every-when.

It's my birthday week next week and whilst the No.1 when I was born was the Beatles 'Hey Jude' I won't be having the Beatles again next week, but I do have it all set up with one of my favourite bands from when I was a youngster. But that's next week and you'll have to wait to see who they are. In the meantime enjoy the songs from the Barenaked Ladies and all the other bands above with links on the CSOTD2 page.
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Return to the Guitar

Yesterday I sat down to think about getting back to playing the guitar. I've two in the house; a lovely green telecaster and a semi-acoustic Takamine. Can't even remember when I last played the electric but from time to time I pick up the Takamine for a quick strum. The thing is I've forgotten so many songs that I used to be able to play and have lost the ability to play most of the riffs I used to know a bit. So I've decided to get a bit more methodical and timetable some specific guitar practice. To learn (or relearn) a bunch of songs I used to play (at least after a fashion).

Ideally I want to get to a point where I can face playing in front of someone again. In fact maybe play at an Open Mic or two. The Sanctuary pub in Liverpool being one possibility. So I need to learn a few songs from start to finish, words and chords, with appropriate strumming patterns and all that malarky.

To that end my initial aim is to learn again twelve songs, which is kinda an album length of tunes. Then from there go on to twenty four and thirty; then who knows?

Should I get into playing again then I'd like to write a few songs once again. It's been a long time since I have done that. Then that opens up the possibility of playing my own stuff at an open mic too. That maybe for next year, but learning the first of the 'twelve' should be a lot easier in theory so who knows I may end up at an open mic sometime over the next two or three months.

I've got four to six I should be able to box off relatively quickly, say over next couple of weeks. Then if I aim to learn a couple of songs a week thereafter then maybe I can box of twelve songs in five weeks or so.

First up I'm going to create a playlist of all 30 songs to practice the words and feel of them. Then I'll print off the words and chord sheets for them all and have a nice neat file (that said I probably have half of them at least already printed out in one file or other). Then, lastly, I need to get my guitar ready and begin playing the thing again. Regularly.

So in five weeks will I have twelve songs I can feel confident enough to stand up (or sit down) and play from start to finish? We'll see.

Watch this space.
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Dirty Ole Tunes

So far this week has been very poor for writing. Hoping to get an hour or two done this weekend - at some point.

Finished reading Neil Gaiman's 'Fragile Things' which of course was excellent - and makes you realise how good short stories CAN be. Now I need to get more practiced at it. Pen to paper, mate.

Been an odd week with a few things. But whilst writing and reading has been a bit limited I have at least managed to update the website a little, especially getting Class Song of The Day up to date. So far Year 2 has been a breeze. As well as 'Buffering' the next ten songs I've selected the following 32. I'm keeping up with keeping up.

This weeks songs have been from The Pogues. Let's face it, who doesn't like them? An easy job for me then. Now get yerself drunk crooning, no need to remember the words just grunt along folks.

Pogues

Next week is one of my fave singer songwriters and underrated guitarist... but I won't spoil the surprise. You'll have to wait until Monday for #ClassSongOfTheDay on Twitter
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Frank Turner Week #1

CLASS SONG OF THE DAY YEAR TWO: FRANK TURNER WEEK

'
They've started raising walls around the world now
Like hackles raised upon a cornered cat
On the borders, in our heads
Between things that can and can't be said
We've stopped talking to each other
And there's something wrong with that

So before you go out searching
Don't decide what you will find
Be more kind, my friends, try to be more kind
'

Lyrics: 'Be More Kind'

So after the glorious harmonies of the Jayhawks along came one of my favourite singer songwriters (and I mean of all time even though he's only a young pup right now) the wonderful Frank Turner. He is a prolific writer and performer and the quality doesn't seem to be a problem. He keeps track of all his gigs and currently as I write this he's up to gig #2183 (in Baltimore). I've been lucky enough to seem him at five of those gigs and they were all boss (Bath, Liverpool, Glastonbury (Secret gig) and Glastonbury (Second Stage)).

FrankTurner

That's four not five. Well yeah. The first time I saw him was incredibly at Wembley Arena on April 13, 2012. I'd gone down to watch the Liverpool v Everton semi-final at Wembley and found that the night before Frank was playing the Arena. A very lucky accident. It's hard to get over how bizarre this gig was in some ways. I mean a folk(ish) guy without big record company backing and not that well known filling out Wembley Arena through little more than word of mouth. It was a fabulous gig. A massive singalong from start to finish. Support was great too with Beans on Toast, Dan Le Sac vs Scroobius Pip and Billy Bragg. I was lucky to keep some of my voice for the following day (when Liverpool of course beat Everton).

The seven songs I chose were:

  • Glory Hallelujah!
  • Plain Sailing Weather
  • I Knew Prufrock Before He Got Famous
  • Get Better
  • Long Live the Queen
  • Reasons Not to Be An Idiot
  • Mittens

Click on the pic to go to the Class Song of the Day (Year Two) and check them out. He's so prolific and great that I'll be having a second Frank week later in the year.

Frank Turner & the Sleeping Souls are a brilliant live act. If you get a chance to see them don't think twice.

This week's songs will be from The Pogues.
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Sunday Morning

Today's plan is based around my normal 'Ideal Day' type:

  • Coffee
  • Read a bit
  • Write a bit
  • A couple of ales

We'll see how I go.

After waking up early I got to the bit coffee early doors. Eventually I prised myself away from Twitter to get a whole hour (whoopee-do) of reading. Currently reading Neil Gaiman's 'Fragile Things' (a short story collection). I am still behind in my reading this year, but getting some done. Onward and upward.

Next up was looking at updating some Class Song of The Day stuff. Selected another couple of artists and sorted the picture for next weeks band, which I'll upload onto the 'CSOTD: Year 2' page shortly. It's a band I was well into back in the 1990s and have seen in a few places - whatever the venue invariably there was chaos with this lot.

Next up there was this little blog update. It's important to keep it a little bit alive, isn't it?

Following this the remaining plan is a wee bit of writing. Maybe 1000 words? Got a competition piece to consider as well as getting back onto the Infernal Clock story. I've also got to finish of the Turkmenistan memoirs piece for the Memoirs section (it's been half finished now for an age) and also type up 'The Origin of the Carbonatite Magma'. But that's not for today.

After completing some writing I'll be rewarding myself with a pint and meeting a mate in Liverpool centre.

I'll report back how the writing, and the imbibing, goes. Laters ...

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Jayhawks Week

CLASS SONG OF THE DAY YEAR TWO: JAYHAWKS WEEK

'Pretty little hairdo, don't do what it used to
Can't disguise the living
All the miles that you've been through

Looking like a train wreck,
Wearing too much make-up,
The burden that you carry
Is more than one soul could ever bear'

Lyrics: 'Save It For A Rainy Day'

Following on from Ryan Adams in Week Four Class Song of the Day Music Weeks was brought to you by The Jayhawks a most underrated and glorious band. Been lucky enough to see them a few times, as well as seeing the lead singer Gary Louris perform in Liverpool. Top songwriting with lovely guitar and beautiful harmonies.

They is top (I like them so much my main email address is named after a Jayhawks album!).

Jayhawks

The seven songs I chose were:

  • Waiting for the Sun
  • I'm Going to Make You Love Me
  • Ace
  • All the Right Reasons
  • What Led Me To This Town
  • Bad Time, and
  • Stumbling Through the Dark

Click on the pic to go to the Class Song of the Day (Year Two) and check them out.

This week's songs are from Frank Turner the prolific English troubadour. I've had a real hard time whittling that down to seven songs; pretty sure I'll have a second Frank week later in the year.

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Much More Class Ryan et al

Just updated the next ten songs on Buffer for the upcoming days with some fab tune age. Disappointed how little decent live footage (or even official videos there are of next week's class act). Ho hum. Some bands don't get the coverage or investment they deserve. Ryan Adams week has come to an end there was no probs finding decent vids and lots of live stuff by him. Biggest problem was refining a selection down to seven songs. Been listening to lots of the CDs in the van this week, whacking them on loud. Let's face it I could have just put seven tracks of Gold or Heartbreaker up. Me thinks I'll be having a second Ryan Adams week later in the year.

The seven songs I chose for Ryan Adams week were:

  • I Love You But I Don't Know What to Say
  • Two
  • When the Stars Go Blue
  • Do You Still Love Me?
  • Let It Ride
  • Come Pick Me Up
  • This Is It

Really I could have picked seven other songs and been equally happy with the selection. So many good songs in that man's heart.

Ryan Adams

Putting ten songs in Buffer means I've selected the first three songs of the following week too and again the biggest problem with that act is getting the number down to seven songs and I can see me definitely having a second week for that artist too.

Thinking of presenting the Class Song of The Day pages on the website differently now that this year it is split into weeks. Watch this space...

Anyways, been good to keep it going and enjoying the videos and performances myself even if not many of you guys have been clicking yet (though happy to see Sal has been enjoying Ryan today!).

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Counting Crows Week

CLASS SONG OF THE DAY YEAR TWO: COUNTING CROWS WEEK

"When everybody loves you,
Oh, son, that's just about as funky as you can be"


It is Week Three of my Class Song of the Day Music Weeks and following on from Warren Zevon and Wilco it is another of my big lovely favourite bands, the wonderful Counting Crows. I fell in love with them straight away when I first heard them on the new Virgin Radio through 1993 and 94. At the same time I fell in love with Cracker who (I think) toured with the Crows around that time in the UK. I didn't see them on that tour but I have been lucky enough to see them three or four times in the UK.

Adam D

Given how long they've been going it is a bit surprising that they've only released seven studio albums:

August and Everything After (1993)
Recovering the Satellites
(1996)
This Desert Life
(1999)
Hard Candy
(2002)
Saturday Nights & Sunday Mornings
(2008)
Underwater Sunshine (or What We Did on Our Summer Vacation)
(2012)
Somewhere Under Wonderland
(2014)

If you haven't got August and Everything After then you really don't have a CD collection at all, so get it sorted. Mr Jones is one of the most perfect pop songs ever and don't get me started on Anna Begins.

August Hard Candy Desert Life

If you don't like listening to Adam Duritz singing and baring his soul then you, my friend, have no soul.

Happy listening.
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Wilco Week

CLASS SONG OF THE DAY YEAR TWO: WILCO WEEK

Following on from Warren Zevon Week, which was the first of the artists of the week for Class Song Of The Day (Year Two), it's now week two and this week's band is one of my most favouritest bestest bands ever ever. It's Wilco (the band not the Johnson).

Wilco 1
Wilco - the Band

I've been lucky enough to see them several times in Manchester and Nottingham and at the End of the Road Festival. They are a top band and a brilliant live act; wonderfully melodic, occasionally very noisy, great lyrics (which is my 'thing' I guess) and most of all consistently high quality thanks in no small part to the fab songwriting of the lead man Jeff Tweedy.

Jeff Tweedy
Jeff Tweedy - songwriter extraordinaire

They've released ten studio albums and an excellent double live album (Kicking Television, 2005). The studio album discography comprises:

A.M. (1995)
Being There (1996)
Summerteeth (1999)
Yankee Hotel Foxtrot (2001)
A Ghost is Born (2004)
Sky Blue Sky (2007)
Wilco (The Album) (2009)
The Whole Love (2011)
Star Wars (2015)
Schmilco (2016)


Typing those out I realise I don't have the two most recent - it must be rectified. I'd find it hard to recommend just one, due to the aforementioned consistent quality. If you are coming to them for the first time maybe I'd recommend Summerteeth that said YHF or A Ghost... a difficult call.

NelsCline
Nels Cline - Boss guitarst and chief wall of noise meister

You can also find the two albums they recorded with Billy Bragg, performing songs to lyrics from Woodie Guthrie; Mermaid Avenue I and II.

If you get a chance to see them live don't miss them. And prepare to be blown away by a tight band, immense tunes and some stellar guitar and noise from Nels Cline.

Hope you enjoy this week's curated tunes.

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Warren Zevon Week

Warren Zevon 1

CLASS SONG OF THE DAY YEAR TWO: WARREN ZEVON WEEK

Well, here we go, Year Two of Class Song Of The Day has commenced with six songs by six different artists and from tomorrow onwards we'll be having lots of 'Weeks' of bands and artistes. There could be no other artist for the first week but Warren Zevon. Had real problems deciding which songs to pick, I could have picked a whole other seven and been equally happy with the choices. Anyways, I hope you enjoy them. And if you do, and haven't come across him much then get some Zevon in your record collection forthwith. A class act and a wonderful lyricist; anyone who can write verses like this from The French Inhaler has got to be loved and admired:

"Loneliness and frustration
We both came down with an acute case
And when the lights came up at two
I caught a glimpse of you
And your face looked like something
Death brought with him in his suitcase.

Your pretty face
It looked so wasted
Another pretty face
Devastated
The French Inhaler
He stamped and mailed her..."


As a starting point you could do worse then getting the best of album 'Genius' and then wend your way from there to his studio albums.

Genius

The biographical book 'I'll Sleep When I'm Dead' is a fair read put together as snippets from people who were with him at various points of his somewhat chaotic life. Interesting way of sketching out his life.

Warren Ill Sleep

I've scheduled the first three songs of the next artist too. But I won't tell you who that is until next weekend ...
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ClassSongOfTheDay Year TWO!

Today was the anniversary of my attempt to tweet a link to a song each day, which I christened "Class Song Of The Day". In theory it was one song per day by an artist, who wasn't to be repeated in that year and it went out every day at 8am thanks to my use of Buffer. I got close enough to doing a 'damn fine job' apparently (quote unattributed; although it may have been me). The first song up was the wonderful Natalie Merchant and via another 363 songs I ended with Sheb Wooley and the 'Purple People Eater'.
PPE

Anyway that was the year that was, what about the year that is to be?

I haven't spent much time thinking about it, but I was never going to continue with the same aim i.e. another 365 artists with no repetition. Carrying on with the daily song though... well I'm happy to give it a go. So I was - or still am - after a different form.

My current thinking is to have an Artist of the Week and/or Themes of the Week (or Fortnight). I've already picked my first few bands and singer songwriters but if I'm making it as round weeks then I'm not starting it tomorrow (on a Tuesday; that'd be silly). Therefore I've picked the next six songs (and I LURVE them all) and the band/theme weeks will start next week.

Class Song Of The Day Year One Is Dead,
Long Live Class Song Of The Day Year Two!

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Thinking Cap

Well, it's Saturday and I'm a) off and b) of to Sheffield on a real ale trip. Huzzah! It's a wonderful city for real ale pubs. Me thinks a Jaipur in the Thornbridge Tap may be in order. Then of course some Pale Rider in the Kelham Island Tavern.

It's also the last weekend of the first year of Class Song of the Day. The wonderful Centrefold by J. Geils Band yesterday and Rick James' Super Freak today leaves just two days and three songs to go tomorrow and Monday.

Er and now I realise I just have TWO days to decide what to do with next year's Class Song. Or even if to continue with it at all. Um... thinking cap. I need to buy a thinking cap. As I'm of to Yorkshire maybe I'll find a thinking flat cap.
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A Year of Class

I've done it. Scheduled up to next week so that I will have succeeded in a year of music tweets in #ClassSongOfTheDay As mentioned last week I realised I appear to have repeated one song so on the last day of the 'Class Song Year' I've scheduled two songs. The last one is a real daft one from the 1950s which I loved as a kid. Not sure how well known it really is. But hey, it's a great song so it's in. Still haven't decided what I'll do with the Class Song once the year is up. I've a week or so to think about it.

I've now created all the Class Song pages (bar this April's) with all the artists and songs. Just got a hell of a lot of links to add... hope to get that updated over the next week or so.

It's taking a few hours to do on the website but it'll look good when it's completed and then I'll have some time to do some writing. My writing has stalled a little lately. But I'm keen to get on with some. Watch this space.

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December and January Class

Updated the Class Song of the Day pages with all the links to the songs from December 2017 and January 2018. Only the previous eight months to get up over the next week or two. Getting there though.

Two things that have come to notice during obtaining these links included finding one of the songs had not gone out on twitter. 'Dodecahedron' by Beth Jeans Houghton should have been tweeted on the 13th December but wasn't. I can't tell if the song went out on Facebook having just deleted my account.

Beth2

Worse still I've found a song I've put up twice over the year. I'm really not sure what has gone wrong there. Will have to have a double song day to ensure I've 365 different artistes over the year. I thought I was doing so well too. Damn!

#ClassSongOfTheDay
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More Class Songs

I've finally got around to putting some of the links through to the songs from Class Song of the Day on to the website. Partly this is because of me getting off Facebook. My FB page has largely comprised just the Class Song being automatically copied over there when the tweet goes up each morning at 8am. A few regular visitors to my daily song on FB aren't Twitter users so I thought maybe if they are going to keep following the songs then they are more likely to peer at the website than head over to Twitter.

Sleeper2

As I've already posted 340 links with this Twitter quest that means I face a lot of Copy and Paste to get the links checked and sorted so it will take me a while, but I've made a start with getting March to date and February links sorted on one page. To minimise pages but also minimise scrolling I've decided to display the links with two months per page and it seems to fit alright this way. I won't be updating the links page each day. I'll probably end up doing it once a week playing catch up with the Tweets of the previous week or so - I don't want to give away each of the daily songs in advance now, do i?

FirstAidKit

It'll definitely be easier to click through songs on the list than trying to find individual links through the hashtag for anyone who doesn't follow me on Twitter. So first 50 or so links posted, just another 290 to go through. Flip! A rod for my own back maybe, but once the year is up the effort will have made a nice whole. When I've a moment I'll consider whether to put other information up there in addition to the song links. That said, I only have so much time ya know!

Villagers

Head over to the Class Song (Feb-March) page to check out the links to the songs from the last couple of months. There should be something there for everyone.
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Mixed Up Class

Been another good few songs in the last few days from Class Song of the Day including some excellent indie stuff from the 90s with They Might Be Giants, Echobelly, Elastica, Lush and Orange Juice. Been nice to listen - some of these which I haven't heard for years.

Sleeper Elastica
Sleeper / Elastica
Lush OrangeJuice
Lush / Orange Juice

The next ten days are up and ready to go on Buffer which will take it up to day/song #315 and includes a right mix of classic rock and roll, rockabilly, folk, country and blues rock.

Keep listening!

#ClassSongOfTheDay
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Buffer & Six Months of Class Song of the Day

TP

Last night I scheduled the next ten days of my daily #ClassSongOfTheDay tweet out which will take me past the six month mark. So far I've managed to succeed in the aim to have unique artistes for each day, so there have been over 185 bands and singers I've gone through. Expect I'll manage that over the following year, after that though I will no doubt start repeating some of the bands - probably - but never the same song and artist. Assuming I keep track of it properly.
Wilc
I've had pop, rock, folk, Americana, Motown, blues and many things in between and long may that continue. The next week brings up a mix of Americana, 80s Pop and modern Indie tunes. It was sad last week retweeting an earlier Tom Petty ClassSong after his early departure from us, hoping I don't have to do that too often too soon.


AMc

Buffer, the website I use to schedule the daily Tweets, has been easy to use and I can recommend it for anyone wanting to send out a regular message when they are out and about or want to arrange them all in one go in advance. It's easy to use and has never failed to send the Tweet out on time; so basically it does what it says on the tin. You can only schedule TEN tweets (and/or FB Posts) at a time with a free account, but if you wanted it done professionally for a web campaign I could see it being very worthwhile paying for. Not for my little Class Song though - I'll just have to keep on top of it every eight to ten days or so.

BD

If you are interested in using it then try it out at www.buffer.com

DPS
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Lost Class Songs of the Days

Class Song of the Day on Twitter (and sometimes on my otherwise rarely used FB page) is now on Day 127 with 'Handle With Care' from the great supergroup the Traveling Wilburys. The Wilburys were one of the bands that made the jump from my cassette to the CD collection and whilst I'm trying to avoid repeating artists on each of this year's #ClassSongsOfTheDay I keep finding songs and artists that I used to have in my collection that I no longer have since the cassettes got binned a few years ago.

wilbs

It could and should cost me some money to bring my CD collection back up to include artists I haven't listened to for such a long while. Of course I could stream or download... but I'm a person who needs a hard copy of my songs in my hand or on my shelf.

A second hand CD shop or two may take a hammering over the coming months. That said, I'll need some more CD storage...

Dang that music!


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It's The Caledonia Americana Fest

Caught half the set last night from the always excellent Nick Ellis in the Caledonia. There was a good appreciative audience in there and it is nice set up for the upcoming music festival.

P1010608
P1010591


It's good to see the return to the Cali of their Americana Fest, which this year runs from Monday 31st July until 13th August. There is no pub better in Liverpool to see (always FREE) great quality music. Always a good bunch of people in there and they sell real ale there too (other drinks are apparently available too). So what's stopping you?

CalamFest

DSC_1124

The schedule (9pm start unless specified):

Monday 31st - Hannah Aldridge + Louisiana
Tuesday 1st - Donkey Hokey
Wednesday 2nd - Cajun Session
Thursday 3rd - Speakeasy Bootleg Jazz Band
Friday 4th - Blind Monk Trio
Saturday 5th - Dirty Cello
Sunday 6th - Martin Smith Quartet (4-7pm)
Sunday 6th - The Desperate Measures (9pm)
Monday 7th - The Big Easy
Tuesday 8th - Yellow Belly Stragglers + Swampcandy
Wednesday 9th - Howlin' Ric & the Rocketeers
Thursday 10th - Rosenblume + The Whisky Situation
Friday 11th - Marley Changes
Saturday 12th - Amanda Brown & the Common Ears
Sunday 13th - Loose Moose String Band (8.30pm)

DSC_0382

DSC_1370

Keep up to date on the Caledonia website.
Follow @thecaledonia
Tweet #calamfest


www.thecaledonialiverpool.com

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Top Tweets

I love Twitter. It's just a fab community. A fast way to find out things, identify trends. Follow the right people, ignore a lot. Sift through the mire with your eyes wide open and it is a fab world in itself.

Oh, and through it I've WON a load of boss stuff on it. In the last few years: pairs of tickets to Glastonbury, to V Festival, Low, Magic Numbers, Josh Rouse and Ed Harcourt. And meals at a couple of Liverpool pubs. A £30 bar tab. And a Liverpool Cheese Club event. All through Twitter.

SaintMotel
Saint Motel at Liverpool, July 2017

And this week I won a couple of tickets to Saint Motel at Liverpool O2 Academy, through Bido Lito! Didn't know the band. Didn't have a song by them. The only song I'd heard a bit of was through the NowTV advert (and I didn't know it was them until I won the tickets); just break it down to different sizes and listen to the very catchy 'My Type'. Anyway, medium length story short... it was a lovely gig. Thanks Bido Lito. And thanks again Twitter!!!

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Songs and Songs and Songs

Good to see one of my fave songwriters, Conor Oberst (as Bright Eyes), was the most popular song last week and the Killers got some love too.

Bright Eyes
Conor Oberst

Now I've updated my Buffer for the next ten days. It's mainly 90s band stuff coming up, but it's a real classic tomorrow from the 1980s and Sal will defo know it - a very famous videos too!
Killers
Killers

In fact I got a bit carried away today and I've identified my playlist all the way through to August 8th. Blimey!

Rock on! (...and folk on, and pop on too).


#ClassSongOfTheDay

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Daily Updates: Every Day

Been doing better with my Daily Delivery Photo and my Class Song of the Day twittering than I could hope.

Actually
51 songs in to the #ClassSongOfTheDay Will I do the full year without missing an update? Oh I suppose not, but so far so good. Aiming to go the full year without any repetition of artist which means I am having to keep a spreadsheet. I tell ya, that is serious business. Been a good mix of singers, bands and genres. But I should push the envelope a little at some point. I've got the spreadsheet sorted until mid-July and there's plenty of classics coming up!

Today's song is from
Shakira when she was brunette, strummed a guitar and sang in her own language. Some things never change hey!?

shak

Here's the 51 artists so far in the order they have appeared. It looks like a great festival line-up:

Natalie Merchant - Mark Knopfler - Pixies - Arctic Monkeys - Belly - REM - Diesel Park West - Blue Aeroplanes - Jayhawks - Teenage Fanclub - Robert Cray - BB King - Felice Brothers - Radiohead - Del Amitri - Cranberries - Black - Queen - Frank Turner - Neil Young - Ryan Adams - Bryan Adams & Tina Turner - John Hiatt - Creedence Clearwater Revival - Stevie Ray Vaughan - Stornoway - British Sea Power - Eurythmics - Cast - Boo Radley’s - Tears for Fears - Echo & the Bunnymen - Wah! - The La’s - Beatles - Cracker - Deer Tick - Gun’s n Roses - Black Crowes - Heart - Sigur Ros - Decemberists - Jeff Buckley - Magic Numbers - Adele - Ben Kweller - Blues Brothers - Jimi Hendrix - John Lee Hooker - Broken Family Band - Santana - Shakira


Every so often I update this as a Playlist on Youtube so I can find them in one handy place:

YouTube: ClassSongOfTheDay

In the meantime keep an eye out every morning at
8am (UK) @zevonesque
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More songs of class

Music Playlist

I'm now
Fifteen Days in to Class Song of the Day and the last week has seen great music from:

Blue Aeroplanes
Jayhawks
Teenage Fanclub
Robert Cray
BB King
Felice Brothers
Radiohead
and
Del Amitri

Hard to pick a favourite out of that lot for me. Although everyone else's fave seems to have been "
Nothing Ever Happens" by Del Amitri. Who knew? I guess it's one way of identifying the demographic of my twittering cohorts.

Del

Have created a playlist for all the #ClassSongOfTheDay songs should anyone want to find them all in one handy place; now on YouTube.
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Class Song of the Day

Started 'Class Song of the Day' last week on Twitter and to do that have started using Buffer, so that it's timetabled and consistent.

One week in and the songs have been:

Natalie Merchant: San Andreas Fault
Mark Knopfler: Going Home (Local Hero)
Pixies: Here Comes Your Man
Arctic Monkeys: When the Sun Goes Down
Belly: Feed the Tree
REM: Imitation of Life
Diesel Park West: All the Myths on Sunday

Have already lined up the next couple of weeks.

'
Buffer' is dead easy to use. Neat and simple. Using the FREE version I can only line up 10 tweets at a time, so I'll still need to remember to update it every now and again. But once every ten days? Then yeah, I can keep that up.

In theory.

Main risk later in year is repetition. And I don't want any of that going on. So I've
set up a spreadsheet. A spreadsheet I tell you! Is there no end to my morning of computing... Tweets, 'Buffering', Blogs, Hard Drives, Spreadsheets...

Yeah, but no fiction writing AJ. Okay, that's enough. Talking to yourself in the third person. Step away from the computer. Step away. Put the kettle, make a coffee, pick up a pen and a pad.

I said, 'Step away from the computer, you Sunday morning procrastinator.'


-----

Find the songs on Twitter as #ClassSongOfTheDay where it gets tweeted every morning at 8 BST
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Everyday Music

Musical Notes

Every so often I post links to
music I like or love on Twitter. Sometimes I post quite a few on a day, then I may go weeks without doing it again. Makes sense if I'm going to do it at all I should spread it out rather than have sudden bursts of inspiration!

So I've done it and linked up my
@zevonesque Twitter account so that I can send out regular timetabled tweets. I've given Buffer a go to do this. So in theory at 8am (UK) every day this week there should be some right quality mixed-up music choice winging your way via my Twitter account. We'll see how/if it works.

First up today was the wonderful
Natalie Merchant (10,000 Maniacs) with a live version of San Andreas Fault from way back in the early 1990s. Takes me right back to early 1990s when I was working in Mexico, when it was my favourite album at the time (prior to discovering Shakira and Mana in Mexico).

TigerLily

San Andreas Fault is just a wonderful song and Natalie is such a class act. What an amazing 3 minutes or so and it's a great song to start my new daily scheduled music I think.



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Day Two: NeNa NaNo

Day Two was another working day, and not as early a finish as yesterday but I didn't do bad in terms of word count. Not quite finished the chapter hopefully get to finish it tomorrow. I don't know when to get around to reading it to see how rambling and incoherent it is. I'm guessing best doing that later rather than sooner in terms of carrying on and getting the bulk of the story down.

After spending sometime yesterday putting an iTunes Playlist together and listening to it a bit whilst working, today I started of with a bit of Mozart and then largely worked without music at all. I think 'wordy' music or even music that gets my head nodding may be okay before being in charge of a keyboard and a story with its whims and random acts of chance, but during it those song words may get involved with the story at some point. I think I may give Sigur Ros an hour or two at some point during the month rather than silence. Will be useful to know what really works best for me.

Anyway I managed 2213 words today, which after being a little low yesterday (1435) happily brings me back on track and gives me the knowledge that I can do 2000 words in a day. Even a working one. Woo hoo!

I even had time to update my website a little and - obviously - write this blog.

See you soon! x
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It's Here!! NaNoWriMo

Day One of NaNo (that's what I'm calling it from now on, live with it) and it was a working day like most of the month will be, but the working part of the day was short and okay. So I managed a few hours of writing late afternoon (3.30-6.30pm) and I've got myself an okay start - 1435 words.

Assuming you get to write every day you would need to write 1667 words per day to get to that magic 50k. That's a big assumption - I've already identified at least three days I am likely not to contribute many more than a few hundred or do a little re-reading/editing. So, say four days not writing at all that gets you up to 2000 words required a day. Um, that means I'm behind already. Okay, let's not go there. I'll have days above 2000 - possibly.

It's a question of getting into a groove and seeing how the story writing flows and hoping it doesn't stick much. I've already had to pop in and out of the writing to google research on silly little phrases and ideas.

The story is set around a Liverpool supporter with a cunning plan and so of course I had to create an appropriate Liverpool Playlist before I started the typing. Cue: La's, Bunnymen, Real People, Amsterdam, Space, Beatles, Boo Radleys, Johnny Cash (Ring of Fire), Gomez, Beta-Band & Steve Mason and Alun Parry.

It'll be fun this.

- I think.
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